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Number of items: 7.


Franklin, A. and Johnson, C. (2012) Gendered violence. Under consideration for publication in Journal of Gender Studies. ISSN 0958-9236 [Submitted] Available from:

Johnson, C. (2010) Emin is screaming: Empathy as affirmative engagement in Tracey Emin's Homage to Edvard Munch and All My Dead Children (1988). Parallax, 16 (3). pp. 96-104. ISSN 1353-4645 Available from:

Johnson, C. (2010) Preposterous histories: Maternal desire, loss and control in Carolee Schneemann's Interior Scroll and Tracey Emin's I've Got It All. Feminist Media Studies, 10 (3). pp. 269-284. ISSN 1468-0777 Available from:

Report or Working Paper

Johnson, C. (2013) Performance photographs and the (un)clothed body: Yoko Ono's Cut Piece. Working Paper. University of the West of England, Bristol, UK. Available from:

Conference or Workshop Item

Johnson, C. (2010) What do radical feminist art films look like? Desire and duration in Sam Taylor-Wood’s David (2004). In: Radical British Screens, University of the West of England, Bristol, UK, September 3rd 2010. Available from:

Johnson, C. (2008) The embodied intellectual: Impression and contact as political currency. In: Intellectuals: Knowledge, Power, Ideas, Budapest, Hungary, May 2008. Available from:


Johnson, C. (2012) Femininity, time and feminist art. Palgrave Macmillan. Available from:

This list was generated on Sat Apr 21 02:44:14 2018 BST.