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Group by: Item Type | No Grouping | Creators | Year of publication, submission, or completion
Jump to: 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2002
Number of items: 174.

2015

Bould, M. (2015) Introduction to the 1930 sonorised German cut of Eisenstein's Battleship Potemkin. Film. Available from: http://eprints.uwe.ac.uk/27822

Bould, M. (2015) Video nasties. Panel discussion. Available from: http://eprints.uwe.ac.uk/27823

Bould, M. (2015) Book review: If colonialism was the apocalypse, what happens next? On Nerine Dorman, ed., 'Terra Incognita: New Short Speculative Stories from Africa' and Dilman Dila, 'A Killing in the Sun’. Los Angeles Review of Books. Available from: http://eprints.uwe.ac.uk/27807

Bould, M. (2015) The coy cult text: The Man Who Wasn’t There as noir SF. In: Telotte, J. and Duchovnay, G., eds. (2015) Science Fiction Double Feature: The Science Fiction Film as Cult Text. Liverpool University Press. ISBN 9781781381830 Available from: http://eprints.uwe.ac.uk/27801

Bould, M. (2015) Slipstream cinema: Dick without the Dick. In: Schlensag, S. and Dunst, A., eds. (2015) The World According to Philip K. Dick. Palgrave Macmillan, pp. 119-136. ISBN 9781137414588 Available from: http://eprints.uwe.ac.uk/27802

Bould, M. (2015) The futures market: American utopias. In: Canavan, G. and Link, E. C., eds. (2015) The Cambridge Companion to American Science Fiction. Cambridge, UK: Cambridge University Press, pp. 83-98. ISBN 9781107694279 Available from: http://eprints.uwe.ac.uk/27803

Bould, M. (2015) African science fiction 101. SFRA Review, 311. Available from: http://eprints.uwe.ac.uk/27815

2014

Bould, M. and Williams, R. (2014) Introduction - SF Now. Paradoxa, 26. Available from: http://eprints.uwe.ac.uk/27797

Bould, M. (2014) Exploring afrofuturism: The last angel of history. In: Sci-Fi – Days of Fear and Wonder, BFI Southbank, UK, 30 November 2014. Available from: http://eprints.uwe.ac.uk/27824

Bould, M. (2014) Disability, monsters, utopia: Some lessons from Guillermo del Toro. In: Disability Studies/Science Fiction, Universität zu Köln, Cologne, Germany, 28–29 November 2014. Available from: http://eprints.uwe.ac.uk/27819

Bould, M. (2014) Post-noir: Getting back to business. In: Pettey, H. B. and Palmer, R. B., eds. (2014) International Noir. Edinburgh University Press. ISBN 9780748691104 Available from: http://eprints.uwe.ac.uk/27804

Bould, M. (2014) What we owe to La Jetée. In: Sci-Fi – Days of Fear and Wonder/Encounters Short Film and Animation Festival, The Watershed, Bristol, UK, 11 November 2014. Available from: http://eprints.uwe.ac.uk/27825

Bould, M. (2014) Visions of the future: African science fiction shorts. In: Africa in Motion, Glasgow Film Theatre, Scotland, UK, 9 November 2014. Available from: http://eprints.uwe.ac.uk/27826

Bould, M. (2014) Book review: Cynthia J. Miller and A. Bowdoin Van Riper, eds, '1950s “Rocketman” TV Series and Their Fans: Cadets, Rangers, and Junior Space Men'. Journal of the Fantastic in the Arts. ISSN 0897-0521 Available from: http://eprints.uwe.ac.uk/27809

Bould, M. (2014) Solaris. London: BFI/Palgrave. ISBN 9781844578054 Available from: http://eprints.uwe.ac.uk/27796

Bould, M. (2014) Double consciousness and the veil of race in “The Comet”, The World, The Flesh and the Devil and I Am Legend variants. In: Guest lecture, University of Liberec, Czech Republic, 30 October 2014. Available from: http://eprints.uwe.ac.uk/27828

Bould, M. (2014) It’s about time: Science fiction, cinema, Source Code. In: Public lecture, Technical University of Liberec, Czech Republic, 30 October 2014. Available from: http://eprints.uwe.ac.uk/27827

Bould, M. (2014) The fragmented social and the episodicity of everyday life in Kontroll. In: Research seminar, Technical University of Liberec, the Czech Republic, 28 October 2014. Available from: http://eprints.uwe.ac.uk/27821

Bould, M. (2014) Inner space. In: Bell, J., ed. (2014) Sci-Fi: Days of Fear and Wonder - A BFI Compendium. Sight & Sound. ISBN 9781844578610 Available from: http://eprints.uwe.ac.uk/27816

Bould, M. (2014) Film. In: Latham, R., ed. (2014) The Oxford Handbook of Science Fiction. Oxford University Press. ISBN 9780199838844 Available from: http://eprints.uwe.ac.uk/27805

Bould, M. (2014) Introduction to The Year of the Sex Olympics. In: Future Visions from Post-War Britain, The Cube, Bristol, UK, 16 October 2014. Available from: http://eprints.uwe.ac.uk/27829

Bould, M. (2014) Book review: Bigger on the inside, or maybe on the outside: Lindy Orthia, ed, Doctor Who and Race; Matt Hills, ed., New Dimensions of Doctor Who: Adventures in Space, Time and Television; Paul Booth, ed., Doctor Who: Fan Phenomena; and Iain MacRury and Michael Rustin, The Inner World of Doctor Who: Psychoanalytic Reflections in Time and Space. Science Fiction Film and Television, 7 (2). pp. 265-286. ISSN 1754-3770 Available from: http://eprints.uwe.ac.uk/27806

