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B

Bould, M., ed. (2014) Africa SF (Paradoxa 25) [Editor]. (25) Paradoxa. ISBN 1-929512-36-8

Bould, M. (2014) Africa SF: Introduction. Paradoxa, 25. pp. 7-15. ISSN 1-929512-36-8 [In Press]

Bould, M. (2014) From anti-colonial struggle to neoliberal immiseration: Mohammed Dib’s Who Remembers the Sea, Sony Labou Tansi’s Life and a Half and Ahmed Khaled Towfik’s Utopia. Paradoxa, 25. pp. 17-45. ISSN 1-929512-36-8

Bould, M. (2013) Genre, hybridity, heterogeneity; or, the noir-sf-vampire-zombie-splatter-romance-comedy-action-thriller problem. In: Spicer, A. and Hanson, H., eds. (2013) A Companion to Film Noir. UK: Wiley-Blackwell , pp. 33-49. ISBN 9781444336276

Bould, M. (2013) Book review: James Chapman and Nicholas J Cull, Projecting Tomorrow: Science Fiction and Popular Cinema. Viewfinder Online [online].

Bould, M. (2013) The stuff. In: Berra, J., ed. (2013) Directory of World Cinema: American Independent 2. (Vol. 2) Intellect, pp. 189-190. ISBN 9781841506128

Bould, M. (2013) Book review: Rapture: Book three of the Bel Dame Apocryhpa, Kameron Hurley. The Cascadia Subduction Zone: A Literary Quarterly, 3 (1). pp. 15-16.

Bould, M. (2013) Billy Jack. In: Berra, J., ed. (2013) Directory of American Independent Cinema, volume 2. Intellect/Chicago UP, pp. 309-310.

Bould, M. (2013) Blood simple. In: Berra, J., ed. (2013) Directory of American Independent Cinema, volume 2. Intellect/Chicago UP, pp. 207-208.

Bould, M. (2013) Book review: Tommy Hancock, Gary Phillips and Morgan Minor, eds. Black Pulp. Los Angeles Review of Books.

Bould, M. (2013) Born in flames. In: Berra, J., ed. (2013) Directory of American Independent Cinema, volume 2. Intellect/Chicago UP, pp. 337-338.

Bould, M. (2013) Bound. In: Berra, J., ed. (2013) Directory of American Independent Cinema, volume 2. Intellect/Chicago UP, pp. 209-211.

Bould, M. (2013) The Crow. In: Berra, J., ed. (2013) Directory of American Independent Cinema, volume 2. Intellect/Chicago UP, pp. 82-84.

Bould, M. (2013) Eat Drink Man Robot: Ordinary science fiction. In: The Science Fiction Studies Symposium/ The 2013 J. Lloyd Eaton Conference, University of California, Riverside, USA, 11-14 April 2013.

Bould, M. (2013) I drink your blood. In: Berra, J., ed. (2013) Directory of American Independent Cinema, volume 2. Intellect/Chicago UP, pp. 184-185.

Bould, M. (2013) Introduction to Edward D Wood, Jr’s Plan 9 from Outer Space for Bristol Bad Film Club. [Show/Exhibition]

Bould, M. (2013) Introduction to Luigi Cozzi’s Scontri stellari oltre la terza dimensione/Starcrash for Bristol Bad Film Club. [Show/Exhibition]

Bould, M. (2013) Introduction to Oscar Micheaux’s Body and Soul, starring Paul Robeson, for Bristol Silents. [Show/Exhibition]

Bould, M. (2013) Introduction to Tsukamoto Shinya’s Denchu Kozo No Boken, Tim Burton’s Frankenweenie and Ben Rivers’ Terror! at Avant-Goth: Avant-garde Engagements with Gothic and Horror. Birkbeck Institute of the Moving Image/British Film Institute, 23 November 2013. [Show/Exhibition]

Bould, M. (2013) Memory palace exhibition: Victoria and Albert museum, London [Review]. Science Fiction Studies, 121. pp. 596-598.

