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Staged photography and the performance of autofacture: Cross-genre impersonation in Cindy Sherman's self-portraits

Karantonis, P. (2008) Staged photography and the performance of autofacture: Cross-genre impersonation in Cindy Sherman's self-portraits. The International Journal of the Arts in Society, 3 (2). pp. 37-44. Available from: http://eprints.uwe.ac.uk/11146

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Publisher's URL: http://ija.cgpublisher.com/product/pub.85/prod.295


Item Type:Article
Uncontrolled Keywords:Staged photography, postmodern art, gender performativity, impersonation
Faculty/Department:Faculty of Arts, Creative Industries and Education
ID Code:11146
Deposited By: E. Cholerton
Deposited On:23 Aug 2010 10:33
Last Modified:02 Dec 2016 13:17

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