Bould, M. (2014) John Hurt. Science Fiction Film and Television, 7 (2). pp. 217-256. ISSN 1754-3770 Available from: http://eprints.uwe.ac.uk/27818

Bould, M. (2014) Of eight oscillations and several messages carved in flesh: Spectacle, spectatorship, cognition, and affect in Dredd and Looper. Science Fiction Studies, 123. ISSN 0091-7729 Available from: http://eprints.uwe.ac.uk/27800

Bould, M. (2014) Peter Cushing. Science Fiction Film and Television, 7 (2). pp. 217-256. ISSN 1754-3770 Available from: http://eprints.uwe.ac.uk/27817

Bould, M. (2014) RIBA Forgotten Spaces 2013 exhibition (Somerset House, London). Science Fiction Studies, 123. ISSN 0091-7729 Available from: http://eprints.uwe.ac.uk/27808

Bould, M. (2014) “It ain’t no jive, stayin’ alive”: Insurgency and expidermality in blaxploitation SF. In: Current Research in Speculative Fiction, University of Liverpool, UK, 20 June 2014. Available from: http://eprints.uwe.ac.uk/27820

Bould, M. (2014) Introduction to Ozu Yasujiro’s Tokkan kozô and Hijosen no onna. In: Bristol Silents, The Lansdown, Bristol, UK, 14 May 2014. Available from: http://eprints.uwe.ac.uk/27830

Bould, M. (2014) Alien cultures, and others. In: Shezad Dawood exhibition, The Parasol Unit: Foundation for Contemporary Art, London, UK, 08 May 2014. Available from: http://eprints.uwe.ac.uk/27831

Bould, M. (2014) From robot suits to celebrity coldsores: Wearable technologies in SF cinema. In: Wearable Horizons, Southbank, London, UK, 3-4 May 2014. Available from: http://eprints.uwe.ac.uk/27832

Bould, M. (2014) Introduction to John Sayles' Matewan. In: The 3rd Annual Bristol Radical Film Festival, Bristol, UK, 09 March 2014. Available from: http://eprints.uwe.ac.uk/27833

Bould, M., ed. (2014) Africa SF (Paradoxa 25) [Editor]. (25) Paradoxa. ISBN 1929512368 Available from: http://eprints.uwe.ac.uk/22199

Bould, M. (2014) Africa SF: Introduction. Paradoxa, 25. pp. 7-15. ISSN 1929512368 Available from: http://eprints.uwe.ac.uk/22197

Bould, M. (2014) From anti-colonial struggle to neoliberal immiseration: Mohammed Dib’s Who Remembers the Sea, Sony Labou Tansi’s Life and a Half and Ahmed Khaled Towfik’s Utopia. Paradoxa, 25. pp. 17-45. ISSN 1-929512-36-8 Available from: http://eprints.uwe.ac.uk/22198

2013

Bould, M. (2013) Genre, hybridity, heterogeneity; or, the noir-sf-vampire-zombie-splatter-romance-comedy-action-thriller problem. In: Spicer, A. H. and Hanson, H., eds. (2013) A Companion to Film Noir. UK: Wiley-Blackwell, pp. 33-49. ISBN 9781444336276 Available from: http://eprints.uwe.ac.uk/17036

Bould, M. (2013) Book review: James Chapman and Nicholas J Cull, Projecting Tomorrow: Science Fiction and Popular Cinema. Viewfinder Online [online]. Available from: http://eprints.uwe.ac.uk/21657

Bould, M. (2013) The stuff. In: Berra, J., ed. (2013) Directory of World Cinema: American Independent 2. (Vol. 2) Intellect, pp. 189-190. ISBN 9781841506128 Available from: http://eprints.uwe.ac.uk/21653

Bould, M. (2013) Book review: Rapture: Book three of the Bel Dame Apocryhpa, Kameron Hurley. The Cascadia Subduction Zone: A Literary Quarterly, 3 (1). pp. 15-16. Available from: http://eprints.uwe.ac.uk/21655

Bould, M. (2013) Billy Jack. In: Berra, J., ed. (2013) Directory of American Independent Cinema, volume 2. Intellect/Chicago UP, pp. 309-310. Available from: http://eprints.uwe.ac.uk/21645

Bould, M. (2013) Blood simple. In: Berra, J., ed. (2013) Directory of American Independent Cinema, volume 2. Intellect/Chicago UP, pp. 207-208. Available from: http://eprints.uwe.ac.uk/21646

Bould, M. (2013) Book review: Tommy Hancock, Gary Phillips and Morgan Minor, eds. Black Pulp. Los Angeles Review of Books. Available from: http://eprints.uwe.ac.uk/21656

Bould, M. (2013) Born in flames. In: Berra, J., ed. (2013) Directory of American Independent Cinema, volume 2. Intellect/Chicago UP, pp. 337-338. Available from: http://eprints.uwe.ac.uk/21647

Bould, M. (2013) Bound. In: Berra, J., ed. (2013) Directory of American Independent Cinema, volume 2. Intellect/Chicago UP, pp. 209-211. Available from: http://eprints.uwe.ac.uk/21648

