Browse by Creator
Number of items: 7.
Johnson, C. (2010) Emin is screaming: Empathy as affirmative engagement in Tracey Emin's Homage to Edvard Munch and All My Dead Children (1988). Parallax, 16 (3). pp. 96-104. ISSN 1353-4645 Available from: http://eprints.uwe.ac.uk/10594
Johnson, C. (2010) Preposterous histories: Maternal desire, loss and control in Carolee Schneemann's Interior Scroll and Tracey Emin's I've Got It All. Feminist Media Studies, 10 (3). pp. 269-284. ISSN 1468-0777 Available from: http://eprints.uwe.ac.uk/10592
Report or Working Paper
Johnson, C. (2013) Performance photographs and the (un)clothed body: Yoko Ono's Cut Piece. Working Paper. University of the West of England, Bristol, UK. Available from: http://eprints.uwe.ac.uk/22036
Conference or Workshop Item
Johnson, C. (2010) What do radical feminist art films look like? Desire and duration in Sam Taylor-Wood’s David (2004). In: Radical British Screens, University of the West of England, Bristol, UK, September 3rd 2010. Available from: http://eprints.uwe.ac.uk/12871
Johnson, C. (2008) The embodied intellectual: Impression and contact as political currency. In: Intellectuals: Knowledge, Power, Ideas, Budapest, Hungary, May 2008. Available from: http://eprints.uwe.ac.uk/10597
This list was generated on Wed May 25 03:15:46 2016 BST.