Bould, M. (2013) Other worlds are possible: Some trends in European fantastic film after the Cold War. In: Coelsch-Foisner, S. and Herbe, S., eds. (2013) New Directions in the European Fantastic. (Vol.23) Heidelberg: Universitätsverlag Winter, pp. 29-40. ISBN 9783825360993

Bould, M. (2013) Q-The winged serpent. In: Berra, J., ed. (2013) Directory of American Independent Cinema, volume 2. Intellect/Chicago UP, pp. 187-188.

Bould, M. (2013) Review essay: The Warped World of Koreyoshi Kurahara collection (Aru kyouhaku/Intimidation, Kyonetsu no kisetsu/The Warped Ones, Nikui an-chikushô/I Hate But Love, Kuroi taiyô/Black Sun, Ai no kawaki/The Thirst for Love). Film International, 62. pp. 54-58.

Bould, M. (2013) The Warped World of Koreyoshi Kurahara collection (Aru kyouhaku/Intimidation, Kyonetsu no kisetsu/The Warped Ones, Nikui an-chikushô/I Hate But Love, Kuroi taiyô/Black Sun, Ai no kawaki/The Thirst for Love) [Review essay]. Film International, 62. p. 54.

Bould, M. (2013) The omega code/Megiddo: The omega code 2. In: Berra, J., ed. (2013) Directory of American Independent Cinema, volume 2. Intellect/Chicago UP, pp. 296-298.

Bould, M. (2013) The pleasures of science fiction; or, some things I did the other day. Deletion: The Online Open Access Forum in Science Fiction Studies, 1.

Bould, M. (2012) Cinema as/of time travel. UNSPECIFIED, Arnolfini Gallery, Bristol.

Bould, M. (2012) Book review: Hacking the arab spring: G. Willow Wilson’s Alif the Unseen. The Los Angeles Review of Books .

Bould, M. (2012) Science fiction: The Routledge film guidebook. Routledge.

Bould, M. (2012) The Martians of Africa: Reading anti-colonial and post-colonial cinema as science fiction. In: The Martians of Africa: Reading anti-colonial and post-colonial cinema as science fiction, Arnolfini Gallery, Bristol, 23 June 2012. Arnolfini Gallery, Bristol: UNSPECIFIED

Bould, M. (2012) Mining the great midden of genre: Nick Harkaway’s Angelmaker. The Los Angeles Review of Books . p. 496.

Bould, M. (2012) Introduction to Ernst Lubitsch’s Lady Windermere’s Fan. UNSPECIFIED, Bristol Silents, The King’s Arms, Bristol.

Bould, M. (2012) “Don’t give him no sass or he’ll kick yo’ ass”: Anti-imperialism and race in US countercultural Sf cinema. In: 33rd International Conference on the Fantastic in the Arts, Orlando, Florida, March 21–25.

Bould, M. (2012) The Monstrous-Fantastic: In conversation with China Miéville. In: 33rd International Conference on the Fantastic in the Arts, Orlando, Florida, March 2012.

Bould, M. (2012) Sf and the short film. In: 33rd International Conference on the Fantastic in the Arts, Orlando, Florida, March 21–25.

Bould, M. (2012) Annette Hill, paranormal media: Audiences, spirits and magic in popular culture. Screen , 53 (4). 495-498 . ISSN 0036-9543

Bould, M. (2012) Book review: David J. Skal with Jessica Rains, Claude Rains: An actor’s voice. Science Fiction Film and Television, 5 (2). pp. 308-311. ISSN 1754-3770

Bould, M. (2012) China Miéville, Architeuthis Cadre. Journal of the Fantastic in the Arts, 23 (3). pp. 374-376.

Bould, M. (2012) Exhibition review: Superpower: Africa in science fiction exhibition (Arnolfini, Bristol). Science Fiction Studies, 118. pp. 559-561.