Bould, M. (2013) The Crow. In: Berra, J., ed. (2013) Directory of American Independent Cinema, volume 2. Intellect/Chicago UP, pp. 82-84. Available from: http://eprints.uwe.ac.uk/21649

Bould, M. (2013) Eat Drink Man Robot: Ordinary science fiction. In: The Science Fiction Studies Symposium/ The 2013 J. Lloyd Eaton Conference, University of California, Riverside, USA, 11-14 April 2013. Available from: http://eprints.uwe.ac.uk/21654

Bould, M. (2013) I drink your blood. In: Berra, J., ed. (2013) Directory of American Independent Cinema, volume 2. Intellect/Chicago UP, pp. 184-185. Available from: http://eprints.uwe.ac.uk/21650

Bould, M. (2013) Introduction to Edward D Wood, Jr’s Plan 9 from Outer Space for Bristol Bad Film Club. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/22202

Bould, M. (2013) Introduction to Luigi Cozzi’s Scontri stellari oltre la terza dimensione/Starcrash for Bristol Bad Film Club. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/22204

Bould, M. (2013) Introduction to Oscar Micheaux’s Body and Soul, starring Paul Robeson, for Bristol Silents. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/22203

Bould, M. (2013) Introduction to Tsukamoto Shinya’s Denchu Kozo No Boken, Tim Burton’s Frankenweenie and Ben Rivers’ Terror! at Avant-Goth: Avant-garde Engagements with Gothic and Horror. Birkbeck Institute of the Moving Image/British Film Institute, 23 November 2013. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/22205

Bould, M. (2013) Memory palace exhibition: Victoria and Albert museum, London [Review]. Science Fiction Studies, 121. pp. 596-598. Available from: http://eprints.uwe.ac.uk/22196

Bould, M. (2013) Other worlds are possible: Some trends in European fantastic film after the Cold War. In: Coelsch-Foisner, S. and Herbe, S., eds. (2013) New Directions in the European Fantastic. (Vol.23) Heidelberg: Universitätsverlag Winter, pp. 29-40. ISBN 9783825360993 Available from: http://eprints.uwe.ac.uk/21659

Bould, M. (2013) Q-The winged serpent. In: Berra, J., ed. (2013) Directory of American Independent Cinema, volume 2. Intellect/Chicago UP, pp. 187-188. Available from: http://eprints.uwe.ac.uk/21652

Bould, M. (2013) Review essay: The Warped World of Koreyoshi Kurahara collection (Aru kyouhaku/Intimidation, Kyonetsu no kisetsu/The Warped Ones, Nikui an-chikushô/I Hate But Love, Kuroi taiyô/Black Sun, Ai no kawaki/The Thirst for Love). Film International, 62. pp. 54-58. Available from: http://eprints.uwe.ac.uk/21658

Bould, M. (2013) The omega code/Megiddo: The omega code 2. In: Berra, J., ed. (2013) Directory of American Independent Cinema, volume 2. Intellect/Chicago UP, pp. 296-298. Available from: http://eprints.uwe.ac.uk/21651

Bould, M. (2013) The pleasures of science fiction; or, some things I did the other day. Deletion: The Online Open Access Forum in Science Fiction Studies, 1. Available from: http://eprints.uwe.ac.uk/22201

2012

Bould, M. (2012) Cinema as/of time travel. UNSPECIFIED, Arnolfini Gallery, Bristol. Available from: http://eprints.uwe.ac.uk/21640

Bould, M. (2012) Book review: Hacking the arab spring: G. Willow Wilson’s Alif the Unseen. The Los Angeles Review of Books . Available from: http://eprints.uwe.ac.uk/21629

Bould, M. (2012) Science fiction: The Routledge film guidebook. Routledge. Available from: http://eprints.uwe.ac.uk/17033

Bould, M. (2012) The Martians of Africa: Reading anti-colonial and post-colonial cinema as science fiction. In: The Martians of Africa: Reading anti-colonial and post-colonial cinema as science fiction, Arnolfini Gallery, Bristol, 23 June 2012. Arnolfini Gallery, Bristol: UNSPECIFIED Available from: http://eprints.uwe.ac.uk/21641

Bould, M. (2012) Mining the great midden of genre: Nick Harkaway’s Angelmaker. The Los Angeles Review of Books . p. 496. Available from: http://eprints.uwe.ac.uk/21630

Bould, M. (2012) Introduction to Ernst Lubitsch’s Lady Windermere’s Fan. UNSPECIFIED, Bristol Silents, The King’s Arms, Bristol. Available from: http://eprints.uwe.ac.uk/21642

Bould, M. (2012) “Don’t give him no sass or he’ll kick yo’ ass”: Anti-imperialism and race in US countercultural Sf cinema. In: 33rd International Conference on the Fantastic in the Arts, Orlando, Florida, March 21–25. Available from: http://eprints.uwe.ac.uk/21638

Bould, M. (2012) The Monstrous-Fantastic: In conversation with China Miéville. In: 33rd International Conference on the Fantastic in the Arts, Orlando, Florida, March 2012. Available from: http://eprints.uwe.ac.uk/21636

Bould, M. (2012) Sf and the short film. In: 33rd International Conference on the Fantastic in the Arts, Orlando, Florida, March 21–25. Available from: http://eprints.uwe.ac.uk/21637

