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Number of items: 67.

Article

O'Dowd, P., Hoskins, S., Geisow, A. and Walters, P. (2015) Modulated extrusion for textured 3D printing. NIP & Digital Fabrication Conference, 2015 (1). 173 -178. ISSN 2169-4451 Available from: http://eprints.uwe.ac.uk/25858

Hoskins, S. (2014) Digital creation of hand engraved copper plates to secure a historic process. NIP & Digital Fabrication Conference, 2014 (30). pp. 390-394. ISSN 2169-4451 Available from: http://eprints.uwe.ac.uk/23448

Hoskins, S. (2014) Issues of tacit knowledge within 3D printing for artists, designers and makers. NIP & Digital Fabrication Conference, 2014 (30). pp. 426-431. ISSN 2169-4451 Available from: http://eprints.uwe.ac.uk/23449

Hoskins, S. (2012) Computational colour, the visual artist and the printed artefact. Journal of the International Colour Association (JAIC), 6. pp. 50-54. Available from: http://eprints.uwe.ac.uk/16418

Hoskins, S. (2012) Funding for faience. Ceramic Review. p. 15. ISSN 0144-1825 Available from: http://eprints.uwe.ac.uk/17087

Hoskins, S. (2012) Towards a new ceramic future. Ceramic Review, 255. pp. 64-65. ISSN 0144-1825 Available from: http://eprints.uwe.ac.uk/16502

Hoskins, S. (2011) A significant visitor. IMPRINT – the journal of the Print Council of Australia, 46 (4). pp. 14-15. ISSN 0313-3907 Available from: http://eprints.uwe.ac.uk/16310

Hoskins, S. (2006) The diversity of digital print technologies used in the creation of high quality Fine Art. IS&T’s NIP22: International Conference on Digital Printing Technologies Proceedings. pp. 303-307. Available from: http://eprints.uwe.ac.uk/6998

Crouch, E., Cowell, D. C., Hoskins, S., Pittson, R. and Hart, J. P. (2005) Amperometric, screen-printed, glucose biosensor for analysis of human plasma samples using a biocomposite water-based carbon ink incorporating glucose oxidase. Analytical Biochemistry, 347 (1). pp. 17-23. ISSN 0003-2697 Available from: http://eprints.uwe.ac.uk/21304

Crouch, E., Cowell, D., Hoskins, S., Pittson, R. and Hart, J. P. (2005) A novel, disposable, screen-printed amperometric biosensor for glucose in serum fabricated using a water-based carbon ink. Biosensors and Bioelectronics, 21 (5). pp. 712-718. ISSN 0956-5663 Available from: http://eprints.uwe.ac.uk/5781

Parraman, C., Hoskins, S., Laidler, P. and Wang, H. Q. (2005) Customizing digital printing for fine art practice. Proceedings of SPIE, 5667 (465). ISSN 0277-786X Available from: http://eprints.uwe.ac.uk/7967

Thirkell, P., Huson, D. and Hoskins, S. (2004) Altered images - digital interpretations inspired by George Cartlidge's portrait tiles. Glazed Expressions, the Magazine of the Tiles & Architectural Ceramics Society (TACS), No 51 . p. 20. Available from: http://eprints.uwe.ac.uk/8267

Parraman, C. and Hoskins, S. (2003) The practical application of an artist's colour model as an alternative to CMYK. Proceedings of SPIE, 5008 (129). ISSN 0277-786X Available from: http://eprints.uwe.ac.uk/7970

Hoskins, S. and Parraman, C. (2001) The impact of paper on ink: From the photomechanical printer's perspective. 9th Color Imaging Conference Proceedings , 9. pp. 214-218. Available from: http://eprints.uwe.ac.uk/15256

Book Section

Hoskins, S. (2015) The recent past and future of printmaking in the post print age with reference to its context in contemporary art, industry and society. In: Andrei, C., McInnes, A., Tsekova, A. and Ballantyne, L., eds. (2015) IMPACT 9 International Printmaking Conference. China: China Academy of Art Press, p. 22. ISBN 9787550309579 Available from: http://eprints.uwe.ac.uk/27102