Bould, M. (2012) Film review: Captain Eager and the Mark of Voth. Science Fiction Film and Television, 5 (2). pp. 315-317. ISSN 1754-3770

Bould, M. (2012) From Llanfihangel Crucorney and Zagreb to the Stars!: Andrew Milner, ed., Tenses of Imagination: Raymond Williams on Science Fiction, Utopia and Dystopia and Darko Suvin, Defined by a Hollow: Essays on Utopia, Science Fiction and Political Epistemology. Science Fiction Studies, 117. pp. 304-312. ISSN 0091-7729

Bould, M. (2012) Globalization and Sf symposium. Science Fiction Studies, 118. pp. 374-384.

Bould, M. (2012) Philip K. Dick’s Valis. In: Philip K. Dick’s Valis, 2012. Camber Sands: Shellac of North America/ All Tomorrow’s Parties – Nightmare Before Christmas festival

Bould, M. and Vint, S. (2012) Political readings of the fantastic. In: James, E. and Mendlesohn, F., eds. (2012) Cambridge Companion to Fantasy Literature. Cambridge University Press, pp. 102-112. ISBN 9780521728737

Bould, M. (2012) Slipstream cinema: Dick without the Dick. In: Worlds Out of Joint: Re-Imagining Philip K. Dick, University of Dortmund, Dortmund, Germany, 15th - 18th November, 2012.

Bould, M. (2011) Rex Appeal (expert contributor). BBC 4.

Bould, M. (2011) What does our future look like? Visualising science fiction (panel discussion). In: Out of this World exhibition, British Library, 16th September, 2011.

Bould, M. (2011) Mind the gap: the impertinent predicates (and subjects) of King Rat and Looking for Jake and other stories. Extrapolation, 50 (2). pp. 307-325. ISSN 0014-5483

Bould, M. (2011) Border crossings: Labour in contemporary world Sf cinema. In: Global Sf: the 2011 J. Lloyd Eaton Conference, University of California, Riverside, 11th – 13th February, 2011.

Bould, M. (2011) Class, control and clones (panel discussion). In: Out of this World exhibition, British Library, London, UK, 1st August, 2011.

Bould, M. (2011) Doctor Who: Adaptations and flows. In: Telotte, J. P. and Duchovny, G., eds. (2011) Science Fiction Film, Television and Adaptation: Across the Screens. Routledge, pp. 143-163. ISBN 9780415887199

Bould, M. (2011) Globalised labour and world Sf cinema. In: The Eighth Annual Historical Materialism Conference, SOAS, 10th–13th November, 2011.

Bould, M. (2011) Hard rain falling: The best of Kim Stanley Robinson. The Los Angeles Review of Books .

Bould, M. (2011) Introduction to Ousmane Sembene’s Xala for Film Club Bristol screening. [Show/Exhibition]

Bould, M. (2011) Introduction to Robert Wiene’s Orlacs Hände for Bristol silents. [Show/Exhibition]

Bould, M. (2011) Jesus rebooted, Jesus freebooted: David W Thompson’s apocalyptic evangelical cinema. In: Selavy, V., ed. (2011) The End: An Electric Sheep Anthology. Strange Attractor, pp. 154-163. ISBN 9781907222023

Bould, M. (2011) Post-show discussion with director and cast of Volcano Theatre’s A Clockwork Orange. [Show/Exhibition]

Bould, M. (2011) Review essay: Spectacle, apocalypse and the telepathic fruitarian pacifists from Mars: Atlantis (Blom Denmark 1913), Verdens undergang (Blom Denmark 1916) and Himmelskibet (Holger-Madsen Denmark 1918). Science Fiction Film and Television, 4 (1). pp. 107-115. ISSN 1754-3770

Bould, M. and Vint, S. (2011) The Routledge concise history of science fiction. Routledge. ISBN 9780415435710

Bould, M. (2011) Science Fiction Foundation’s Sf criticism masterclass weekend tutor. In: Science Fiction Foundation’s Sf Criticism Masterclass weekend, London, 1st – 3rd July, 2011.

Bould, M. (2011) Spectres are haunting Europe: Contemporary cinemas of the fantastic. In: New Directions of the European Fantastic after the Cold War: The Second Annual Conference of the Gesellschaft für Fantastikforschung, 29th September – 1st October, 2011.

