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Number of items: 78.

Article

Parraman, C., O'Dowd, P. and Harding, M. (2016) 2.5D printing: The evolution of the Water Lily. Electronic Imaging: Color Imaging XXI: Displaying, Processing, Hardcopy, and Applications. pp. 1-8. ISSN 2470-1173 Available from: http://eprints.uwe.ac.uk/27676

Parraman, C., O'Dowd, P. and Harding, M. (2016) Vector driven 2.5D printing with non-photorealistic rendering. Electronic Imaging: Color Imaging XXI: Displaying, Processing, Hardcopy, and Applications. pp. 1-6. ISSN 2470-1173 Available from: http://eprints.uwe.ac.uk/27675

Parraman, C. and Ortiz Segovia, M. V. (2016) An exploration of 2.5D printing as tactile pictures. Electronic Imaging, Measuring, Modeling, and Reproducing Material Appearance. ISSN 2470-1173 Available from: http://eprints.uwe.ac.uk/27486

Parraman, C. (2016) The material image: Artists’ approaches to reproducing texture in art. International Journal of the Image. ISSN 2154-8560 [In Press] Available from: http://eprints.uwe.ac.uk/27714

Parraman, C., McCann, J. and Rizzi, A. (2014) Reflectance, illumination, and appearance in color constancy. Frontiers in Psychology. ISSN 1664-1078 Available from: http://eprints.uwe.ac.uk/24237

Parraman, C. (2013) Methods for multi-layer color printing and decorative inks for ultra-violet fine art inkjet. Journal of Imaging Science and Technology (JIST), 57 (4). p. 40503. ISSN 1062-3701, Online ISSN: 1943-3522 Available from: http://eprints.uwe.ac.uk/21378

Parraman, C. (2013) Color in the age of digital reproduction. Art in Print, 3 (3). pp. 28-33. Available from: http://eprints.uwe.ac.uk/21461

Parraman, C. (2010) Experiments in inkjet colour tests for printmaking. CGIV 2010 - Fourth European Conference on Colour in Graphics, Imaging, and MCS/10 Vision 12th International Symposium on Multispectral Colour Science, 5. pp. 107-112. Available from: http://eprints.uwe.ac.uk/7978

Parraman, C. (2010) The drama of illumination: Artist's approaches to the creation of HDR in paintings and prints. Proceedings of SPIE, 7527 (752803). ISSN 0277-786X Available from: http://eprints.uwe.ac.uk/7968

Parraman, C. (2008) Colour in flux: Describing and printing colour in art. Proceedings of SPIE, 6807 (68070N). ISSN 0277-786X Available from: http://eprints.uwe.ac.uk/7969

Parraman, C., Walters, P., Huson, D. and Reid, B. (2008) Specifying colour and maintaining colour accuracy for 3D printing. Proceedings of Electronic Imaging, Society for Imaging Science and Technology/Society of Photographic Instrumentation Engineers, San Jose, CA, USA, 26-31 January 2008, Procee. Available from: http://eprints.uwe.ac.uk/7709

Parraman, C. (2008) Colour in flux: The art and science of colour. Colour: Design & Creativity, Issue (1). pp. 1-5. Available from: http://eprints.uwe.ac.uk/7673

Parraman, C., Hoskins, S., Laidler, P. and Wang, H. Q. (2005) Customizing digital printing for fine art practice. Proceedings of SPIE, 5667 (465). ISSN 0277-786X Available from: http://eprints.uwe.ac.uk/7967

Parraman, C. and Hoskins, S. (2003) The practical application of an artist's colour model as an alternative to CMYK. