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Number of items: 60.

Huson, D. and Hoskins, S. (2014) 3D printed ceramics for tableware, artists/designers and specialist applications. In: Wohlbier, T., ed. (2014) Key Engineering Materials. (608) Traditional and Advanced Ceramics. Trans Tech Publications, pp. 351-357. ISBN 9783038350637

Huson, D. and Hoskins, S. (2014) Underglaze tissue printing for ceramic artists, a collaborative project to re-appraise 19th century printing skills. In: N/A, N. A., ed. (2014) Key Engineering Materials. (608) Traditional and Advanced Ceramics. Scientific.net, pp. 335-340. ISBN 978-3-03835-063-7

Hoskins, S. (2014) A very English process: Underglaze tissue printing for ceramic artists, a collaborative project to reappraise 19th century printing skills. In: NCECA 2014, 48TH ANNUAL CONFERENCE, Milwaukee, Wisconsin, USA, March 19-22, 2014. Milwaukee: NCECA

Hoskins, S. and MacCallion, P. (2014) Continuous tone printing in silicone from CNC milled matrices. In: Segovia, M. V. O., Urban, P. and Allebach, J. P., eds. (2014) Proc. SPIE 9018, Measuring, Modeling, and Reproducing Material Appearance, 90180O. (9018) USA: Society for Imaging Science and Technology and SPIE. ISBN 9780819499356

Hoskins, S., Huson, D., Halfpenny, P., Baskeyfield, J., Hodes, C., Scott, P., Bunnell, K., Higginson, J. and Orr, C. and Stephen Hoskins, David Huson (2014) Beyond Blue. In: Beyond Blue Symposium, Victoria and Albert Museum, London, UK, 23 January 2014.

Hoskins, S. (2013) 3D printing for artists, designers and makers. London: Bloomsbury. ISBN 9781408173794

Hoskins, S., Parraman, C., Mccallion, P. and Cohen, C. (2013) Reproduction of texture in digitally printed artworks. In: 12th International AIC Colour Congress, Newcastle-upon-Tyne, 8-12th July 2013. Newcastle-upon-Tyne: Association Internationale de la Couleur

Hoskins, S. (2013) A model for the collaborative studio in the 21st Century: What it might be! In: Morgan, L., ed. (2013) Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference. Australia: Monash University Publishing, pp. 238-242. ISBN 9781921867569

Hoskins, S. and Mccallion, P. (2013) Continuous tone colour printing in two and a half dimensions through a combination of 19th century analogue methodologies and 3D printing. In: Masahiko, F. and Lozo, B., eds. (2013) NIP29 29th International Conference on Digital Printing Technologies Digital Fabrication 2013 Technical Programme and Proceedings. (29) USA: Society for Imaging Science and Technology, pp. 244-248. ISBN 9780892083060

Hoskins, S. (2012) Novel ceramic materials and 3D printing applications. In: TCT Additive Manufacturing & 3D Printing Conference , NEC Birmingham, UK, 25 - 26 September 2012. Birmingham: Rapid News Publications Ltd

Hoskins, S., Huson, D. and Walters, P. (2012) Towards a new ceramic future. In: Towards a New Ceramic Future, Victoria and Albert Museum, Hochhauser Auditorium, London, UK, 17 January 2012.

Hoskins, S. and Huson, D. (2012) 3D printing of self-glazing ceramics: An investigation into Egyptian Faience. In: Benning, P., Silence, S., Simske, S. and Zapka, W., eds. (2012) NIP 28/Digital Fabrication 2012 Technical Program and Proceedings. Springfield, VA: IS&T: The Society for Imaging Science and Technology, pp. 341-343. ISBN 9780892083022

Huson, D., Parraman, C., Klein, S., Simske, S., Walters, P., Adams, G. and Hoskins, S. (2012) 3D printing of transparent glass. In: Benning, P., Silence, S., Simske, S. and Zapka, W., eds. (2012) NIP28/Digital Fabrication 2012 Technical Programme and Proceedings. Springfield, VA: IS&T: The Society for Imaging and Technology, pp. 336-337. ISBN 9780892083022

Hoskins, S. (2012) Computational colour, the visual artist and the printed artefact. Journal of the International Colour Association (JAIC), 6. pp. 50-54.

Hoskins, S. (2012) Foreword. In: Marshall, A., Moglia, B., Mosley, J. and Savoie, A., eds. (2012) Type in Europe. Lyon: EMCC, p. 5. ISBN 9782357402409

Hoskins, S. (2012) Funding for faience. Ceramic Review. p. 15. ISSN 0144-1825 [In Press]

Hoskins, S. (2012) Printmaking: art and industry, from lithography to stereo lithography. In: The 2nd European Lithography Days 2012, Steindruck München Lithography Workshop, Münchner Künstlerhaus, Munich, Germany, 28 Aug - 3 Sept 2012.