Bould, M. (2011) Suggested further readings in the slipstream. Science Fiction Studies, 113. pp. 208-219. ISSN 0091-7729

Bould, M. (2010) Review essay: From Panther to Princes, Sex Work to Starfleet: A special issue of African Identities on ‘The Black Imagination and Science Fiction’, Sandra Jackson and Julie Moody-Freeman (eds). Science Fiction #111, 37 (2). pp. 296-302. ISSN 0091-7729

Bould, M. (2010) Why Neo flies, and why he shouldn’t: the critique of cyberpunk in Gwyneth Jones’s Escape Plans and M. John Harrison’s Signs of Life. In: Murphy, G. and Vint, S., eds. (2010) Beyond Cyberpunk: New Critical Perspectives. Routledge, pp. 116-134. ISBN 9780415876872

Bould, M. (2010) Angel of Vengeance (aka Ms.45). In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 150-151. ISBN 9781841503684

Bould, M. (2010) Bone. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 47-48. ISBN 9781841503684

Bould, M. (2010) God told me to. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 155-156. ISBN 9781841503684

Bould, M. (2010) It's alive. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 156-157. ISBN 9781841503684

Bould, M. (2010) Primer. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 194-195. ISBN 9781841503684

Bould, M. (2010) Apes and alcoholics, duplicates and dreams: Enrolling film noir. In: The Noir Sensorium, Trent University, Canada, 7–9 October 2010.

Bould, M. (2010) Book review: Thomas Foster, The Souls of Cyberfolk: Posthumanism as Vernacular Theory. Canadian Journal of Communication, 35 (1). pp. 181-183. ISSN 0705-3657

Bould, M. (2010) Editors panel. In: 31st International Conference on the Fantastic in the Arts, Orlando Airport Marriott, Orlando, Florida, USA, 17-21 March 2010.

Bould, M. (2010) Film review: Eden Log. Science Fiction Film and Television, 3 (1). pp. 157-161. ISSN 1754-3770

Bould, M. (2010) Harold and Maude. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 169-171. ISBN 9781841503684

Bould, M. (2010) I woke up early the day I died. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 307-308. ISBN 9781841503684

Bould, M. (2010) “If it had a grave I’d spit on it”: Flash Gordon and the fidelity fallacy. In: 31st International Conference on the Fantastic in the Arts, Orlando, Florida, USA, 17th – 21th March, 2010.

Bould, M. (2010) Killer of sheep. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 53-55. ISBN 9781841503684

Bould, M. (2010) Medium cool. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 308-310. ISBN 9781841503684

Bould, M. (2010) Poison. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 234-236. ISBN 9781841503684

Bould, M. (2010) Revolutionary African-American Sf before Black Power Sf. Extrapolation, 51 (1). pp. 53-81.

Bould, M. (2010) Watermelon man. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 60-61. ISBN 9781841503684

Bould, M. (2009) Introducing Waltz with Bashir. In: Compass of Desire Film Festival, Trinity Centre, Bristol, 18 October 2009.

Bould, M. (2009) Insects and intentions: Imamura's women. In: Pigs, Eels and Insects: Reassessing the Legacy of Shohei Imamura, Arnolfini, Bristol, 17 October 2009.

Bould, M., Glitre, K. and Tuck, G. e. (2009) Neo-noir. London: Wallflower. ISBN 978-1906660178

Bould, M., Glitre, K. and Tuck, G. (2009) Parallax views: An introduction. In: Bould, M., Glitre, K. and Tuck, G., eds. (2009) Neo-noir. London: Wallflower Press, pp. 1-10. ISBN 9781906660178

Bould, M. and Vint, S. (2009) The thin men: anorexic subjectivity in Fight Club and The Machinist. In: Bould, M., Glitre, K. and Tuck, G., eds. (2009) Neo-noir. Wallflower, pp. 221-239. ISBN 978-1-906660-17-8

Bould, M. (2009) Powell, Pressburger and Peeping Tom. In: The Screen at Hay Festival of British Cinema, Hay-on Wye, Hay-on-Wye, 5 September 2009.