Bould, M. (2012) Book review: David J. Skal with Jessica Rains, Claude Rains: An actor’s voice. Science Fiction Film and Television, 5 (2). pp. 308-311. ISSN 1754-3770 Available from: http://eprints.uwe.ac.uk/21627

Bould, M. (2012) Book review: Paranormal Media: Audiences, Spirits and Magic in Popular Culture. Screen, 53 (4). 495-498 . ISSN 0036-9543 Available from: http://eprints.uwe.ac.uk/21492

Bould, M. (2012) China Miéville, Architeuthis Cadre. Journal of the Fantastic in the Arts, 23 (3). pp. 374-376. Available from: http://eprints.uwe.ac.uk/21631

Bould, M. (2012) Exhibition review: Superpower: Africa in science fiction exhibition (Arnolfini, Bristol). Science Fiction Studies, 118. pp. 559-561. Available from: http://eprints.uwe.ac.uk/21626

Bould, M. (2012) Film review: Captain Eager and the Mark of Voth. Science Fiction Film and Television, 5 (2). pp. 315-317. ISSN 1754-3770 Available from: http://eprints.uwe.ac.uk/21628

Bould, M. (2012) From Llanfihangel Crucorney and Zagreb to the Stars!: Andrew Milner, ed., Tenses of Imagination: Raymond Williams on Science Fiction, Utopia and Dystopia and Darko Suvin, Defined by a Hollow: Essays on Utopia, Science Fiction and Political Epistemology. Science Fiction Studies, 117. pp. 304-312. ISSN 0091-7729 Available from: http://eprints.uwe.ac.uk/21491

Bould, M. (2012) Globalization and Sf symposium. Science Fiction Studies, 118. pp. 374-384. Available from: http://eprints.uwe.ac.uk/21632

Bould, M. (2012) Philip K. Dick’s Valis. In: Philip K. Dick’s Valis, 2012. Camber Sands: Shellac of North America/ All Tomorrow’s Parties – Nightmare Before Christmas festival Available from: http://eprints.uwe.ac.uk/21639

Bould, M. and Vint, S. (2012) Political readings of the fantastic. In: James, E. and Mendlesohn, F., eds. (2012) Cambridge Companion to Fantasy Literature. Cambridge University Press, pp. 102-112. ISBN 9780521728737 Available from: http://eprints.uwe.ac.uk/21490

Bould, M. (2012) Slipstream cinema: Dick without the Dick. In: Worlds Out of Joint: Re-Imagining Philip K. Dick, University of Dortmund, Dortmund, Germany, 15th - 18th November, 2012. Available from: http://eprints.uwe.ac.uk/21633

2011

Bould, M. (2011) Rex Appeal (expert contributor). BBC 4. Available from: http://eprints.uwe.ac.uk/21489

Bould, M. (2011) What does our future look like? Visualising science fiction (panel discussion). In: Out of this World exhibition, British Library, 16th September, 2011. Available from: http://eprints.uwe.ac.uk/21485

Bould, M. (2011) Mind the gap: the impertinent predicates (and subjects) of King Rat and Looking for Jake and other stories. Extrapolation, 50 (2). pp. 307-325. ISSN 0014-5483 Available from: http://eprints.uwe.ac.uk/8054

Bould, M. (2011) Border crossings: Labour in contemporary world Sf cinema. In: Global Sf: the 2011 J. Lloyd Eaton Conference, University of California, Riverside, 11th – 13th February, 2011. Available from: http://eprints.uwe.ac.uk/21482

Bould, M. (2011) Class, control and clones (panel discussion). In: Out of this World exhibition, British Library, London, UK, 1st August, 2011. Available from: http://eprints.uwe.ac.uk/21487

Bould, M. (2011) Doctor Who: Adaptations and flows. In: Telotte, J. P. and Duchovny, G., eds. (2011) Science Fiction Film, Television and Adaptation: Across the Screens. Routledge, pp. 143-163. ISBN 9780415887199 Available from: http://eprints.uwe.ac.uk/17035

Bould, M. (2011) Globalised labour and world Sf cinema. In: The Eighth Annual Historical Materialism Conference, SOAS, 10th–13th November, 2011. Available from: http://eprints.uwe.ac.uk/21481

Bould, M. (2011) Hard rain falling: The best of Kim Stanley Robinson. The Los Angeles Review of Books . Available from: http://eprints.uwe.ac.uk/21476

Bould, M. (2011) Introduction to Ousmane Sembene’s Xala for Film Club Bristol screening. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/21484

Bould, M. (2011) Introduction to Robert Wiene’s Orlacs Hände for Bristol silents. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/21486

Bould, M. (2011) Jesus rebooted, Jesus freebooted: David W Thompson’s apocalyptic evangelical cinema. In: Selavy, V., ed. (2011) The End: An Electric Sheep Anthology. Strange Attractor, pp. 154-163. ISBN 9781907222023 Available from: http://eprints.uwe.ac.uk/21477

Bould, M. (2011) Post-show discussion with director and cast of Volcano Theatre’s A Clockwork Orange. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/21483

Bould, M. (2011) Review essay: Spectacle, apocalypse and the telepathic fruitarian pacifists from Mars: Atlantis (Blom Denmark 1913), Verdens undergang (Blom Denmark 1916) and Himmelskibet (Holger-Madsen Denmark 1918). Science Fiction Film and Television, 4 (1). pp. 107-115. ISSN 1754-3770 Available from: http://eprints.uwe.ac.uk/21467

Bould, M. and Vint, S. (2011) The Routledge concise history of science fiction. Routledge. ISBN 9780415435710 Available from: http://eprints.uwe.ac.uk/21475

Bould, M. (2011) Science Fiction Foundation’s Sf criticism masterclass weekend tutor. In: Science Fiction Foundation’s Sf Criticism Masterclass weekend, London, 1st – 3rd July, 2011. Available from: http://eprints.uwe.ac.uk/21488

Bould, M. (2011) Spectres are haunting Europe: Contemporary cinemas of the fantastic. In: New Directions of the European Fantastic after the Cold War: The Second Annual Conference of the Gesellschaft für Fantastikforschung, 29th September – 1st October, 2011. Available from: http://eprints.uwe.ac.uk/21480

Bould, M. (2011) Suggested further readings in the slipstream. Science Fiction Studies, 113. pp. 208-219. ISSN 0091-7729 Available from: http://eprints.uwe.ac.uk/21478

2010

Bould, M. (2010) Review essay: From Panther to Princes, Sex Work to Starfleet: A special issue of African Identities on ‘The Black Imagination and Science Fiction’, Sandra Jackson and Julie Moody-Freeman (eds). Science Fiction #111, 37 (2). pp. 296-302. ISSN 0091-7729 Available from: http://eprints.uwe.ac.uk/12234

Bould, M. (2010) Why Neo flies, and why he shouldn’t: The critique of cyberpunk in Gwyneth Jones’s Escape Plans and M. John Harrison’s Signs of Life. In: Murphy, G. and Vint, S., eds. (2010) Beyond Cyberpunk: New Critical Perspectives. Routledge, pp. 116-134. ISBN 9780415876872 Available from: http://eprints.uwe.ac.uk/12128

Bould, M. (2010) Angel of Vengeance (aka Ms.45). In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 150-151. ISBN 9781841503684 Available from: http://eprints.uwe.ac.uk/12237

Bould, M. (2010) Bone. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 47-48. ISBN 9781841503684 Available from: http://eprints.uwe.ac.uk/12236

Bould, M. (2010) God told me to. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 155-156. ISBN 9781841503684 Available from: http://eprints.uwe.ac.uk/12238

Bould, M. (2010) It's alive. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 156-157. ISBN 9781841503684 Available from: http://eprints.uwe.ac.uk/12239

Bould, M. (2010) Primer. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 194-195. ISBN 9781841503684 Available from: http://eprints.uwe.ac.uk/12241

Bould, M. (2010) Apes and alcoholics, duplicates and dreams: Enrolling film noir. In: The Noir Sensorium, Trent University, Canada, 7–9 October 2010. Available from: http://eprints.uwe.ac.uk/21471

Bould, M. (2010) Book review: Thomas Foster, The Souls of Cyberfolk: Posthumanism as Vernacular Theory. Canadian Journal of Communication, 35 (1). pp. 181-183. ISSN 0705-3657 Available from: http://eprints.uwe.ac.uk/21468

Bould, M. (2010) Editors panel. In: 31st International Conference on the Fantastic in the Arts, Orlando Airport Marriott, Orlando, Florida, USA, 17-21 March 2010. Available from: http://eprints.uwe.ac.uk/21470

Bould, M. (2010) Film review: Eden Log. Science Fiction Film and Television, 3 (1). pp. 157-161. ISSN 1754-3770 Available from: http://eprints.uwe.ac.uk/12235

Bould, M. (2010) Harold and Maude. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 169-171. ISBN 9781841503684 Available from: http://eprints.uwe.ac.uk/12240

Bould, M. (2010) I woke up early the day I died. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 307-308. ISBN 9781841503684 Available from: http://eprints.uwe.ac.uk/12243

Bould, M. (2010) “If it had a grave I’d spit on it”: Flash Gordon and the fidelity fallacy. In: 31st International Conference on the Fantastic in the Arts, Orlando, Florida, USA, 17th – 21th March, 2010. Available from: http://eprints.uwe.ac.uk/21473

Bould, M. (2010) Killer of sheep. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 53-55. ISBN 9781841503684 Available from: http://eprints.uwe.ac.uk/12246

Bould, M. (2010) Medium cool. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 308-310. ISBN 9781841503684 Available from: http://eprints.uwe.ac.uk/12244

Bould, M. (2010) Poison. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 234-236. ISBN 9781841503684 Available from: http://eprints.uwe.ac.uk/12242

Bould, M. (2010) Revolutionary African-American Sf before Black Power Sf. Extrapolation, 51 (1). pp. 53-81. Available from: http://eprints.uwe.ac.uk/12228

Bould, M. (2010) Watermelon man. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 60-61. ISBN 9781841503684 Available from: http://eprints.uwe.ac.uk/12245

2009

Bould, M. (2009) Introducing Waltz with Bashir. In: Compass of Desire Film Festival, Trinity Centre, Bristol, 18 October 2009. Available from: http://eprints.uwe.ac.uk/10613

Bould, M. (2009) Insects and intentions: Imamura's women. In: Pigs, Eels and Insects: Reassessing the Legacy of Shohei Imamura, Arnolfini, Bristol, 17 October 2009. Available from: http://eprints.uwe.ac.uk/10611

