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Number of items: 61.

H

Hoskins, S., Parraman, C., Mccallion, P. and Cohen, C. (2013) Reproduction of texture in digitally printed artworks. In: 12th International AIC Colour Congress, Newcastle-upon-Tyne, 8-12th July 2013. Newcastle-upon-Tyne: Association Internationale de la Couleur

Huson, D., Parraman, C., Klein, S., Simske, S., Walters, P., Adams, G. and Hoskins, S. (2012) 3D printing of transparent glass. In: Benning, P., Silence, S., Simske, S. and Zapka, W., eds. (2012) NIP28/Digital Fabrication 2012 Technical Programme and Proceedings. Springfield, VA: IS&T: The Society for Imaging and Technology, pp. 336-337. ISBN 9780892083022

Huson, D., Parraman, C. and Walters, P. (2011) 3D printing and colour: A multidisciplinary investigation. In: Hoskins, S., ed. (2011) IMPACT 6 Multidisciplinary Printmaking Conference Proceedings. Bristol: Unviersity of the West of England, pp. 31-38.

Hoskins, S., Parraman, C., Hill, V., Baldwin, R. and Reyes, F. (2008) Development of a conservation and restoration plan and records management system for the Lands and Survey Division, 2007-2008. Technical Report. Ministry of Agriculture, Land and Marine Resources, Government of Trinidad and Tobago, Confidential report.

Hoskins, S. and Parraman, C. (2001) The impact of paper on ink: From the photomechanical printer's perspective. 9th Color Imaging Conference Proceedings , 9. pp. 214-218.

M

McCann, J., Parraman, C. and Rizzi, A. (2009) Reflectance, illumination and edges. In: Seventeenth Color Imaging Conference: Color Science and Engineering Systems, Technologies, and Applications, Albuquerque, New Mexico, November 9-13, 2009. Albuquerque, New Mexico: The Society for Imaging Science and Technology, pp. 2-7

McCann, J., Parraman, C. and Rizzi, A. (2009) Reflectance, illumination, and edges in 3-D Mondrian colourconstancy experiments. In: 11th Congress of the International Colour Association (AIC) 2009, University of New South Wales, Sydney, Australia, 27 September - 2 October 2009.

P

Parraman, C. and Tisato, F. (2014) An investigation into the micro surface of artworks using alternative lighting techniques. In: Segovia, M. V. O., Urban, P. and Allebach, J. P., eds. (2014) Measuring, Modeling, and Reproducing Material Appearance. (9018) USA: Society for Imaging Science and Technology and SPIE. ISBN 9780819499356

Parraman, C. (2014) The visual appearance and surface texture of materials according to the old masters. In: Segovia, M. V. O., Urban, P. and Allebach, J. P., eds. (2014) Measuring, Modeling, and Reproducing Material Appearance. (9018) USA: Society for Imaging Science and Technology and SPIE. ISBN 9780819499356 [In Press]

Parraman, C., Olen, M. and Padfield, J. (2014) Reproducing the old masters: Applying colour mixing and painting methodologies to inkjet printing. In: Eschbach, R., Marcu, G. and Rizzi, A., eds. (2014) Color Imaging XIX: Displaying, Processing, Hardcopy, and Applications. (9015) USA: The Society for Imaging Science and Technology and SPIE. ISBN 9780819499325

Parraman, C. and Mottram, J. (2013) Cultural discourse, colour heritage and communication. In: 12th International AIC Colour Congress, Newcastle-upon-Tyne, UK, 8th -12th July 2013. Newcastle-upon-Tyne: Association Internationale de la Couleur

Parraman, C. and Olen, M. (2013) Exploration of alternative print methodology for colour printing through the multi‐layering of ink. In: 12th International AIC Colour Congress, Newcastle-upon-Tyne, 8th -12th July 2013. Newcastle-upon-Tyne: Association Internationale de la Couleur

Parraman, C. (2013) Methods for multi-layer color printing and decorative inks for ultra-violet fine art inkjet. Journal of Imaging Science and Technology (JIST), 57 (4). p. 40503. ISSN 1062-3701, Online ISSN: 1943-3522

Parraman, C., Clarke, M. and Ball, P. (2013) Colour mixing in the twenty-first century: the craft of the digital. In: Stubbs, P., ed. (2013) Colour in the Making From Old Wisdom to New Brilliance. London: Black Dog Publishing. ISBN 9781907317958

Parraman, C. (2013) The development of vector based 2.5D print methods for a painting machine. In: Eschbach, R., Marcu, G. G. and Rizzi, A., eds. (2013) SPIE Proceedings. (8652) USA: SPIE.

Parraman, C. (2013) Color in the age of digital reproduction. Art in Print, 3 (3). pp. 28-33.

Parraman, C. (2012) Reproduction of texture in artworks. In: All About Imaging , University of Westminster, Harrow, UK, 30th May, 2012.