Bould, M., Butler, A. M., Roberts, A. and Vint, S. (2009) Fifty key figures in science fiction. Routledge, p. 288. ISBN 978-0-415-43949-7

Bould, M. (2009) Fritz Lang. In: Bould, M., Butler, A. M., Roberts, A. and Vint, S., eds. (2009) Fifty Key Figures in Science Fiction. Routledge, pp. 131-136. ISBN 978-0-415-43950-3

Bould, M. (2009) Stanley Kubrick. In: Bould, M., Butler, A. M., Roberts, A. and Vint, S., eds. (2009) Fifty Key Figures in Science Fiction. Routledge, pp. 126-131. ISBN 978-0415439497

Bould, M. (2009) Steven Spielberg. In: Bould, M., Butler, A. M., Roberts, A. and Vint, S., eds. (2009) Fifty Key Figures in Science Fiction. Routledge, pp. 200-205. ISBN 978-0-415-43950-3

Bould, M. (2009) Rough Guide to a Lonely Planet, from Nemo to Neo. In: Bould, M. and Mieville, C., eds. (2009) Red Planets: Marxism and Science Fiction. Pluto Press (UK); Wesleyan University Press (USA), pp. 1-26. ISBN 978-0745327310 (Pluto Press); 978-0-8195-6912-7 (Wesleyan)

Bould, M. and Miéville, C. (2009) Red planets: Marxism and science fiction. Pluto Press (in the UK); Wesleyan University Press (in the US), p. 293. ISBN 978-0-7453-2730-3 (Pluto); 978-0-8195-6913-4 (Wesleyan)

Bould, M. (2009) Twenty Thousand Leagues under the Matrix: Imagineering the world market. In: 'The Future Ain't What it Used to Be: Interactions of Past, Present and Future in Literature and Visual Media' Conference, University of Dundee, 17 June 2009.

Bould, M. (2009) Serial infidelities and extraordinary renditions: The many lives of Flash Gordon. In: Science Fiction across Media: Adaptation/Novelisation Conference, Katholieke Universiteit, Leuven, 28-30 May 2009.

Bould, M. (2009) The cinema of John Sayles: From Billy Zane to Brecht and Bakhtin, and back again. In: Marxism and Culture Seminar Series, Institute of Advanced Legal Studies, University of London, 15 May 2009. London: Marxism and Culture series, Institute of Advanced Legal Studies, University of London

Bould, M. (2009) The parapraxes of globalisation: Jules Verne and the unconscious of science fiction. In: Extraordinary Voyages: Jules Verne and Beyond - the 2009 J. Lloyd Eaton Conference, University of California at Riverside, 1 - 3 May 2009.

Bould, M. and Vint, S. (2009) Dead penguins in immigrant pilchard scandal: Telling stories about the "environment" in Antarctica. In: Burling, W. J., ed. (2009) Kim Stanley Robinson Maps the Unimaginable: Critical essays. McFarland, pp. 257-273. ISBN 978-0786433698

Bould, M. (2009) The cinema of John Sayles: from Billy Zane to Brecht and Bakhtin, and back again. In: Research Seminar, Department of Film, Theatre and Television, University of Reading, 18 March 2009.

Bould, M. (2009) The cinema of John Sayles: Lone star. Middlesex: Wallflower Press. ISBN 9781905674282

Bould, M. (2009) Language and linguistics. In: Bould, M., Butler, A. M., Roberts, A. and Vint, S., eds. (2009) The Routledge companion to Science Fiction. Routledge, pp. 225-235. ISBN 978-0415453783

Bould, M., Butler, A. M., Roberts, A. and Vint, S. (2009) The Routledge companion to science fiction. Routledge, p. 554. ISBN 978-0-415-45378-3

Bould, M. (2009) Bernd Herzogenrath, ed., "The films of Tod Browning" and Reynold Humphries, "The Hollywood horror film 1931-1941: Madness in a social landscape". Film International, 7 (4). pp. 78-82.