Hoskins, S. (2012) Towards a new ceramic future. Ceramic Review, 255. pp. 64-65. ISSN 0144-1825

Hoskins, S. (2012) The evolution of a sugar bowl. In: RAPID 2012 , Atlanta, Georgia, USA, 22nd - 25th May, 2012.

Hoskins, S. and Huson, D. (2011) Patent for 3D ceramic material. University of the West of England. PCT/GB2011/051069.

Hoskins, S. and Risseeuw , J. (2011) Sustainability in printmaking. In: Hoskins, S., ed. (2011) Impact 6 Proceedings. Bristol: Impact Press/LULU, pp. 70-76. ISBN 9781906501037

Walters, P., Huson, D., Parraman, C. and Stanić, M. (2011) 3D printing in colour: technical evaluation and creative applications. In: Hoskins, S., ed. (2011) Impact 6 Proceedings. Bristol: Impact Press, University of the West of England, pp. 31-39. ISBN 978-1-906501-03-7

Sowden, T. (2011) Artists’ books in the digital age. In: Hoskins, S., ed. (2011) Impact 6 Proceedings. Bristol: Impact Press, University of the West of England, pp. 156-161. ISBN 978-1-906501-03-7

Hoskins, S. and Risseeuw , J. (2011) Sustainability seeks equilibrium: what does it mean to printmakers? In: SGC International Conference, Sam Fox School of Design & Visual Arts, University of Washington St. Louis, Missouri, USA, 16-19 March 2011.

Huson, D., Parraman, C. and Walters, P. (2011) 3D printing and colour: A multidisciplinary investigation. In: Hoskins, S., ed. (2011) IMPACT 6 Multidisciplinary Printmaking Conference Proceedings. Bristol: Unviersity of the West of England, pp. 31-38.

Hoskins, S. and Huson, D. (2011) The digital physical artefact: A case study for digital engagement in the creative industries. In: Digital Engagement 2011 (the Digital Economy All Hands Meeting), Newcastle-upon-Tyne, UK, 15th - 17th November, 2011.

Hoskins, S. (2011) A significant visitor. IMPRINT – the journal of the Print Council of Australia, 46 (4). pp. 14-15. ISSN 0313-3907

Hoskins, S. (2010) Future of manual printmaking in the UK. In: Future of Manual Printmaking in the UK, Curwen Print Study Centre, Cambridge, UK, October 2010.

Hoskins, S. (2010) The margins of art practice bordering on industrial development. In: Howlett, R. J., ed. (2010) Innovation through Knowledge Transfer. (Volume) Springer-Verlag. ISBN 9783642145933

Hoskins, S. (2010) Unique reproduction: definitions of original printmaking in a digital age. In: Seacourt Print Workshop 2010 Symposium, The University of Ulster, Belfast Campus, 17 June 2010., p. 24

Hoskins, S. and Laidler, P. (2010) The collaborative print studio within a Higher Educational Institution and its relationship to the art marketplace. In: Higher Education and the Creative Economy Conference, University of Southampton, 22-23 March 2010.

Hoskins, S. (2010) Celebrating Paper. [Artefact]

Hoskins, S. (2010) A timeline of developments in printing culture from 1850 to the digital age. In: Annual Conference of the Association of European Printing Museums (AEPM), Wadgassen, Germany, 3rd-5th September, 2010.

Hoskins, S. and Risseeuw, J. (2009) Is art making sustainable? In: 32nd annual Southwest Arts Conference, Phoenix, USA, 13 and 14 August 2009.

Thirkell, P. and Hoskins, S. (2009) Through the Glass Darkly – Appropriation, Remaking and Representation through Print. In: The Art of Appropriation & Kurt Schwitters in England, University of Chester, 10-11 July 2009.

Hoskins, S. (2009) Prints that fly. In: Talking prints Lecture Series Lancashire Artists Network, University of Central Lancashire, University of Central Lancashire, 17 June 2009.

Hoskins, S. (2009) Beyond digital. In: Global Implications: Southern Graphics Council Conference 2009, Columbia College, Chicago, 25-29 March 2009.

Hoskins, S. (2009) Pictorial information as transcribed by the artist or designer. In: Electronic Imaging Science and Technology Conference, Color Imaging, San Jose, USA, 20-22 January 2009.

Hoskins, S., Parraman, C., Hill, V., Baldwin, R. and Reyes, F. (2008) Development of a conservation and restoration plan and records management system for the Lands and Survey Division, 2007-2008. Technical Report. Ministry of Agriculture, Land and Marine Resources, Government of Trinidad and Tobago, Confidential report.

