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Dark texture in artworks

Parraman, Carinna

Authors



Contributors

Reiner Eschbach
Editor

Gabriel G. Marcu
Editor

Alessandro Rizzi
Editor

Abstract

This presentation highlights issues relating to the digital capture printing of 2D and 3D artefacts and accurate colour reproduction of 3D objects. There are a range of opportunities and technologies for the scanning and printing of two-dimensional and threedimensional artefacts. A successful approach of Polynomial Texture Mapping (PTM) technique, to create a Reflectance Transformation Image (RTI) is being used for the conservation and heritage of artworks as these methods are non invasive or non destructive of fragile artefacts. This approach captures surface detail of twodimensional artworks using a multidimensional approach that by using a hemispherical dome comprising 64 lamps to create an entire surface topography. The benefits of this approach are to provide a highly detailed visualization of the surface of materials and objects.

Citation

Parraman, C. (2011). Dark texture in artworks. In R. Eschbach, G. G. Marcu, & A. Rizzi (Eds.), SPIE Proceedings. USA: SPIE. https://doi.org/10.1117/12.915374

Publication Date Dec 1, 2011
Peer Reviewed Peer Reviewed
Volume 8292
Series Title Color Imaging XVII: Displaying, Processing, Hardcopy, and Applications
Book Title SPIE Proceedings
DOI https://doi.org/10.1117/12.915374
Keywords 2D, 3D, accurate colour reproduction, scanning, printing, polynomial texture mapping, reflectance transformation image
Public URL https://uwe-repository.worktribe.com/output/957291
Publisher URL http://spie.org/x648.html?product_id=915374




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