Parraman, C. (2012) Colour in hardcopy. In: Best, J., ed. (2012) Colour Design: Theories and application. Woodhead Publishing Limited, Cambridge. ISBN 9781845699727

Parraman, C. (2012) Colour printing techniques. In: Best, J., ed. (2012) Colour design: Theories and application. London: Woodhead Publishing Ltd. ISBN 9781845699727

Parraman, C. and Laidler, P. (2012) Colour print workflow and methods for multi-layering of colour and decorative inks using UV inkjet for fine-art printing. In: Eschbach, R., Marcu, G. G. and Rizzi, A., eds. (2012) Color Imaging XVII: Displaying, Processing, Hardcopy. (8292) USA: SPIE, pp. 8292-38.

Parraman, C. (2012) New directions in colour printing in the 21st century. In: Colour for Business and the Professions, Northampton Suites, City University, London, 30th November, 2012.

Parraman, C. (2012) The craft of print in a digital economy. In: 2nd International Printmaking Symposium, Bentlage Rheine, Germany, 27th - 30th September, 2012. Germany: UNSPECIFIED

Parraman, C. (2011) Dark texture in artworks. In: Eschbach, R., Marcu, G. G. and Rizzi, A., eds. (2011) SPIE Proceedings. (8292) USA: SPIE.

Parraman, C. and Adams-Foster, S. (2011) Traditional approaches using new technologies: Case studies of printed wallpaper using UV inkjet printing. In: DESIRE’11 - Creativity and Innovation in Design, Eindhoven, the Netherlands, 19th - 21st October, 2011.

Parraman, C. (2011) After albers. In: Kaleidoscope: New Perspectives on the Humanities, University of Warwick, 28th-29th May, 2011.

Parraman, C. and Rizzi, A. e. (2011) Colour coded. Society of Dyers and Colourists. ISBN 978-0-90156-93-4

Parraman, C. and Rizzi, A. (2011) Knowledge exchange in the CREATE project - Colour Research for European Advanced Technology Employment (Proceedings Paper). In: Eschbach, R., Marcu , G. and Rizzi, A., eds. (2011) SPIE Proceedings: Color Imaging XVI: Displaying, Processing, Hardcopy, and Applications. (7866) SPIE.

Parraman, C. and Rizzi, A. (2011) Developing the CREATE Network in Europe. In: Brebbia, C., Greated, C. and Collins, M. W., eds. (2011) Colour in Art, Design and Nature. WIT Press, pp. 141-143. ISBN 9781845645687

Parraman, C. (2010) Experiments in inkjet colour tests for printmaking. CGIV 2010 - Fourth European Conference on Colour in Graphics, Imaging, and MCS/10 Vision 12th International Symposium on Multispectral Colour Science, 5. pp. 107-112.

Parraman, C. and Rizzi, A. (2010) Spatial image processing for the enhancement and restoration of film, photography and print. In: 7th International Conference on Informatics and Systems, Faculty of Computers and Information, Cairo University, 28-30 March 2010.

Parraman, C. and Rizzi, A. (2010) Developments in the recovery of colour in fine art prints through spatial image processing methods. In: 4th International Conference on: Preservation and Conservation Issues in Digital Printing and Digital Photography, Institute of Physics, London, 27 – 28 May 2010.

Parraman, C. (2010) New findings to colour changes in prints during long-term dark storage of prints. In: 4th International Conference on: Preservation and Conservation Issues in Digital Printing and Digital Photography, Institute of Physics, London, 27 – 28 May 2010.

Parraman, C. (2010) The drama of illumination: Artist's approaches to the creation of HDR in paintings and prints. Proceedings of SPIE, 7527 (752803). ISSN 0277-786X

Parraman, C. and Wang, Y. (2010) Printability beyond the limits: alternative double printing method for inkjet. In: IS&T/SPIE Electronic Imaging conference , San Jose, USA, 17-21 January 2010.

Parraman, C., McCann, J. and Rizzi, A. (2010) Artist's colour rendering of HDR scenes in 3D Mondrian colour-constancy experiments. In: IS&T/SPIE Electronic Imaging conference , San Jose, USA, 17-21 January 2010.

Parraman, C., McCann, J. and Rizzi, A. (2010) Colour appearance and colour rendering of HDR scenes: an experiment. In: IS&T/SPIE Electronic Imaging conference , San Jose, USA, 17-21 January 2010.

Parraman, C., McCann, J. and Rizzi, A. (2010) Pixel and spatial mechanisms of colour constancy. In: IS&T/SPIE Electronic Imaging conference , San Jose, USA, 17-21 January 2010.

Parraman, C. (2010) The development of artists' novel colour palettes for inkjet printing. In: IS&T/SPIE Electronic Imaging conference , San Jose, USA, 17-21 January 2010.

Parraman, C. (2009) Does this look right? The science of colour appearance in art. In: Science Café , Explore, Bristol, 9 June 2009.

Parraman, C. and Wang, Y. (2009) On determining the color gamut of N-ink printers. In: IS&T/SPIE 21st Annual Symposium, San Jose Marriott and San Jose Convention Center, San Jose, California, USA, 18–22 January 2009.