Huson, D. and Hoskins, S. (2014) 3D printed ceramics for tableware, artists/designers and specialist applications. In: Wohlbier, T., ed. (2014) Key Engineering Materials. (608) Traditional and Advanced Ceramics. Trans Tech Publications, pp. 351-357. ISBN 9783038350637 Available from: http://eprints.uwe.ac.uk/21554

Huson, D. and Hoskins, S. (2014) Underglaze tissue printing for ceramic artists, a collaborative project to re-appraise 19th century printing skills. In: N/A, N. A., ed. (2014) Key Engineering Materials. (608) Traditional and Advanced Ceramics. Scientific.net, pp. 335-340. ISBN 978-3-03835-063-7 Available from: http://eprints.uwe.ac.uk/20922

Hoskins, S. and Mc Callion, P. (2014) Continuous tone printing in silicone from CNC milled matrices. In: Segovia, M. V. O., Urban, P. and Allebach, J. P., eds. (2014) Proc. SPIE 9018, Measuring, Modeling, and Reproducing Material Appearance, 90180O. (9018) USA: Society for Imaging Science and Technology and SPIE. ISBN 9780819499356 Available from: http://eprints.uwe.ac.uk/22282

Hoskins, S. (2014) 3D printing for the visual arts an overview of current practice and its historical context. In: Harrison, P. L., Shemilt, E. and Watson, A., eds. (2014) Borders and Crossings: The Artist as Explorer. Dundee: Duncan of Jordanstone College of Art and Design, University of Dundee, p. 246. ISBN 1899837701 Available from: http://eprints.uwe.ac.uk/21113

Huson, D. and Hoskins, S. (2014) 3D printing of self-glazing ceramics: An investigation into Egyptian faience. In: Harrison, P. L., Shemilt, E. and Watson, A., eds. (2014) Borders and Crossings: The Artist as Explorer. Dundee: Duncan of Jordanstone College of Art and Design, University of Dundee, pp. 134-137. ISBN 1899837701 Available from: http://eprints.uwe.ac.uk/21112

Hoskins, S. and Huson, D. (2014) ‘A very English process’ Underglaze tissue printing for ceramics - a collaboration to retain 19th century printing skills in a commercial environment. In: Harrison, P. L., Shemilt, E. and Watson, A., eds. (2014) Borders and Crossings: The Artist as Explorer. Dundee: Duncan of Jordanstone College of Art and Design, University of Dundee, pp. 122-127. ISBN 1899837701 Available from: http://eprints.uwe.ac.uk/20908

Hoskins, S. (2013) A model for the collaborative studio in the 21st Century: What it might be! In: Morgan, L., ed. (2013) Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference. Australia: Monash University Publishing, pp. 238-242. ISBN 9781921867569 Available from: http://eprints.uwe.ac.uk/14108

Hoskins, S. and Mccallion, P. (2013) Continuous tone colour printing in two and a half dimensions through a combination of 19th century analogue methodologies and 3D printing. In: Masahiko, F. and Lozo, B., eds. (2013) NIP29 29th International Conference on Digital Printing Technologies Digital Fabrication 2013 Technical Programme and Proceedings. (29) USA: Society for Imaging Science and Technology, pp. 244-248. ISBN 9780892083060 Available from: http://eprints.uwe.ac.uk/20051

Hoskins, S. and Huson, D. (2012) 3D printing of self-glazing ceramics: An investigation into Egyptian Faience. In: Benning, P., Silence, S., Simske, S. and Zapka, W., eds. (2012) NIP 28/Digital Fabrication 2012 Technical Program and Proceedings. Springfield, VA: IS&T: The Society for Imaging Science and Technology, pp. 341-343. ISBN 9780892083022 Available from: http://eprints.uwe.ac.uk/16968

