Copyright and creation: Repositioning the argument

Parry, G., Bustinza, O. and Vendrell-Herrero, F. (2014) Copyright and creation: Repositioning the argument. Strategic Direction, 30 (3). pp. 32-35. ISSN 0258-0543 Available from: http://eprints.uwe.ac.uk/22069

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Abstract/Description

Significant business, legal, academic and political debates have arisen as a result of the impact of disruptive innovations affecting the creative industries, particularly with regard to issues of copyright protection, illegal fie sharing and the appropriateness of legislation to safeguard creator’s rights. Whilst some argument remains as to the level of remuneration that artists and copyright holders should be paid for their work, there is general agreement that current laws are not sufficient. A report from LSE Media Project (Cammaerts et al., 2013: http://www.lse.ac.uk/media@lse/documents/MPP/LSE-MPP-Policy-Brief-9-Copyright-and-Creation.pdf.) makes a case against the current proposed form of legislation in the UK for protecting intellectual property rights in the digital domain, the UK Digital Economy Act (DEA, 2010). We consider an in-depth evaluation of this act legitimate and valuable, both in economic and legal terms. However, the LSE report has several drawbacks in methodology that raises questions as to the validity of parts of the argument made in their call for a review. The objective of this short report is to better position Cammaerts et al. (2013) work in the literature, which in turn will help policy makers in taking informed decisions.

Item Type: Article
Uncontrolled Keywords: music, copyright, servitization, business models, creative industries, IPR
Faculty/Department: Faculty of Business and Law
Depositing User: Professor G. Parry
Date Deposited: 19 Nov 2013 10:40
Last Modified: 06 Jun 2019 13:14
URI: http://eprints.uwe.ac.uk/id/eprint/22069

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