The Moving Image, Fall 2008, 8 (2).
Available from: http://eprints.uwe.ac.uk/7782
Publisher's URL: http://dx.doi.org/10.1353/mov.0.0015
The fate of 35mm as an acquisition and exhibition medium is intimately connected with questions of future-proofing, archiving, preservation, and access, which are currently at the foreground of recent debates around screen heritage in the UK. In this article, I explore the threat of digital projection to the viability of the 35mm release print, the impact of this on film stock production, and how this will affect film preservation. Whilst these issues are universal, this article is oriented toward a UK perspective.
|Additional Information:||Cited in:
Karen Gracy, bibliography on Preservation in the Digital Age: alcts.ala.org/lrts/digitalage_bib1111.pdf|
|Uncontrolled Keywords:||digital cinema, digital projection, celluloid, 35mm film, digital exhibition, digital distribution, practice research, UK Film Council, digital restoration, film preservation, digital film|
|Faculty/Department:||Faculty of Arts, Creative Industries and Education > Department of Arts and Cultural Industries|
Faculty of Arts, Creative Industries and Education > School of Film and Journalism
Dr C. Crofts
|Deposited On:||17 May 2010 08:48|
|Last Modified:||18 Jun 2016 10:02|
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