Huson, D., Parraman, C., Klein, S., Simske, S., Walters, P., Adams, G. and Hoskins, S. (2012) 3D printing of transparent glass. In: Benning, P., Silence, S., Simske, S. and Zapka, W., eds. (2012) NIP28/Digital Fabrication 2012 Technical Programme and Proceedings. Springfield, VA: IS&T: The Society for Imaging and Technology, pp. 336-337. ISBN 9780892083022 Available from: http://eprints.uwe.ac.uk/16967

Hoskins, S. (2012) Foreword. In: Marshall, A., Moglia, B., Mosley, J. and Savoie, A., eds. (2012) Type in Europe. Lyon: EMCC, p. 5. ISBN 9782357402409 Available from: http://eprints.uwe.ac.uk/17813

Hoskins, S. and Risseeuw, J. (2011) Sustainability in printmaking. In: Hoskins, S., ed. (2011) Impact 6 Proceedings. Bristol: Impact Press/LULU, pp. 70-76. ISBN 9781906501037 Available from: http://eprints.uwe.ac.uk/15247

Walters, P., Huson, D., Parraman, C. and Stanić, M. (2011) 3D printing in colour: technical evaluation and creative applications. In: Hoskins, S., ed. (2011) Impact 6 Proceedings. Bristol: Impact Press, University of the West of England, pp. 31-39. ISBN 978-1-906501-03-7 Available from: http://eprints.uwe.ac.uk/7706

Sowden, T. (2011) Artists’ books in the digital age. In: Hoskins, S., ed. (2011) Impact 6 Proceedings. Bristol: Impact Press, University of the West of England, pp. 156-161. ISBN 978-1-906501-03-7 Available from: http://eprints.uwe.ac.uk/7772

Huson, D., Parraman, C. and Walters, P. (2011) 3D printing and colour: A multidisciplinary investigation. In: Hoskins, S., ed. (2011) IMPACT 6 Multidisciplinary Printmaking Conference Proceedings. Bristol: Unviersity of the West of England, pp. 31-38. Available from: http://eprints.uwe.ac.uk/10860

Hoskins, S. (2010) The margins of art practice bordering on industrial development. In: Howlett, R. J., ed. (2010) Innovation through Knowledge Transfer. (Volume) Springer-Verlag. ISBN 9783642145933 Available from: http://eprints.uwe.ac.uk/8173

Hoskins, S. (2007) Developments in the digital production of high quality original art: A case study. In: (2007) NIP23: International Conference on Digital Printing Technologies and Digital Fabrication. Anchorage, Alaska: Society for Imaging Science and Technology, pp. 351-354. ISBN 0-89208-273-9 Available from: http://eprints.uwe.ac.uk/7716

Hoskins, S., Fairclough, S. and Harrison, C. (2006) From Bash Street to Duchamp, reproduction and originality using digitally created content. In: Thompson, R., Manning, A. and Townsend, J., eds. (2006) Preservation and Conservation Issues Related to Digital Printing and Digital Photography Conference. Institute of Physics. ISBN 9780955398407 Available from: http://eprints.uwe.ac.uk/14052

Huson, D., Hoskins, S. and Thirkell, P. (2005) Photo ceramic relief imaging. In: (2005) Digital Fabrication 2005. (Volume) Baltimore, MD, USA: Society for Imaging and Technology, pp. 39-42. ISBN 0-89208-258-5 Available from: http://eprints.uwe.ac.uk/7966

Thirkell, P. and Hoskins, S. (2003) Continuous tone digital output using archivally proven printing methods and material. In: Thompson, R. and Manning, A., eds. (2003) Conference Proceedings of the Second International Conference on: Preservation and Conservation Issues Related to Digital Printing and Digital Photography. London: Institute of Physics, pp. 24-29. ISBN 0-7503-0991-1 Available from: http://eprints.uwe.ac.uk/6867

Report or Working Paper

Hoskins, S., Parraman, C., Hill, V., Baldwin, R. and Reyes, F. (2008) Development of a conservation and restoration plan and records management system for the Lands and Survey Division, 2007-2008. Technical Report. Ministry of Agriculture, Land and Marine Resources, Government of Trinidad and Tobago, Confidential report. Available from: http://eprints.uwe.ac.uk/7742

