From Silent Screen to Digital Screen: A Century of Cinema Exhibition, Phoenix Square, De Montfort University, Leicester, 10th-11th July 2010.
Available from: http://eprints.uwe.ac.uk/12343
The fate of 35mm as an acquisition and exhibition medium is intimately connected with questions of future-proofing, archiving, preservation, and access, which are currently at the foreground of recent debates around screen heritage in the UK. In this paper I explore the threat of digital projection to the viability of the 35mm release print, the impact of this on film stock production, and how this will affect film preservation, from a UK perspective. The paper draws on the insights garnered from the interviews I have been conducting in the course of my current practice research project documenting the impact of digital technologies on the film industry.
|Item Type:||Conference or Workshop Item (Paper)|
|Additional Information:||Cinema and Television History (CATH) Research Centre
|Uncontrolled Keywords:||digital projection, cinema exhibition, film distribution, 35mm film, celluloid, film archiving, film restoration, digital decay, bitrot, 3D, 3-D projection, cinecasting, simulcasting, cinema history|
|Faculty/Department:||Faculty of Arts, Creative Industries and Education > Department of Arts and Cultural Industries|
Faculty of Arts, Creative Industries and Education > School of Film and Journalism
Dr C. Crofts
|Deposited On:||21 Dec 2010 13:08|
|Last Modified:||06 Dec 2015 12:08|
Request a change to this item
Total Document Downloads in Past 12 Months