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Shaking an elephant: Sound, spectatorship and suspense, 1925-1930

Lawrence, Michael

Authors

Michael Lawrence



Abstract

An analysis of the representation of sound in Tod Browning’s The Unholy Three and its sound remake by Jack Conway.

Citation

Lawrence, M. (2008, July). Shaking an elephant: Sound, spectatorship and suspense, 1925-1930. Paper presented at Screen Conference, Glasgow, Scotland

Presentation Conference Type Conference Paper (unpublished)
Conference Name Screen Conference
Conference Location Glasgow, Scotland
Start Date Jul 6, 2008
End Date Jul 6, 2008
Peer Reviewed Not Peer Reviewed
Keywords sound, cinema, suspense, Tod Browning
Public URL https://uwe-repository.worktribe.com/output/1010859


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