Browse by Creator
Number of items: 6.
Bacon, T. and Dickman, G. (2009) "Who's the Daddy?" The aesthetics and politics of representation in Alfonso Cuaron's adaptation of P.D James's Children of Men. In: Carroll, R., ed. (2009) Adaptation in Contemporary Culture: Textual Infidelities. London: Continuum. ISBN 978-0-8264-2464-8 Available from: http://eprints.uwe.ac.uk/8021
Conference or Workshop Item
Bacon, T. and Dickman, G. (2009) The Battle of Algiers: Terrorism as a tool of political persuasion. In: Africa Eye Film Festival 2009 Symposium, Watershed Media Centre, Bristol, UK, 31 October 2009. Available from: http://eprints.uwe.ac.uk/13339
Dickman, G. (2008) The hologram, and the crisis of direction which holograms cause in traditional notions of subjectivity. In: OFFoff Art Cinema, Ghent, Belgium, 11 December 2008. Available from: http://eprints.uwe.ac.uk/8373
Bacon, T., Kydd, E. and Dickman, G. (2008) 'No, not yet: Woman, abjection and redemption in Alfonso Cuaron's The Children of Men'. In: UWE, Philosophy and Film/Film and Philosophy, Arnolfini, Bristol, 6 July 2008. Available from: http://eprints.uwe.ac.uk/8013
Dickman, G. (2008) Megarealism and the politics of there-cam: From herenow to nowhere and back again. In: Film Philosophy Conference, Arnolfini, Bristol, May 2008. Available from: http://eprints.uwe.ac.uk/8374
This list was generated on Fri May 6 03:43:36 2016 BST.