Parraman, C. and Morby, N. (2009) From drypoint to inkjet. In: Colborne, J. and Fisherman Snyder, R., eds. (2009) Printed on Paper: The Techniques, History and Conservation of Printed Media. Northumbria University, Newcastle upon Tyne: Arts and Social Sciences Academic Press, pp. 170-176. ISBN 978.0.9561206.3.2

Parraman, C., McCann, J. and Rizzi, A. (2009) HDR and Color Constancy - new psychophysical results. In: Google Tech Talk, Online, 22 January 2009.

Parraman, C. and Rizzi, A. (2008) The art and science of colour: Bridging the gap between art and perception. In: CHArt Conference (Computers and the History of Art 24th Annual Conference), Birkbeck, University of London, 6 - 7 November 2008.

Parraman, C. (2008) Colour in flux: Describing and printing colour in art. Proceedings of SPIE, 6807 (68070N). ISSN 0277-786X

Parraman, C., Walters, P., Huson, D. and Reid, B. (2008) Specifying colour and maintaining colour accuracy for 3D printing. Proceedings of Electronic Imaging, Society for Imaging Science and Technology/Society of Photographic Instrumentation Engineers, San Jose, CA, USA, 26-31 January 2008, Procee.

Parraman, C. (2008) Colour in flux: The art and science of colour. Colour: Design & Creativity, Issue (1). pp. 1-5.

Parraman, C., Laidler, P. and Wang, Y. (2008) Pixel perfect - working with CMYK & RGB - A comparison of printed samples. In: 'New Ways to use Print Technology ...On Paper', University of the West of England, Bristol, 14-17 October 2008.

Parraman, C. (2008) An artists’ approach to the interpretation of luminance and reproduction of coloured shadows through pigment colour mixing. In: Colorlab Workshop #7/2008: Dynamic range of light, contrast and perception in digital images, Norwegian Color Research Laboratory, Gjøvik University College, Norway, 26th November, 2008.

Parraman, C. (2007) Inkjet in question: Adapting current colour and ink technology for the requirements of the user. In: Gjøvik Color Imaging Symposium 2007, Gjøvik, Norway, 13 - 15 June 2007.

Parraman, C. (2007) User preferences in colour enhancements for unsupervised printing methods. In: Electronic Imaging Conference Color Imaging, San Jose, USA, 28 January - 1 February 2007.

Parraman, C. (2007) After Turner from Grenoble sketchbook [Finberg LXXIV], Looking back to the Pic de l'Oeillette, Gorges du Guiers Mort, Grande Chartreuse 1802. [Artefact]

Parraman, C. (2006) The combination of traditional printing inks and inkjet for increasing colour choices for artists. In: The International Conference Printing Technology SPb'06, St Petersburg, Russia, 26th - 30th June, 2006., p. 6

Parraman, C. and Wang, H. Q. (2006) What happens to prints during storage? To evaluate the whiteness of artists’ enhanced inkjet papers and colour changes in relation to fading of ink. In: Thompson, R., Manning, A. and Townsend, J., eds. (2006) Conference Proceedings of the Third International Conference on Preservation and Conservation Issues Related to Digital Printing and Digital Photography. Institute of Physics , pp. 14-23. ISBN 0955398401

Parraman, C., Hoskins, S., Laidler, P. and Wang, H. Q. (2005) Customizing digital printing for fine art practice. Proceedings of SPIE, 5667 (465). ISSN 0277-786X

Parraman, C. (2003) A visual survey of colour on paper and colour changes during changes to light. In: The Eleventh Color Imaging Conference: Color Science and Engineering Systems, Technologies, Applications, CIC 2003, November 3, 2003, Scottsdale, Arizona, USA., pp. 272-276

Parraman, C. and Hoskins, S. (2003) The practical application of an artist's colour model as an alternative to CMYK. Proceedings of SPIE, 5008 (129). ISSN 0277-786X

Parraman, C. (2003) Digital Printing for Artists. In: PICS 2003: The PICS Conference, An International Technical Conference on The Science and Systems of Digital Photography, Rochester, NY, USA., pp. 455-460

Parraman, C. (2003) Fading characteristics of dye based and pigment based inks on artists' uncoated and coated printmaking papers. In: Thompson, R. and Manning, A., eds. (2003) Conference Proceedings of the Second International Conference on: Preservation and Conservation Issues Related to Digital Printing and Digital Photography. Institute of Physics, pp. 53-59. ISBN 0750309911

Parraman, C., Wang, H. Q. and Purcell, J. (2003) The application of colour management systems to improve the quality of ink jet printing on fine art paper. In: Thompson, R. and Manning, A., eds. (2003) Conference Proceedings of the Second International Conference on: Preservation and Conservation Issues Related to Digital Printing and Digital Photography. Institute of Physics, pp. 78-83. ISBN 0750309911

R

Rizzi, A., Parraman, C. and McCann, J. (2009) Measuring colour constancy and colour appearance: An experiment. In: MINET (Measuring the Impossible Network) Conference: Measurement, sensation and cognition, National Physical Laboratory, London, 10-12 November 2009.

W

Walters, P., Huson, D., Parraman, C. and Stanić, M. (2011) 3D printing in colour: technical evaluation and creative applications. In: Hoskins, S., ed. (2011) Impact 6 Proceedings. Bristol: Impact Press, University of the West of England, pp. 31-39. ISBN 978-1-906501-03-7

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