Tuck, G. (2009) Laughter in the dark: Irony, black comedy and 'noir' in David Lynch, the Cohen Brothers and Quentin Tarantino. In: Bould, M., Glitre, K. and Tuck, G., eds. (2009) Neo-Noir. London: Wallflower, pp. 153-168. ISBN 978-1906660178 Available from: http://eprints.uwe.ac.uk/11198

Bould, M., Glitre, K. and Tuck, G. e. (2009) Neo-noir. London: Wallflower. ISBN 978-1906660178 Available from: http://eprints.uwe.ac.uk/11197

Bould, M., Glitre, K. and Tuck, G. (2009) Parallax views: An introduction. In: Bould, M., Glitre, K. and Tuck, G., eds. (2009) Neo-noir. London: Wallflower Press, pp. 1-10. ISBN 9781906660178 Available from: http://eprints.uwe.ac.uk/12848

Bould, M. and Vint, S. (2009) The thin men: anorexic subjectivity in Fight Club and The Machinist. In: Bould, M., Glitre, K. and Tuck, G., eds. (2009) Neo-noir. Wallflower, pp. 221-239. ISBN 978-1-906660-17-8 Available from: http://eprints.uwe.ac.uk/12233

Bould, M. (2009) Powell, Pressburger and Peeping Tom. In: The Screen at Hay Festival of British Cinema, Hay-on Wye, Hay-on-Wye, 5 September 2009. Available from: http://eprints.uwe.ac.uk/8271

Bould, M., Butler, A. M., Roberts, A. and Vint, S. (2009) Fifty key figures in science fiction. Routledge, p. 288. ISBN 978-0-415-43949-7 Available from: http://eprints.uwe.ac.uk/8052

Bould, M. (2009) Fritz Lang. In: Bould, M., Butler, A. M., Roberts, A. and Vint, S., eds. (2009) Fifty Key Figures in Science Fiction. Routledge, pp. 131-136. ISBN 978-0-415-43950-3 Available from: http://eprints.uwe.ac.uk/8086

Bould, M. (2009) Stanley Kubrick. In: Bould, M., Butler, A. M., Roberts, A. and Vint, S., eds. (2009) Fifty Key Figures in Science Fiction. Routledge, pp. 126-131. ISBN 978-0415439497 Available from: http://eprints.uwe.ac.uk/8066

Bould, M. (2009) Steven Spielberg. In: Bould, M., Butler, A. M., Roberts, A. and Vint, S., eds. (2009) Fifty Key Figures in Science Fiction. Routledge, pp. 200-205. ISBN 978-0-415-43950-3 Available from: http://eprints.uwe.ac.uk/8088

Bould, M. (2009) Rough Guide to a Lonely Planet, from Nemo to Neo. In: Bould, M. and Mieville, C., eds. (2009) Red Planets: Marxism and Science Fiction. Pluto Press (UK), pp. 1-26. ISBN 978-0745327310 Available from: http://eprints.uwe.ac.uk/8062

Bould, M. and Miéville, C. (2009) Red planets: Marxism and science fiction. Pluto Press (in the UK); Wesleyan University Press (in the US), p. 293. ISBN 978-0-7453-2730-3 (Pluto); 978-0-8195-6913-4 (Wesleyan) Available from: http://eprints.uwe.ac.uk/8053

Bould, M. (2009) Twenty Thousand Leagues under the Matrix: Imagineering the world market. In: 'The Future Ain't What it Used to Be: Interactions of Past, Present and Future in Literature and Visual Media' Conference, University of Dundee, 17 June 2009. Available from: http://eprints.uwe.ac.uk/8161

Bould, M. (2009) Serial infidelities and extraordinary renditions: The many lives of Flash Gordon. In: Science Fiction across Media: Adaptation/Novelisation Conference, Katholieke Universiteit, Leuven, 28-30 May 2009. Available from: http://eprints.uwe.ac.uk/8169

Bould, M. (2009) The cinema of John Sayles: From Billy Zane to Brecht and Bakhtin, and back again. In: Marxism and Culture Seminar Series, Institute of Advanced Legal Studies, University of London, 15 May 2009. London: Marxism and Culture series, Institute of Advanced Legal Studies, University of London Available from: http://eprints.uwe.ac.uk/8212

Bould, M. (2009) The parapraxes of globalisation: Jules Verne and the unconscious of science fiction. In: Extraordinary Voyages: Jules Verne and Beyond - the 2009 J. Lloyd Eaton Conference, University of California at Riverside, 1 - 3 May 2009. Available from: http://eprints.uwe.ac.uk/8168

Bould, M. and Vint, S. (2009) Dead penguins in immigrant pilchard scandal: Telling stories about the "environment" in Antarctica. In: Burling, W. J., ed. (2009) Kim Stanley Robinson Maps the Unimaginable: Critical essays. McFarland, pp. 257-273. ISBN 978-0786433698 Available from: http://eprints.uwe.ac.uk/8060

Bould, M. (2009) The cinema of John Sayles: from Billy Zane to Brecht and Bakhtin, and back again. In: Research Seminar, Department of Film, Theatre and Television, University of Reading, 18 March 2009. Available from: http://eprints.uwe.ac.uk/8179

Bould, M. (2009) The cinema of John Sayles: Lone star. Middlesex: Wallflower Press. ISBN 9781905674282 Available from: http://eprints.uwe.ac.uk/8050

