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Number of items: 48.

Article

Laidler, P. (2018) Printed conversations and collaborative undertakings. Grabado Y Edicion Print and Art Edition Magazine (g&e) (60). pp. 30-43. ISSN 1886-2306 Available from: http://eprints.uwe.ac.uk/36365

Laidler, P. (2018) Mapping post-digital practice in the graphic arts. Printmaking Today, 27 (106). p. 15. ISSN 0960-9253 Available from: http://eprints.uwe.ac.uk/36140

Laidler, P. (2018) Satisfaction Guaranteed™. Beneficial Shock, 3. pp. 78-83. ISSN 2399-5173 Available from: http://eprints.uwe.ac.uk/36139

Laidler, P. (2017) Collaborative print studio. g&e Print and Art Edition Magazine (55). pp. 27-41. ISSN 1886-2306 Available from: http://eprints.uwe.ac.uk/32002

Laidler, P. (2016) Revisiting Richard Hamilton’s typo-topography of Marcel Duchamp’s Large Glass. Print Quarterly, 33 (1). pp. 18-26. ISSN 0265-8305 Available from: http://eprints.uwe.ac.uk/28288

Laidler, P. and Super, A. (2014) Fairing well: The university publisher and its emerging artists. Printeresting. Available from: http://eprints.uwe.ac.uk/26145

Laidler, P. and Super, A. (2014) Fairing well redux: Pu(bli)shing for profit. Printeresting. Available from: http://eprints.uwe.ac.uk/26143

Laidler, P. (2014) When artists become inkjet innovators. Image Reports Magazine. Available from: http://eprints.uwe.ac.uk/23439

Laidler, P. , Mandrile, C. and Super, A. (2014) (Non) Graphic images of violence. G&E Print and Art Edition Magazine, 42. pp. 32-39. Available from: http://eprints.uwe.ac.uk/22621

Laidler, P. (2013) Pay Close Attention. CFPR, Bristol. Grabado Y Edicion Print and Art Edition Magazine (g&e) (37). pp. 42-50. ISSN 1886- 2306 Available from: http://eprints.uwe.ac.uk/18846

Laidler, P. and Coldwell, P. (2012) Printmaking – new and old technologies – a conversation. Porte Arte, 19 (32). ISSN 2179-80011 Available from: http://eprints.uwe.ac.uk/16831

Bodman, S. L. , Sowden, T. , Laidler, P. and Moseley, T. (2012) Codex Event 8: An Australian and British Collaboration of pulp-printing, installation and artists’ books with Sarah Bodman, Paul Laidler, Tim Mosely, Monica Oppen and Tom Sowden 2011-2012. Imprint: The Quarterly Journal of the Print Council of Australia, 47 (3). pp. 6-8. Available from: http://eprints.uwe.ac.uk/17311

Laidler, P. (2011) Human automation. Printmaking Today, 20 (4). p. 28. ISSN 0960 9253 Available from: http://eprints.uwe.ac.uk/15559

Laidler, P. (2011) The Printed reality exhibition curated by Paul Laidler. The California Printmaker: The Journal of the California Society of Printmakers. pp. 15-17. Available from: http://eprints.uwe.ac.uk/15558

Parraman, C. , Hoskins, S. , Laidler, P. and Wang, H. Q. (2005) Customizing digital printing for fine art practice. Proceedings of SPIE, 5667 (465). ISSN 0277-786X Available from: http://eprints.uwe.ac.uk/7967

Book Section

Laidler, P. (2013) The human printer featuring the Print is Dead series: A model for the collaborative studio in the twenty-first century and the changing role of the master printer. In: Morgan, L. , ed. (2013) Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference. Australia: Monash University Publishing, pp. 303-309. ISBN 9781921867569 Available from: http://eprints.uwe.ac.uk/14109

Parraman, C. and Laidler, P. (2012) Colour print workflow and methods for multi-layering of colour and decorative inks using UV inkjet for fine-art printing. In: Eschbach, R. , Marcu, G. G. and Rizzi, A. , eds. (2012) Color Imaging XVII: Displaying, Processing, Hardcopy. (8292) USA: SPIE, pp. 8292-38. Available from: http://eprints.uwe.ac.uk/16129

Thirkell, P. and Laidler, P. (2006) The production of archivally stable fine art prints: The role of the master printer in the digital age. In: Thompson, R. , Manning, A. and Townsend, J. , eds. (2006) Preservation and Conservation Issues Related to Digital Printing and Digital Photography. World Power Books. ISBN 9780955398407 Available from: http://eprints.uwe.ac.uk/7727

Conference or Workshop Item

Laidler, P. (2017) Looking through the eyes of machines as humans. In: Post-digital printmaking. Redefinition of print., Wrocław, Poland, 6 - 8 December 2017. Wrocław, Poland: The Eugeniusz Geppert Academy of Art and Design in Wrocław, Poland, pp. 10-11 Available from: http://eprints.uwe.ac.uk/34085

Laidler, P. (2016) Human automation & the post-digital print. In: CAA Conference, Washington DC, USA, 3-6 February 2016. [In Press] Available from: http://eprints.uwe.ac.uk/27554

Olen, M. , Parraman, C. and Laidler, P. (2014) Deconstructing digital printing technologies: Towards reinstating artistic ingenuity in the production of digital colour prints. In: Fifth International Conference on the Image, Freie Universität Berlin, Germany, 29-30 October 2014. Illinois, USA: Common Ground Publishing Available from: http://eprints.uwe.ac.uk/24175