Hoskins, S. (2007) Water-based screenprinting. London: A & C Black. ISBN 9781408101377

Hoskins, S. (2007) Developments in the digital production of high quality original art: A case study. In: (2007) NIP23: International Conference on Digital Printing Technologies and Digital Fabrication. Anchorage, Alaska: Society for Imaging Science and Technology, pp. 351-354. ISBN 0-89208-273-9

Hoskins, S. and Turrell, E. C. (2006) Digitally print technologies and their relation to vitreous enamel on metal for the visual artist. Denver, Colorado, USA: NIP22: International Conference on Digital Printing Technologies. ISBN 0-89208-263-1

Hoskins, S., Fairclough, S. and Harrison, C. (2006) From Bash Street to Duchamp, reproduction and originality using digitally created content. In: Thompson, R., Manning, A. and Townsend, J., eds. (2006) Preservation and Conservation Issues Related to Digital Printing and Digital Photography Conference. Institute of Physics. ISBN 9780955398407

Hoskins, S. (2006) The diversity of digital print technologies used in the creation of high quality Fine Art. IS&T’s NIP22: International Conference on Digital Printing Technologies Proceedings. pp. 303-307.

Crouch, E., Cowell, D. C., Hoskins, S., Pittson, R. and Hart, J. P. (2005) Amperometric, screen-printed, glucose biosensor for analysis of human plasma samples using a biocomposite water-based carbon ink incorporating glucose oxidase. Analytical Biochemistry, 347 (1). pp. 17-23. ISSN 0003-2697

Crouch, E., Cowell, D., Hoskins, S., Pittson, R. and Hart, J. P. (2005) A novel, disposable, screen-printed amperometric biosensor for glucose in serum fabricated using a water-based carbon ink. Biosensors and Bioelectronics, 21 (5). pp. 712-718. ISSN 0956-5663

Huson, D., Hoskins, S. and Thirkell, P. (2005) Photo ceramic relief imaging. In: (2005) Digital Fabrication 2005. (Volume) Baltimore, MD, USA: Society for Imaging and Technology, pp. 39-42. ISBN 0-89208-258-5

Parraman, C., Hoskins, S., Laidler, P. and Wang, H. Q. (2005) Customizing digital printing for fine art practice. Proceedings of SPIE, 5667 (465). ISSN 0277-786X

Laidler, P., Hoskins, S., Bodman, S. L. and Johnson, L. (2005) A perpetual portfolio. [Show/Exhibition]

Hoskins, S. (2004) Inks. A and C Black, London. ISBN 9780713663419

Hoskins, S. (2004) Printer with substrate registration means. Hoskins, Professor Stephen and University of the West of England. PCT/GB2004/002816.

Thirkell, P., Huson, D. and Hoskins, S. (2004) Altered images - digital interpretations inspired by George Cartlidge's portrait tiles. Glazed Expressions, the Magazine of the Tiles & Architectural Ceramics Society (TACS), No 51 . p. 20.

Hoskins, S., Thirkell, P. and Hill, V. (2004) Woodburytype database. (2004 version) [Dataset]

Parraman, C. and Hoskins, S. (2003) The practical application of an artist's colour model as an alternative to CMYK. Proceedings of SPIE, 5008 (129). ISSN 0277-786X

Thirkell, P. and Hoskins, S. (2003) Continuous tone digital output using archivally proven printing methods and material. In: Thompson, R. and Manning, A., eds. (2003) Conference Proceedings of the Second International Conference on: Preservation and Conservation Issues Related to Digital Printing and Digital Photography. London: Institute of Physics, pp. 24-29. ISBN 0-7503-0991-1

Hoskins, S. and Thirkell, P. (2003) The relevance of 19th Century continuous tone photomechanical printing techniques to digitally generated imagery. In: SPIE Electronic Imaging Conference, Santa Clara, USA, January 2003., pp. 24-29

Hoskins, S. (2003) From conflict to conduit, print or printmaking. In: Third Impact International Printmaking Conference, Michaelis School of Fine Art, University of Cape Town and Rhodes University School of Fine Art., 2003.

Hoskins, S. (2003) Questions of authenticity, geopolitical division and production in the laser print era, or: Sex Violence and Procreation. In: Southern Graphics Council Conference, Making Histories: Revolution & Representation, Boston University, School of Museum of Fine Arts, Mass Art and the Art Institute of Boston, , 2003.

Hoskins, S., Anderton, R. and Fortune, D. (2002) Novel methods of water based screenprinted ceramic transfers. University of the West of England. WO 9855327.

Hoskins, S. and Parraman, C. (2001) The impact of paper on ink: From the photomechanical printer's perspective. 9th Color Imaging Conference Proceedings , 9. pp. 214-218.

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