Bould, M. (2009) Language and linguistics. In: Bould, M., Butler, A. M., Roberts, A. and Vint, S., eds. (2009) The Routledge companion to Science Fiction. Routledge, pp. 225-235. ISBN 978-0415453783 Available from: http://eprints.uwe.ac.uk/8058

Bould, M., Butler, A. M., Roberts, A. and Vint, S. (2009) The Routledge companion to science fiction. Routledge, p. 554. ISBN 978-0-415-45378-3 Available from: http://eprints.uwe.ac.uk/8051

Bould, M. (2009) Bernd Herzogenrath, ed., "The films of Tod Browning" and Reynold Humphries, "The Hollywood horror film 1931-1941: Madness in a social landscape". Film International, 7 (4). pp. 78-82. Available from: http://eprints.uwe.ac.uk/8102

Bould, M. (2009) Book review: John T. Irwin, Unless the threat of death is behind them: Hard-boiled fiction and film noir. Scope, 13. ISSN 1465-9166 Available from: http://eprints.uwe.ac.uk/21463

Bould, M. (2009) Dandies in the underworld. Electric Sheep, 12. pp. 32-34. Available from: http://eprints.uwe.ac.uk/21464

Bould, M. and Vint, S. (2009) Manufacturing landscapes, disappearing labour: From production lines to the cities of the future. In: White, L. and Pajaczkowska, C., eds. (2009) The Sublime Now. Cambridge Scholars, pp. 269-285. ISBN 978-1-4438-1302-0 Available from: http://eprints.uwe.ac.uk/10610

Bould, M. (2009) Review: ‘Takayuki Tatsumi, Full Metal Apache: Transactions between cyberpunk Japan and avant-pop America’. Extrapolation, 50 (3). pp. 534-537. ISSN 0014-5483 Available from: http://eprints.uwe.ac.uk/21462

Bould, M. (2009) Science fiction, globalisation and the logic of capital. In: The Sixth Annual Historical Materialism Conference, SOAS, London, 27-29 November 2009. Available from: http://eprints.uwe.ac.uk/21466

Bould, M. (2009) Stephen Shapiro, ed., "Gothic studies' 'material gothic' special issue" and "Collapse: journal of philosophical research and development volume iv: Concept horror". Extrapolation, 50 (2). pp. 345-359. ISSN 0014-5483 Available from: http://eprints.uwe.ac.uk/8106

Bould, M. (2009) Symposium on Sexuality in SF. Science Fiction Studies, 109. pp. 385-403. Available from: http://eprints.uwe.ac.uk/21465

Glitre, K. (2009) Under the neon rainbow: Colour and neo-noir. In: Bould, M., Glitre, K. and Tuck, G., eds. (2009) Neo-noir. London: Wallflower, pp. 11-27. ISBN 9781906660178 Available from: http://eprints.uwe.ac.uk/12845

Bould, M. (2009) Untitled short piece in fiftieth anniversay special section on the current shape of scholarship and criticism on speculative fiction. Extrapolation, 50 (1). pp. 9-10. ISSN 0014-5483 Available from: http://eprints.uwe.ac.uk/8365

2008

Bould, M. (2008) 19th-Century sf and the discourses of science: Martin Willis, Mesmerists, monsters and machines: Science fiction and the cultures of science in the Nineteenth Century. Extrapolation, 49 (3). pp. 486-489. ISSN 0014-5483 Available from: http://eprints.uwe.ac.uk/8151

Bould, M. and Vint, S. (2008) There is no such thing as science fiction. In: Gunn, J., Barr, M. S. and Candelaria, M., eds. (2008) Reading Science Fiction. Palgrave Macmillan, pp. 43-51. ISBN 978-0230527188 Available from: http://eprints.uwe.ac.uk/8057

Bould, M. and Vint, S. (2008) The thin men: Anorexic subjectivity in Fight Club and The Machinist. In: The Fith Annual Historical Materialism Conference, University College, London, 7-9 November 2008. Available from: http://eprints.uwe.ac.uk/8167

Bould, M. (2008) Journal editors' panel. In: Film & History Biennial: Film and Science Fictions, Documentaries and Beyond Conference, Univeristy of Chicago, USA, 30 October-2 November 2008. Available from: http://eprints.uwe.ac.uk/10538

Bould, M. (2008) Peristalsis, proliferation and ejaculation: Reflections on narrative and spectacle in digital sf cinema. In: Science Fiction Research Association 2008 Conference, University of Kansas, 10-13 July 2008. Available from: http://eprints.uwe.ac.uk/8165

Bould, M. (2008) Staging the limits to knowledge: Cognition, estrangment and spectacle in 2001: A Space Odyssey. In: Film & History Biennial: Film and Science: Fictions, Documentaries, and Beyond Conference, University of Chicago, 30 October-2 November 2008. Available from: http://eprints.uwe.ac.uk/8166

Bould, M. (2008) Atrocity exhibition. Science Fiction Film and Television, 1 (2). pp. 359-360. ISSN 1754-3770 Available from: http://eprints.uwe.ac.uk/8157

Bould, M. (2008) Nothing much to phone home about (with exceptions): Four books on Spielberg. Science Fiction Film and Television, 1 (2). pp. 303-325. ISSN 1754-3770 (print), 1754-3789 (online) Available from: http://eprints.uwe.ac.uk/8097

Bould, M. (2008) Eraserheads. In: BFI Southbank Public Panel Discussion, BFI Southbank, London, 16 September 2008. Available from: http://eprints.uwe.ac.uk/8177

