Photography and the sequence: The image as poetry, page by page

Hammond, A. (2008) Photography and the sequence: The image as poetry, page by page. The Blue Notebook: Journal for artists' books., 3 (1). pp. 19-23. ISSN 1751-1712

Full text not available from this repository

Abstract

Despite the separate hand-made status generally attributed to the artist’s book, its study yields insights into the more commercially generated photographic book. This essay uses the examples of books by three 20th century photographers – Dorothea Lange, Ansel Adams, and Minor White – to demonstrate the cumulative development of visual syntax, degrees of interaction of image and text, and the capacity of the visual sequence to produce and sustain states of emotional response. The research offers scope for an understanding of the difference between the message delivered by a narrative sequence of images, and a different kind of meaning created through image relationships based on non-sequential, subjective and cumulative interpretations. The work encourages readers to be aware that meaning may be created or implied by non-sequential groups of photographic images stimulating different parts of the viewer’s consciousness, and to consider the roles of contingency, memory and internal reflection in the interpretation of sets of images.

Item Type:Article
Uncontrolled Keywords:Dorothea Lange, Ansel Adams, Minor White, artist’s book, 20th century photographers
Faculty/Department:Faculty of Arts, Creative Industries and Education
ID Code:7697
Deposited By: J. Montgomery
Deposited On:16 Apr 2010 08:33
Last Modified:12 Aug 2013 08:00

Request a change to this item

Copyright 2013 © UWE better together