Bould, M. (2009) Book review: John T. Irwin, Unless the threat of death is behind them: Hard-boiled fiction and film noir. Scope, 13. ISSN 1465-9166

Bould, M. (2009) Dandies in the underworld. Electric Sheep, 12. pp. 32-34.

Bould, M. and Vint, S. (2009) Manufacturing landscapes, disappearing labour: From production lines to the cities of the future. In: White, L. and Pajaczkowska, C., eds. (2009) The Sublime Now. Cambridge Scholars, pp. 269-285. ISBN 978-1-4438-1302-0

Bould, M. (2009) Review: ‘Takayuki Tatsumi, Full Metal Apache: Transactions between cyberpunk Japan and avant-pop America’. Extrapolation, 50 (3). pp. 534-537. ISSN 0014-5483

Bould, M. (2009) Science fiction, globalisation and the logic of capital. In: The Sixth Annual Historical Materialism Conference, SOAS, London, 27-29 November 2009.

Bould, M. (2009) Stephen Shapiro, ed., "Gothic studies' 'material gothic' special issue" and "Collapse: journal of philosophical research and development volume iv: Concept horror". Extrapolation, 50 (2). pp. 345-359. ISSN 0014-5483

Bould, M. (2009) Symposium on Sexuality in SF. Science Fiction Studies, 109. pp. 385-403.

Bould, M. (2009) Untitled short piece in fiftieth anniversay special section on the current shape of scholarship and criticism on speculative fiction. Extrapolation, 50 (1). pp. 9-10. ISSN 0014-5483

Bould, M. (2008) 19th-Century sf and the discourses of science: Martin Willis, Mesmerists, monsters and machines: Science fiction and the cultures of science in the Nineteenth Century. Extrapolation, 49 (3). pp. 486-489. ISSN 0014-5483

Bould, M. and Vint, S. (2008) There is no such thing as science fiction. In: Gunn, J., Barr, M. S. and Candelaria, M., eds. (2008) Reading Science Fiction. Palgrave Macmillan, pp. 43-51. ISBN 978-0230527188

Bould, M. and Vint, S. (2008) The thin men: Anorexic subjectivity in Fight Club and The Machinist. In: The Fith Annual Historical Materialism Conference, University College, London, 7-9 November 2008.

Bould, M. (2008) Journal editors' panel. In: Film & History Biennial: Film and Science Fictions, Documentaries and Beyond Conference, Univeristy of Chicago, USA, 30 October-2 November 2008.

Bould, M. (2008) Peristalsis, proliferation and ejaculation: Reflections on narrative and spectacle in digital sf cinema. In: Science Fiction Research Association 2008 Conference, University of Kansas, 10-13 July 2008.

Bould, M. (2008) Staging the limits to knowledge: Cognition, estrangment and spectacle in 2001: A Space Odyssey. In: Film & History Biennial: Film and Science: Fictions, Documentaries, and Beyond Conference, University of Chicago, 30 October-2 November 2008.

Bould, M. (2008) Atrocity exhibition. Science Fiction Film and Television, 1 (2). pp. 359-360. ISSN 1754-3770

Bould, M. (2008) Nothing much to phone home about (with exceptions): four books on Spielberg. Science Fiction Film and Television, 1 (2). pp. 303-325. ISSN 1754-3770 (print), 1754-3789 (online)

Bould, M. (2008) Eraserheads. In: BFI Southbank Public Panel Discussion, BFI Southbank, London, 16 September 2008.

Bould, M. (2008) Monsters and modernity. In: Silicon Knights Games Developers, St. Catherines, Ontario, 1 August 2008.

Bould, M. (2008) Reading science fiction. In: Science Fiction Research Association 2008 Conference, University of Kansas, USA, 10-13 July 2008.

Bould, M. (2008) Screening Mars: Desire and denial in Aelita (Protazonov USSR 1924) and Just Imagine (Butler US 1930). In: Chronicling Mars: The 2008 J. Lloyd Eaton Conference , University of California at Riverside, 16-18 May 2008.

