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Crouch, E. print, Cowell, D. print, Hoskins, S. print, Pittson, R. print and Hart, J. P. print (2005) A novel, disposable, screen-printed amperometric biosensor for glucose in serum fabricated using a water-based carbon ink. Biosensors and Bioelectronics, 21 (5). pp. 712-718. ISSN 0956-5663

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Hoskins, S. print (2013) A model for the collaborative studio in the 21st Century: What it might be! In: Morgan, L. print, ed. (2013) Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference. Australia: Monash University Publishing, pp. 238-242. ISBN 9781921867569

Hoskins, S. print (2012) Novel ceramic materials and 3D printing applications. In: TCT Additive Manufacturing & 3D Printing Conference , NEC Birmingham, UK, 25th - 26th September, 2012. Birmingham: Rapid News Publications Ltd [Submitted]

Hoskins, S. print, Huson, D. print and Walters, P. print (2012) Towards a new ceramic future. In: Towards a New Ceramic Future, Victoria and Albert Museum, Hochhauser Auditorium, London, UK, 17 January 2012. [Unpublished]

Hoskins, S. print and Huson, D. print (2012) 3D printing of self-glazing ceramics: An investigation into Egyptian Faience. In: Benning, P. print, Silence, S. print, Simske, S. print and Zapka, W. print, eds. (2012) NIP 28/Digital Fabrication 2012 Technical Program and Proceedings. Springfield, VA: IS&T: The Society for Imaging Science and Technology, pp. 341-343. ISBN 9780892083022

Huson, D. print, Parraman, C. print, Klein, S. print, Simske, S. print, Walters, P. print, Adams, G. print and Hoskins, S. print (2012) 3D printing of transparent glass. In: Benning, P. print, Silence, S. print, Simske, S. print and Zapka, W. print, eds. (2012) NIP28/Digital Fabrication 2012 Technical Programme and Proceedings. Springfield, VA: IS&T: The Society for Imaging and Technology, pp. 336-337. ISBN 9780892083022

Hoskins, S. print (2012) Computational colour, the visual artist and the printed artefact. Journal of the International Colour Association (JAIC), 6. pp. 50-54.

Hoskins, S. print (2012) Foreword. In: Marshall, A. print, Moglia, B. print, Mosley, J. print and Savoie, A. print, eds. (2012) Type in Europe. Lyon: EMCC, p. 5. ISBN 9782357402409

Hoskins, S. print (2012) Funding for Faience. To be published in Ceramic Review. p. 15. ISSN 0144-1825 [In Press]

Hoskins, S. print (2012) Printmaking: art and industry, from lithography to stereo lithography. In: The 2nd European Lithography Days 2012, Steindruck München Lithography Workshop, Münchner Künstlerhaus, Munich, Germany, 28 Aug - 3 Sept 2012. [Unpublished]

Hoskins, S. print (2012) Towards a new ceramic future. Ceramic Review, 255. pp. 64-65. ISSN 0144-1825

Hoskins, S. print (2012) The evolution of a sugar bowl. In: RAPID 2012 , Atlanta, Georgia, USA, 22nd - 25th May, 2012.

Hoskins, S. print and Huson, D. print (2011) Patent for 3D ceramic material. University of the West of England. PCT/GB2011/051069.

Hoskins, S. print and Risseeuw , J. print (2011) Sustainability in printmaking. In: Hoskins, S. print, ed. (2011) Impact 6 Proceedings. Bristol: Impact Press/LULU, pp. 70-76. ISBN 9781906501037

Hoskins, S. print and Risseeuw , J. print (2011) Sustainability seeks equilibrium: what does it mean to printmakers? In: SGC International Conference, Sam Fox School of Design & Visual Arts, University of Washington St. Louis, Missouri, USA, 16-19 March 2011.

Huson, D. print, Parraman, C. print and Walters, P. print (2011) 3D printing and colour: A multidisciplinary investigation. In: Hoskins, S. print, ed. (2011) IMPACT 6 Multidisciplinary Printmaking Conference Proceedings. Bristol: Unviersity of the West of England, pp. 31-38.

