The critical practice of film.
Basingstoke, Hampshire: Palgrave Macmillan.
Available from: http://eprints.uwe.ac.uk/10595
The Caribbean diaspora home mode in the first person documentary.
Forum for Inter American Research, 3 (2).
Available from: http://eprints.uwe.ac.uk/13567
Cyberwomen and sleepers: Rereading the mulatta cyborg and the black woman's body in Torchwood.
In: Ireland, A., ed.
Illuminating Torchwood: Essays on Narrative, Character and Sexuality in the BBC Series.
McFarland and Co., Inc, pp. 191-202.
Available from: http://eprints.uwe.ac.uk/10596
Caribbean autobiography, domestic photography and the family photo album.
Caribbean Studies Association Conference, Kingston, Jamaica, June 2009.
Available from: http://eprints.uwe.ac.uk/10599
Kydd, E., Gomez, G. and Jeffreys, J. E.
Lick Bush in '92 (selections).
Available from: http://eprints.uwe.ac.uk/10607
Bacon, T., Kydd, E. and Dickman, G.
'No, not yet: Woman, abjection and redemption in Alfonso Cuaron's The Children of Men'.
UWE, Philosophy and Film/Film and Philosophy, Arnolfini, Bristol, 6 July 2008.
Available from: http://eprints.uwe.ac.uk/8013
The look and feel of humanity.
Society for Cinema and Media Studies, Philadelphia, PA, USA, March 2008.
Available from: http://eprints.uwe.ac.uk/10598