Laidler, P. (2013) Invited lecture by Paul Laidler. In: Edinburgh Printmakers Lecture Series, Edinburgh Printmakers, 31 October 2013. Edinburgh Printmakers: UNSPECIFIED Available from: http://eprints.uwe.ac.uk/20943

Laidler, P. (2012) Digital publications and technical innovations: The collaborative print studio in the digital age. In: Industry and Genius in the Printing Trade, Birmingham School of Art, Birmingham, UK, 4th – 5th September, 2012. Available from: http://eprints.uwe.ac.uk/16832

Laidler, P. (2012) Just press print. In: 2nd International Printmaking Symposium, Bentlage Rheine, Germany, 27th - 30th September, 2012. Germany: http://www.snap2012.de/index.html Available from: http://eprints.uwe.ac.uk/17297

Laidler, P. (2012) Talking prints lecture. In: Digital Aesthetic³ 2012, Harris Museum and Gallery, Preston, 14th November, 2012. Available from: http://eprints.uwe.ac.uk/17823

Laidler, P. (2010) Sympathetic transcriptions. In: CREATE conference, Gjovik University College, Gjovik, Norway, 8th-11th June 2010. Available from: http://eprints.uwe.ac.uk/10828

Laidler, P. (2010) Recording landscape. In: Doverodde Book Arts Festival 2010, 14-16 May 2010, Doverodde Book Arts Center, Denmark. Available from: http://eprints.uwe.ac.uk/7980

Hoskins, S. and Laidler, P. (2010) The collaborative print studio within a Higher Educational Institution and its relationship to the art marketplace. In: Higher Education and the Creative Economy Conference, University of Southampton, 22-23 March 2010. Available from: http://eprints.uwe.ac.uk/7564

Laidler, P. (2008) The photographic in digital printmaking. In: The Association for Photography in Higher Education: Annual Conference Shifting Perspectives: Photography, Education and the Future, University of the West of England, Bristol, 2nd-4th July 2008. Available from: http://eprints.uwe.ac.uk/7728

Laidler, P. (2008) Facilitating the fine art digital print. In: 'New Ways to use Print Technology ...On Paper', University of the West of England, Bristol, 14-17 October 2008. Available from: http://eprints.uwe.ac.uk/10861

Parraman, C. , Laidler, P. and Wang, Y. (2008) Pixel perfect - working with CMYK & RGB - A comparison of printed samples. In: 'New Ways to use Print Technology ...On Paper', University of the West of England, Bristol, 14-17 October 2008. Available from: http://eprints.uwe.ac.uk/10863

Thesis

Laidler, P. (2011) Collaborative digital and wide format printing: Methods and considerations for the artist and master printer. PhD, University of the West of England. Available from: http://eprints.uwe.ac.uk/16563

Creative work: general category

Laidler, P. (2018) Looking through the eyes of machines as Students. [Creative work: general category] Available from: http://eprints.uwe.ac.uk/36141

Laidler, P. (2018) Just press 'P'. [Creative work: general category] Available from: http://eprints.uwe.ac.uk/36150

Laidler, P. (2015) Print is dead series. [Creative work: general category] Available from: http://eprints.uwe.ac.uk/27475

Artefact

Ambeck, M.-S. D. , Atkinson, C. , Bodman, S. L. , Butler, A. , Butler, S. , Campbell, N. , Cooper, A. , Dixon, J. , Duignan, L. , Elgerot, S. , Fahy, S. , Grainger, H. , Hall, C. , Laidler, P. , Lamont-Fisher, P. , Simpson, G. , Smith, S. , Sowden, T. , Thames, A. , Tonnard, E. , Turnbull, S. , Welch, C. , Williams, L. , Wood, P. and Wyatt, C. (2015) Shine on. [Artefact] Available from: http://eprints.uwe.ac.uk/26253

Bodman, S. L. , Butler, A. , Allsebrook, H. , Baeumler, C. , Butler, S. , Campbell, N. , Duignan, L. , Gal Or, J. , Laidler, P. , McGrorty, N. , Merola, K. , Mills, A. , Mills, J. , Shaw, T. , Smith, S. , Sowden, T. and Stevens, E. F. (2011) Toast: A night on Weevil Lake. [Artefact] Available from: http://eprints.uwe.ac.uk/26249

Laidler, P. (2010) 84th annual international competition: Photography. [Artefact] Available from: http://eprints.uwe.ac.uk/7738

Laidler, P. (2010) Murmurs from earth and stretch out with your feelings. [Artefact] Available from: http://eprints.uwe.ac.uk/16448

Laidler, P. (2009) Is it a game, or is it real? [Artefact] Available from: http://eprints.uwe.ac.uk/7791

Laidler, P. (2009) Stretch out with your feelings. [Artefact] Available from: http://eprints.uwe.ac.uk/7792

Laidler, P. (2008) 'Roombeek Series' and 'Here and There'. [Artefact] Available from: http://eprints.uwe.ac.uk/7793

Laidler, P. (2008) Sublime structure featuring romantic deadpan. [Artefact] Available from: http://eprints.uwe.ac.uk/7794

Show/Exhibition

Laidler, P. (2012) Multiplied: contemporary art in editions fair. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/17086

Laidler, P. , Bodman, S. L. , Sowden, T. and Mosely, T. (2012) Codex Event 8. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/16954

Laidler, P. (2012) Just press print. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/16833

Laidler, P. (2009) The printed reality exhibition. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/7790

Laidler, P. , Hoskins, S. , Bodman, S. L. and Johnson, L. (2005) A perpetual portfolio. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/7724

This list was generated on Sat Apr 20 02:11:47 2019 BST.