Conference or Workshop Item

Hoskins, S. (2014) A very English process: Underglaze tissue printing for ceramic artists, a collaborative project to reappraise 19th century printing skills. In: NCECA 2014, 48th Annual Conference, Milwaukee, Wisconsin, USA, March 19-22, 2014. Milwaukee: NCECA Available from: http://eprints.uwe.ac.uk/20907

Hoskins, S., Huson, D., Halfpenny, P., Baskeyfield, J., Hodes, C., Scott, P., Bunnell, K., Higginson, J. and Orr, C. and Stephen Hoskins, David Huson (2014) Beyond Blue. In: Beyond Blue Symposium, Victoria and Albert Museum, London, UK, 23 January 2014. Available from: http://eprints.uwe.ac.uk/22539

Hoskins, S., Parraman, C., Mccallion, P. and Cohen, C. (2013) Reproduction of texture in digitally printed artworks. In: 12th International AIC Colour Congress, Newcastle-upon-Tyne, 8-12th July 2013. Newcastle-upon-Tyne: Association Internationale de la Couleur Available from: http://eprints.uwe.ac.uk/19696

Hoskins, S. (2012) Novel ceramic materials and 3D printing applications. In: TCT Additive Manufacturing & 3D Printing Conference , NEC Birmingham, UK, 25 - 26 September 2012. Birmingham: Rapid News Publications Ltd Available from: http://eprints.uwe.ac.uk/16503

Hoskins, S., Huson, D. and Walters, P. (2012) Towards a new ceramic future. In: Towards a New Ceramic Future, Victoria and Albert Museum, Hochhauser Auditorium, London, UK, 17 January 2012. Available from: http://eprints.uwe.ac.uk/16520

Hoskins, S. (2012) Printmaking: art and industry, from lithography to stereo lithography. In: The 2nd European Lithography Days 2012, Steindruck München Lithography Workshop, Münchner Künstlerhaus, Munich, Germany, 28 Aug - 3 Sept 2012. Available from: http://eprints.uwe.ac.uk/17088

Hoskins, S. (2012) The evolution of a sugar bowl. In: RAPID 2012 , Atlanta, Georgia, USA, 22nd - 25th May, 2012. Available from: http://eprints.uwe.ac.uk/16311

Hoskins, S. and Risseeuw , J. (2011) Sustainability seeks equilibrium: what does it mean to printmakers? In: SGC International Conference, Sam Fox School of Design & Visual Arts, University of Washington St. Louis, Missouri, USA, 16-19 March 2011. Available from: http://eprints.uwe.ac.uk/14053

Hoskins, S. and Huson, D. (2011) The digital physical artefact: A case study for digital engagement in the creative industries. In: Digital Engagement 2011 (the Digital Economy All Hands Meeting), Newcastle-upon-Tyne, UK, 15th - 17th November, 2011. Available from: http://eprints.uwe.ac.uk/15943

Hoskins, S. (2010) Future of manual printmaking in the UK. In: Future of Manual Printmaking in the UK, Curwen Print Study Centre, Cambridge, UK, October 2010. Available from: http://eprints.uwe.ac.uk/10493

Hoskins, S. (2010) Unique reproduction: definitions of original printmaking in a digital age. In: Seacourt Print Workshop 2010 Symposium, The University of Ulster, Belfast Campus, 17 June 2010., p. 24 Available from: http://eprints.uwe.ac.uk/7779

Hoskins, S. and Laidler, P. (2010) The collaborative print studio within a Higher Educational Institution and its relationship to the art marketplace. In: Higher Education and the Creative Economy Conference, University of Southampton, 22-23 March 2010. Available from: http://eprints.uwe.ac.uk/7564

Hoskins, S. (2010) A timeline of developments in printing culture from 1850 to the digital age. In: Annual Conference of the Association of European Printing Museums (AEPM), Wadgassen, Germany, 3rd-5th September, 2010. Available from: http://eprints.uwe.ac.uk/10492

