Staged photography and the performance of autofacture: Cross-genre impersonation in Cindy Sherman's self-portraits

Karantonis, P. (2008) Staged photography and the performance of autofacture: Cross-genre impersonation in Cindy Sherman's self-portraits. The International Journal of the Arts in Society, 3 (2). pp. 37-44.

Full text not available from this repository

Publisher's URL: http://ija.cgpublisher.com/product/pub.85/prod.295


Item Type:Article
Uncontrolled Keywords:Staged photography, postmodern art, gender performativity, impersonation
Faculty/Department:Faculty of Arts, Creative Industries and Education
ID Code:11146
Deposited By: E. Cholerton
Deposited On:23 Aug 2010 10:33
Last Modified:12 Aug 2013 08:03

Request a change to this item

Copyright 2013 © UWE better together