Bould, M. (2008) Science fiction television in the United Kingdom. In: Telotte, J. P., ed. (2008) The Essential Science Fiction Television Reader. The University Press of Kentucky, pp. 209-230. ISBN 978-0813124926

Bould, M. (2008) The bald and the beautiful: The performativity of Billy Zane. In: Cine-Excess II: The 2nd International Conference on Global Cult Film Traditions, Institute of Contemporary Arts, London, 1-3 May 2008.

Bould, M. (2008) Proliferation, peristalsis and ejaculation: Reflections on narrative and spectacle in digital SF cinema. In: Narratives in Transition: Literary and Cultural Change since 1989 Conference , Institute of English Studies, University of London, 25-26 April 2008.

Bould, M. (2008) Transformers. Science Fiction Film and Television, 1 (1). pp. 163-167. ISSN 1754-3770

Bould, M. (2008) Arthur C. Clarke's Vision of Benevolent Empire. Socialist Worker, 2094. p. 11.

Bould, M. (2008) SF histories. In: State of the Art: Science Fiction Histories Conference, Curtin University of Technology, Perth, Australia, 23 March 2008.

Bould, M. (2008) Writing/Genre/History: Everyone else is wrong (and so am I). In: State of the Art: Science Fiction Histories Conference, Curtin University of Technology, Perth, 22-23 March 2008.

Bould, M. and Vint, S. (2008) Tortured torsos: Anorexic subjectivity in Fight Club and The Machinist. In: Postgraduate Masterclass, Institute of Advanced Studies, University of Western Australia, 19 March 2008.

Bould, M. (2008) The very modern world of Fritz Lang. In: The Very Modern World of Fritz Lang, Institute of Advanced Studies, The University of Western Australia, 18 March 2008.

Bould, M. (2008) BBC4’s Worlds of Fantasy, ‘Through the looking glass’ episode. BBC4.

Bould, M. (2008) Race/War: Patrick B. Sharp, Savage perils: Racial frontiers and nuclear apocalypse in American culture. Science Fiction Studies #104, 35 (1). pp. 151-154. ISSN 0091-7729

Bould, M. and Vint, S. (2008) Fantastically fucked-up masculinity: Anorexic subjectivity in Fight Club and The Machinist. In: Postgraduate Research Seminar Series, Bristol Business School, 18 January 2008.

Bould, M. (2008) Film neige: Noir + snow. Electric Sheep, 8. pp. 18-20.

Bould, M. (2007) Come alive by saying no: an introduction to Black Power Sf. Science Fiction Studies #102, 34 (2). pp. 220-240. ISSN 0091-7729

Bould, M. and Shavers, R. (2007) Science Fiction Studies 102. Volume 34, Part 2: Special 'Afrofuturism' issue. SF-TH Inc. at DePauw University.

Bould, M. (2007) The ships landed long ago: Afrofuturism and Black Sf. Science Fiction Studies #102, 34 (2). pp. 177-186. ISSN 0091-7729

Bould, M. (2005) Film noir: From Berlin to Sin City. Wallflower Press. ISBN 9781904764502

Bould, M. (2002) The dreadful credibility of absurd things: A tendency in fantasy theory. Historical Materialism, 10 (4). pp. 51-88. ISSN 1569-206X

G

Glitre, K. (2009) Under the neon rainbow: Colour and neo-noir. In: Bould, M., Glitre, K. and Tuck, G., eds. (2009) Neo-noir. London: Wallflower, pp. 11-27. ISBN 9781906660178

T

Tuck, G. (2009) Laughter in the dark: Irony, black comedy and 'noir' in David Lynch, the Cohen Brothers and Quentin Tarantino. In: Bould, M., Glitre, K. and Tuck, G., eds. (2009) Neo-Noir. London: Wallflower, pp. 153-168. ISBN 978-1906660178

V

Vint, S. and Bould, M. (2006) All that melts into air is solid: Rematerialising capital in cube and videodrome. Socialism and Democracy, 20 (3). pp. 217-243. ISSN 0885-4300

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