Play (for) time

Crogan, P. (2010) Play (for) time. In: Homo Ludens 2.0., Utrecht, The Netherlands, 17-18 November 2010. Available from:

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Through their deployment of interactivity, virtualisation and simulation, videogames are prime examples of the contemporary form of what philosopher of technology, Bernard Stiegler, has termed the industrial temporal object. The experiences produced by these media are constituted in the course of the flux of the interior consciousness of the individuals engaged in following—and in the interactive era, in co-producing—the flux of their unfolding. Consequently they are at the very crux both of the individual’s own development in relation to the exterior milieu and in the mutual dynamic of individual and collective becoming that is mediated by shared experience. This paper proceeds from the conviction that a principal tendency of this crucial influence is readable in the preemptive, anticipatory temporalisation constituted in the play-time associated with mainstream videogames in their conventional, designed adoption. I offer some reflections on the challenge to individual and cultural becoming associated with this tendency toward a preemptive comportment to time. I will argue that the ludic industrial temporal object exemplifies a wider tendency toward the radical destabilization of the dynamic of individuation happening at the always technical and prosthetic nexus of the “and” between individual and collective.

Item Type:Conference or Workshop Item (Paper)
Uncontrolled Keywords:videogames, technoculture, Bernard Stiegler, Johann Huizinga
Faculty/Department:Faculty of Arts, Creative Industries and Education > Department of Arts and Cultural Industries
Faculty of Arts, Creative Industries and Education > School of Art and Design
Faculty of Arts, Creative Industries and Education > School of Film and Journalism
ID Code:16122
Deposited By: Dr P. Crogan
Deposited On:06 Dec 2011 16:09
Last Modified:02 Dec 2016 13:23

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