Hoskins, S. print and Huson, D. print (2011) The digital physical artefact: A case study for digital engagement in the creative industries. In: Digital Engagement 2011 (the Digital Economy All Hands Meeting), Newcastle-upon-Tyne, UK, 15th - 17th November, 2011.

Hoskins, S. print (2011) A significant visitor. IMPRINT – the journal of the Print Council of Australia, 46 (4). pp. 14-15. ISSN 0313-3907

Hoskins, S. print (2010) Future of manual printmaking in the UK. In: Future of Manual Printmaking in the UK, Curwen Print Study Centre, Cambridge, UK, October 2010.

Hoskins, S. print (2010) The margins of art practice bordering on industrial development. In: Howlett, R. J. print, ed. (2010) Innovation through Knowledge Transfer. (Volume) Springer-Verlag. ISBN 9783642145933

Hoskins, S. print (2010) Unique reproduction: definitions of original printmaking in a digital age. In: Seacourt Print Workshop 2010 Symposium, The University of Ulster, Belfast Campus, 17 June 2010., p. 24

Hoskins, S. print and Laidler, P. print (2010) The collaborative print studio within a Higher Educational Institution and its relationship to the art marketplace. In: Higher Education and the Creative Economy Conference, University of Southampton, 22-23 March 2010.

Hoskins, S. print (2010) Celebrating Paper. [Artefact]

Hoskins, S. print (2010) A timeline of developments in printing culture from 1850 to the digital age. In: Annual Conference of the Association of European Printing Museums (AEPM), Wadgassen, Germany, 3rd-5th September, 2010. [Unpublished]

Hoskins, S. print and Risseeuw, J. print (2009) Is art making sustainable? In: 32nd annual Southwest Arts Conference, Phoenix, USA, 13 and 14 August 2009. [Unpublished]

Hoskins, S. print (2009) Prints that fly. In: Talking prints Lecture Series Lancashire Artists Network, University of Central Lancashire, University of Central Lancashire, 17 June 2009. [Unpublished]

Hoskins, S. print (2009) Beyond digital. In: Global Implications: Southern Graphics Council Conference 2009, Columbia College, Chicago, 25-29 March 2009. [Unpublished]

Hoskins, S. print (2009) Pictorial information as transcribed by the artist or designer. In: Electronic Imaging Science and Technology Conference, Color Imaging, San Jose, USA, 20-22 January 2009.

Hoskins, S. print, Parraman, C. print, Hill, V. print, Baldwin, R. print and Reyes, F. print (2008) Development of a conservation and restoration plan and records management system for the Lands and Survey Division, 2007-2008. Technical Report. Ministry of Agriculture, Land and Marine Resources, Government of Trinidad and Tobago, Confidential report. [Unpublished]

Hoskins, S. print (2007) Water-based screenprinting. London: A & C Black. ISBN 9781408101377

Hoskins, S. print (2007) Developments in the digital production of high quality original art: A case study. In: (2007) NIP23: International Conference on Digital Printing Technologies and Digital Fabrication. Anchorage, Alaska: Society for Imaging Science and Technology, pp. 351-354. ISBN 0-89208-273-9

Hoskins, S. print and Turrell, E. C. print (2006) Digitally print technologies and their relation to vitreous enamel on metal for the visual artist. Denver, Colorado, USA: NIP22: International Conference on Digital Printing Technologies. ISBN 0-89208-263-1

Hoskins, S. print, Fairclough, S. print and Harrison, C. print (2006) From Bash Street to Duchamp, reproduction and originality using digitally created content. In: Thompson, R. print, Manning, A. print and Townsend, J. print, eds. (2006) Preservation and Conservation Issues Related to Digital Printing and Digital Photography Conference. Institute of Physics. ISBN 9780955398407

Hoskins, S. print (2006) The diversity of digital print technologies used in the creation of high quality Fine Art. IS&T’s NIP22: International Conference on Digital Printing Technologies Proceedings. pp. 303-307.

