The embodied intellectual: Impression and contact as political currency

Johnson, C. (2008) The embodied intellectual: Impression and contact as political currency. In: Intellectuals: Knowledge, Power, Ideas, Budapest, Hungary, May 2008.

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This paper explores the idea of the embodied intellectual through notions of contact, impression and affect. Through my reading of Tracey Emin’s short film Why I Never Became a Dancer, 1995, I consider the relation of criticality to haptic visuality with a view to articulating an affirmative and embodied understanding of intellectual work. Drawing on the emotional economy of Emin’s film I argue that this work can be understood as an affective encounter through which the relation of politics to intellectual work can be reconfigured. When read through notions of impression and contact the affective economy of her work becomes political currency.

Item Type:Conference or Workshop Item (Paper)
Uncontrolled Keywords:affect, embodiment, criticality, Tracey Emin
Faculty/Department:Faculty of Arts, Creative Industries and Education > Department of Arts and Cultural Industries
ID Code:10597
Deposited By: G. Brown
Deposited On:28 Jul 2010 09:29
Last Modified:12 Aug 2013 08:02

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