Hoskins, S. and Risseeuw, J. (2009) Is art making sustainable? In: 32nd annual Southwest Arts Conference, Phoenix, USA, 13 and 14 August 2009. Available from: http://eprints.uwe.ac.uk/6995

Thirkell, P. and Hoskins, S. (2009) Through the Glass Darkly – Appropriation, Remaking and Representation through Print. In: The Art of Appropriation & Kurt Schwitters in England, University of Chester, 10-11 July 2009. Available from: http://eprints.uwe.ac.uk/7679

Hoskins, S. (2009) Prints that fly. In: Talking prints Lecture Series Lancashire Artists Network, University of Central Lancashire, University of Central Lancashire, 17 June 2009. Available from: http://eprints.uwe.ac.uk/6996

Hoskins, S. (2009) Beyond digital. In: Global Implications: Southern Graphics Council Conference 2009, Columbia College, Chicago, 25-29 March 2009. Available from: http://eprints.uwe.ac.uk/7714

Hoskins, S. (2009) Pictorial information as transcribed by the artist or designer. In: Electronic Imaging Science and Technology Conference, Color Imaging, San Jose, USA, 20-22 January 2009. Available from: http://eprints.uwe.ac.uk/7864

Hoskins, S. and Thirkell, P. (2003) The relevance of 19th century continuous tone photomechanical printing techniques to digitally generated imagery. In: SPIE Electronic Imaging Conference, Santa Clara, USA, January 2003. Available from: http://eprints.uwe.ac.uk/6876

Hoskins, S. (2003) From conflict to conduit, print or printmaking. In: Third Impact International Printmaking Conference, Michaelis School of Fine Art, University of Cape Town and Rhodes University School of Fine Art., 2003. Available from: http://eprints.uwe.ac.uk/14100

Hoskins, S. (2003) Questions of authenticity, geopolitical division and production in the laser print era, or: Sex Violence and Procreation. In: Southern Graphics Council Conference, Making Histories: Revolution & Representation, Boston University, School of Museum of Fine Arts, Mass Art and the Art Institute of Boston, , 2003. Available from: http://eprints.uwe.ac.uk/14101

Book

Hoskins, S. (2013) 3D Printing for Artists, Designers and Makers. London: Bloomsbury. ISBN 9781408173794 Available from: http://eprints.uwe.ac.uk/18154

Hoskins, S. (2007) Water-based screenprinting. London: A & C Black. ISBN 9781408101377 Available from: http://eprints.uwe.ac.uk/6859

Hoskins, S. and Turrell, E. C. (2006) Digitally print technologies and their relation to vitreous enamel on metal for the visual artist. Denver, Colorado, USA: NIP22: International Conference on Digital Printing Technologies. ISBN 0-89208-263-1 Available from: http://eprints.uwe.ac.uk/7836

Hoskins, S. (2004) Inks. A and C Black, London. ISBN 9780713663419 Available from: http://eprints.uwe.ac.uk/6860

Patent

Hoskins, S. and Huson, D. (2011) Patent for 3D ceramic material. University of the West of England. PCT/GB2011/051069. Available from: http://eprints.uwe.ac.uk/16620

Hoskins, S. (2004) Printer with substrate registration means. Hoskins, Professor Stephen and University of the West of England. PCT/GB2004/002816. Available from: http://eprints.uwe.ac.uk/6861

Hoskins, S., Anderton, R. and Fortune, D. (2002) Novel methods of water based screenprinted ceramic transfers. University of the West of England. WO 9855327. Available from: http://eprints.uwe.ac.uk/16662

Artefact

Hoskins, S. (2010) Celebrating Paper. [Artefact] Available from: http://eprints.uwe.ac.uk/7756

Dataset

Hoskins, S., Thirkell, P. and Hill, V. (2004) Woodburytype database. (2004 version) [Dataset] Available from: http://eprints.uwe.ac.uk/7556

Show/Exhibition

Laidler, P., Hoskins, S., Bodman, S. L. and Johnson, L. (2005) A perpetual portfolio. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/7724

This list was generated on Sun Aug 28 02:38:27 2016 BST.

 

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