Huson, D. print, Hoskins, S. print and Thirkell, P. print (2005) Photo ceramic relief imaging. In: (2005) Digital Fabrication 2005. (Volume) Baltimore, MD, USA: Society for Imaging and Technology, pp. 39-42. ISBN 0-89208-258-5

Hoskins, S. print (2004) Inks. A and C Black, London. ISBN 0-7136-6341-3

Hoskins, S. print (2004) Printer with substrate registration means. Hoskins, Professor Stephen and University of the West of England. PCT/GB2004/002816.

Hoskins, S. print, Thirkell, P. print and Hill, V. print (2004) Woodburytype database. (2004 version) [Dataset]

Hoskins, S. print and Thirkell, P. print (2003) The relevance of 19th Century continuous tone photomechanical printing techniques to digitally generated imagery. In: SPIE Electronic Imaging Conference, Santa Clara, USA, January 2003., pp. 24-29

Hoskins, S. print (2003) From conflict to conduit, print or printmaking. In: Third Impact International Printmaking Conference, Michaelis School of Fine Art, University of Cape Town and Rhodes University School of Fine Art., 2003.

Hoskins, S. print (2003) Questions of authenticity, geopolitical division and production in the laser print era, or: Sex Violence and Procreation. In: Southern Graphics Council Conference, Making Histories: Revolution & Representation, Boston University, School of Museum of Fine Arts, Mass Art and the Art Institute of Boston, , 2003. [Unpublished]

Hoskins, S. print, Anderton, R. print and Fortune, D. print (2002) Novel methods of water based screenprinted ceramic transfers. University of the West of England. WO 9855327.

Hoskins, S. print and Parraman, C. print (2001) The impact of paper on ink: From the photomechanical printer's perspective. 9th Color Imaging Conference Proceedings , 9. pp. 214-218.

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Laidler, P. print, Hoskins, S. print, Bodman, S. L. print and Johnson, L. print (2005) A perpetual portfolio. [Show/Exhibition]

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Parraman, C. print, Hoskins, S. print, Laidler, P. print and Wang, H. Q. print (2005) Customizing digital printing for fine art practice. Proceedings of SPIE, 5667 (465). ISSN 0277-786X

Parraman, C. print and Hoskins, S. print (2003) The practical application of an artist's colour model as an alternative to CMYK. Proceedings of SPIE, 5008 (129). ISSN 0277-786X

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Sowden, T. print (2011) Artists’ books in the digital age. In: Hoskins, S. print, ed. (2011) Impact 6 Proceedings. Bristol: Impact Press, University of the West of England, pp. 156-161. ISBN 978-1-906501-03-7

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Thirkell, P. print and Hoskins, S. print (2009) Through the Glass Darkly – Appropriation, Remaking and Representation through Print. In: The Art of Appropriation & Kurt Schwitters in England, University of Chester, 10-11 July 2009. [Unpublished]

Thirkell, P. print, Huson, D. print and Hoskins, S. print (2004) Altered images - digital interpretations inspired by George Cartlidge's portrait tiles. Glazed Expressions, the Magazine of the Tiles & Architectural Ceramics Society (TACS), No 51 . p. 20.

Thirkell, P. print and Hoskins, S. print (2003) Continuous tone digital output using archivally proven printing methods and material. In: Thompson, R. print and Manning, A. print, eds. (2003) Conference Proceedings of the Second International Conference on: Preservation and Conservation Issues Related to Digital Printing and Digital Photography. London: Institute of Physics, pp. 24-29. ISBN 0-7503-0991-1

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Walters, P. print, Huson, D. print, Parraman, C. print and Stanić, M. print (2011) 3D printing in colour: technical evaluation and creative applications. In: Hoskins, S. print, ed. (2011) Impact 6 Proceedings. Bristol: Impact Press, University of the West of England, pp. 31-39. ISBN 978-1-906501-03-7