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Jump to: Article | Book Section | Monograph | Conference or Workshop Item | Book | Patent | Artefact | Show/Exhibition | Dataset Number of items: 51. ArticleHoskins, S. (2012) Computational colour, the visual artist and the printed artefact. Journal of the International Colour Association (JAIC), 6. pp. 50-54. Hoskins, S. (2012) Funding for Faience. To be published in Ceramic Review. p. 15. ISSN 0144-1825 [In Press] Hoskins, S. (2012) Towards a new ceramic future. Ceramic Review, 255. pp. 64-65. ISSN 0144-1825 Hoskins, S. (2011) A significant visitor. IMPRINT – the journal of the Print Council of Australia, 46 (4). pp. 14-15. ISSN 0313-3907 Hoskins, S. (2006) The diversity of digital print technologies used in the creation of high quality Fine Art. IS&T’s NIP22: International Conference on Digital Printing Technologies Proceedings. pp. 303-307. Crouch, E. , Cowell, D. , Hoskins, S. , Pittson, R. and Hart, J. P. (2005) A novel, disposable, screen-printed amperometric biosensor for glucose in serum fabricated using a water-based carbon ink. Biosensors and Bioelectronics, 21 (5). pp. 712-718. ISSN 0956-5663 Parraman, C. , Hoskins, S. , Laidler, P. and Wang, H. Q. (2005) Customizing digital printing for fine art practice. Proceedings of SPIE, 5667 (465). ISSN 0277-786X Thirkell, P. , Huson, D. and Hoskins, S. (2004) Altered images - digital interpretations inspired by George Cartlidge's portrait tiles. Glazed Expressions, the Magazine of the Tiles & Architectural Ceramics Society (TACS), No 51 . p. 20. Parraman, C. and Hoskins, S. (2003) The practical application of an artist's colour model as an alternative to CMYK. Proceedings of SPIE, 5008 (129). ISSN 0277-786X Hoskins, S. and Parraman, C. (2001) The impact of paper on ink: From the photomechanical printer's perspective. 9th Color Imaging Conference Proceedings , 9. pp. 214-218. Book SectionHoskins, S. (2013) A model for the collaborative studio in the 21st Century: What it might be! In: Morgan, L. , ed. (2013) Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference. Australia: Monash University Publishing, pp. 238-242. ISBN 9781921867569 Hoskins, S. and Huson, D. (2012) 3D printing of self-glazing ceramics: An investigation into Egyptian Faience. In: Benning, P. , Silence, S. , Simske, S. and Zapka, W. , eds. (2012) NIP 28/Digital Fabrication 2012 Technical Program and Proceedings. Springfield, VA: IS&T: The Society for Imaging Science and Technology, pp. 341-343. ISBN 9780892083022 Huson, D. , Parraman, C. , Klein, S. , Simske, S. , Walters, P. , Adams, G. and Hoskins, S. (2012) 3D printing of transparent glass. In: Benning, P. , Silence, S. , Simske, S. and Zapka, W. , eds. (2012) NIP28/Digital Fabrication 2012 Technical Programme and Proceedings. Springfield, VA: IS&T: The Society for Imaging and Technology, pp. 336-337. ISBN 9780892083022 Hoskins, S. (2012) Foreword. In: Marshall, A. , Moglia, B. , Mosley, J. and Savoie, A. , eds. (2012) Type in Europe. Lyon: EMCC, p. 5. ISBN 9782357402409 Hoskins, S. and Risseeuw , J. (2011) Sustainability in printmaking. In: Hoskins, S. , ed. (2011) Impact 6 Proceedings. Bristol: Impact Press/LULU, pp. 70-76. ISBN 9781906501037 Walters, P. , Huson, D. , Parraman, C. and Stanić, M. (2011) 3D printing in colour: technical evaluation and creative applications. In: Hoskins, S. , ed. (2011) Impact 6 Proceedings. Bristol: Impact Press, University of the West of England, pp. 31-39. ISBN 978-1-906501-03-7 Sowden, T. (2011) Artists’ books in the digital age. In: Hoskins, S. , ed. (2011) Impact 6 Proceedings. Bristol: Impact Press, University of the West of England, pp. 156-161. ISBN 978-1-906501-03-7 Huson, D. , Parraman, C. and Walters, P. (2011) 3D printing and colour: A multidisciplinary investigation. In: Hoskins, S. , ed. (2011) IMPACT 6 Multidisciplinary Printmaking Conference Proceedings. Bristol: Unviersity of the West of England, pp. 31-38. Hoskins, S. (2010) The margins of art practice bordering on industrial development. In: Howlett, R. J. , ed. (2010) Innovation through Knowledge Transfer. (Volume) Springer-Verlag. ISBN 9783642145933 Hoskins, S. (2007) Developments in the digital production of high quality original art: A case study. In: (2007) NIP23: International Conference on Digital Printing Technologies and Digital Fabrication. Anchorage, Alaska: Society for Imaging Science and Technology, pp. 351-354. ISBN 0-89208-273-9 Hoskins, S. , Fairclough, S. and Harrison, C. (2006) From Bash Street to Duchamp, reproduction and originality using digitally created content. In: Thompson, R. , Manning, A. and Townsend, J. , eds. (2006) Preservation and Conservation Issues Related to Digital Printing and Digital Photography Conference. Institute of Physics. ISBN 9780955398407 Huson, D. , Hoskins, S. and Thirkell, P. (2005) Photo ceramic relief imaging. In: (2005) Digital Fabrication 2005. (Volume) Baltimore, MD, USA: Society for Imaging and Technology, pp. 39-42. ISBN 0-89208-258-5 Thirkell, P. and Hoskins, S. (2003) Continuous tone digital output using archivally proven printing methods and material. In: Thompson, R. and Manning, A. , eds. (2003) Conference Proceedings of the Second International Conference on: Preservation and Conservation Issues Related to Digital Printing and Digital Photography. London: Institute of Physics, pp. 24-29. ISBN 0-7503-0991-1 MonographHoskins, S. , Parraman, C. , Hill, V. , Baldwin, R. and Reyes, F. (2008) Development of a conservation and restoration plan and records management system for the Lands and Survey Division, 2007-2008. Technical Report. Ministry of Agriculture, Land and Marine Resources, Government of Trinidad and Tobago, Confidential report. [Unpublished] Conference or Workshop ItemHoskins, S. (2012) Novel ceramic materials and 3D printing applications. In: TCT Additive Manufacturing & 3D Printing Conference , NEC Birmingham, UK, 25th - 26th September, 2012. Birmingham: Rapid News Publications Ltd [Submitted] Hoskins, S. , Huson, D. and Walters, P. (2012) Towards a new ceramic future. In: Towards a New Ceramic Future, Victoria and Albert Museum, Hochhauser Auditorium, London, UK, 17 January 2012. [Unpublished] Hoskins, S. (2012) Printmaking: art and industry, from lithography to stereo lithography. In: The 2nd European Lithography Days 2012, Steindruck München Lithography Workshop, Münchner Künstlerhaus, Munich, Germany, 28 Aug - 3 Sept 2012. [Unpublished] Hoskins, S. (2012) The evolution of a sugar bowl. In: RAPID 2012 , Atlanta, Georgia, USA, 22nd - 25th May, 2012. Hoskins, S. and Risseeuw , J. (2011) Sustainability seeks equilibrium: what does it mean to printmakers? In: SGC International Conference, Sam Fox School of Design & Visual Arts, University of Washington St. Louis, Missouri, USA, 16-19 March 2011. Hoskins, S. and Huson, D. (2011) The digital physical artefact: A case study for digital engagement in the creative industries. In: Digital Engagement 2011 (the Digital Economy All Hands Meeting), Newcastle-upon-Tyne, UK, 15th - 17th November, 2011. Hoskins, S. (2010) Future of manual printmaking in the UK. In: Future of Manual Printmaking in the UK, Curwen Print Study Centre, Cambridge, UK, October 2010. Hoskins, S. (2010) Unique reproduction: definitions of original printmaking in a digital age. In: Seacourt Print Workshop 2010 Symposium, The University of Ulster, Belfast Campus, 17 June 2010., p. 24 Hoskins, S. and Laidler, P. (2010) The collaborative print studio within a Higher Educational Institution and its relationship to the art marketplace. In: Higher Education and the Creative Economy Conference, University of Southampton, 22-23 March 2010. Hoskins, S. (2010) A timeline of developments in printing culture from 1850 to the digital age. In: Annual Conference of the Association of European Printing Museums (AEPM), Wadgassen, Germany, 3rd-5th September, 2010. [Unpublished] Hoskins, S. and Risseeuw, J. (2009) Is art making sustainable? In: 32nd annual Southwest Arts Conference, Phoenix, USA, 13 and 14 August 2009. [Unpublished] Thirkell, P. and Hoskins, S. (2009) Through the Glass Darkly – Appropriation, Remaking and Representation through Print. In: The Art of Appropriation & Kurt Schwitters in England, University of Chester, 10-11 July 2009. [Unpublished] Hoskins, S. (2009) Prints that fly. In: Talking prints Lecture Series Lancashire Artists Network, University of Central Lancashire, University of Central Lancashire, 17 June 2009. [Unpublished] Hoskins, S. (2009) Beyond digital. In: Global Implications: Southern Graphics Council Conference 2009, Columbia College, Chicago, 25-29 March 2009. [Unpublished] Hoskins, S. (2009) Pictorial information as transcribed by the artist or designer. In: Electronic Imaging Science and Technology Conference, Color Imaging, San Jose, USA, 20-22 January 2009. Hoskins, S. and Thirkell, P. (2003) The relevance of 19th Century continuous tone photomechanical printing techniques to digitally generated imagery. In: SPIE Electronic Imaging Conference, Santa Clara, USA, January 2003., pp. 24-29 Hoskins, S. (2003) From conflict to conduit, print or printmaking. In: Third Impact International Printmaking Conference, Michaelis School of Fine Art, University of Cape Town and Rhodes University School of Fine Art., 2003. Hoskins, S. (2003) Questions of authenticity, geopolitical division and production in the laser print era, or: Sex Violence and Procreation. In: Southern Graphics Council Conference, Making Histories: Revolution & Representation, Boston University, School of Museum of Fine Arts, Mass Art and the Art Institute of Boston, , 2003. [Unpublished] BookHoskins, S. (2007) Water-based screenprinting. London: A & C Black. ISBN 9781408101377 Hoskins, S. and Turrell, E. C. (2006) Digitally print technologies and their relation to vitreous enamel on metal for the visual artist. Denver, Colorado, USA: NIP22: International Conference on Digital Printing Technologies. ISBN 0-89208-263-1 Hoskins, S. (2004) Inks. A and C Black, London. ISBN 0-7136-6341-3 PatentHoskins, S. and Huson, D. (2011) Patent for 3D ceramic material. University of the West of England. PCT/GB2011/051069. Hoskins, S. (2004) Printer with substrate registration means. Hoskins, Professor Stephen and University of the West of England. PCT/GB2004/002816. Hoskins, S. , Anderton, R. and Fortune, D. (2002) Novel methods of water based screenprinted ceramic transfers. University of the West of England. WO 9855327. ArtefactHoskins, S. (2010) Celebrating Paper. [Artefact] Show/ExhibitionLaidler, P. , Hoskins, S. , Bodman, S. L. and Johnson, L. (2005) A perpetual portfolio. [Show/Exhibition] DatasetHoskins, S. , Thirkell, P. and Hill, V. (2004) Woodburytype database. (2004 version) [Dataset] This list was generated on Thu May 23 02:50:57 2013 BST. |