Bould, M. (2008) Monsters and modernity. In: Silicon Knights Games Developers, St. Catherines, Ontario, 1 August 2008. Available from: http://eprints.uwe.ac.uk/8176

Bould, M. (2008) Reading science fiction. In: Science Fiction Research Association 2008 Conference, University of Kansas, USA, 10-13 July 2008. Available from: http://eprints.uwe.ac.uk/8367

Bould, M. (2008) Screening Mars: Desire and denial in Aelita (Protazonov USSR 1924) and Just Imagine (Butler US 1930). In: Chronicling Mars: The 2008 J. Lloyd Eaton Conference , University of California at Riverside, 16-18 May 2008. Available from: http://eprints.uwe.ac.uk/8164

Bould, M. (2008) Science fiction television in the United Kingdom. In: Telotte, J. P., ed. (2008) The Essential Science Fiction Television Reader. The University Press of Kentucky, pp. 209-230. ISBN 978-0813124926 Available from: http://eprints.uwe.ac.uk/8056

Bould, M. (2008) The bald and the beautiful: The performativity of Billy Zane. In: Cine-Excess II: The 2nd International Conference on Global Cult Film Traditions, Institute of Contemporary Arts, London, 1-3 May 2008. Available from: http://eprints.uwe.ac.uk/8163

Bould, M. (2008) Proliferation, peristalsis and ejaculation: Reflections on narrative and spectacle in digital SF cinema. In: Narratives in Transition: Literary and Cultural Change since 1989 Conference , Institute of English Studies, University of London, 25-26 April 2008. Available from: http://eprints.uwe.ac.uk/8162

Bould, M. (2008) Transformers. Science Fiction Film and Television, 1 (1). pp. 163-167. ISSN 1754-3770 Available from: http://eprints.uwe.ac.uk/8154

Bould, M. (2008) Arthur C. Clarke's Vision of Benevolent Empire. Socialist Worker, 2094. p. 11. Available from: http://eprints.uwe.ac.uk/8334

Bould, M. (2008) SF histories. In: State of the Art: Science Fiction Histories Conference, Curtin University of Technology, Perth, Australia, 23 March 2008. Available from: http://eprints.uwe.ac.uk/8366

Bould, M. (2008) Writing/Genre/History: Everyone else is wrong (and so am I). In: State of the Art: Science Fiction Histories Conference, Curtin University of Technology, Perth, 22-23 March 2008. Available from: http://eprints.uwe.ac.uk/8160

Bould, M. and Vint, S. (2008) Tortured torsos: Anorexic subjectivity in Fight Club and The Machinist. In: Postgraduate Masterclass, Institute of Advanced Studies, University of Western Australia, 19 March 2008. Available from: http://eprints.uwe.ac.uk/8175

Bould, M. (2008) The very modern world of Fritz Lang. In: The Very Modern World of Fritz Lang, Institute of Advanced Studies, The University of Western Australia, 18 March 2008. Available from: http://eprints.uwe.ac.uk/8172

Bould, M. (2008) BBC4’s Worlds of Fantasy, ‘Through the looking glass’ episode. BBC4. Available from: http://eprints.uwe.ac.uk/10609

Bould, M. (2008) Race/War: Patrick B. Sharp, Savage perils: Racial frontiers and nuclear apocalypse in American culture. Science Fiction Studies #104, 35 (1). pp. 151-154. ISSN 0091-7729 Available from: http://eprints.uwe.ac.uk/8149

Bould, M. and Vint, S. (2008) Fantastically fucked-up masculinity: Anorexic subjectivity in Fight Club and The Machinist. In: Postgraduate Research Seminar Series, Bristol Business School, 18 January 2008. Available from: http://eprints.uwe.ac.uk/8171

Bould, M. (2008) Film neige: Noir + snow. Electric Sheep, 8. pp. 18-20. Available from: http://eprints.uwe.ac.uk/8335

2007

Bould, M. (2007) Come alive by saying no: an introduction to Black Power Sf. Science Fiction Studies #102, 34 (2). pp. 220-240. ISSN 0091-7729 Available from: http://eprints.uwe.ac.uk/12231

Bould, M. and Shavers, R. (2007) Science Fiction Studies 102. Volume 34, Part 2: Special 'Afrofuturism' issue. SF-TH Inc. at DePauw University. Available from: http://eprints.uwe.ac.uk/12229

Bould, M. (2007) The ships landed long ago: Afrofuturism and Black Sf. Science Fiction Studies #102, 34 (2). pp. 177-186. ISSN 0091-7729 Available from: http://eprints.uwe.ac.uk/12230

2006

Vint, S. and Bould, M. (2006) All that melts into air is solid: Rematerialising capital in cube and videodrome. Socialism and Democracy, 20 (3). pp. 217-243. ISSN 0885-4300 Available from: http://eprints.uwe.ac.uk/6897

2005

Bould, M. (2005) Film noir: From Berlin to Sin City. Wallflower Press. ISBN 9781904764502 Available from: http://eprints.uwe.ac.uk/6882

2002

Bould, M. (2002) The dreadful credibility of absurd things: A tendency in fantasy theory. Historical Materialism, 10 (4). pp. 51-88. ISSN 1569-206X Available from: http://eprints.uwe.ac.uk/6896

This list was generated on Wed Jun 29 04:20:43 2016 BST.

 

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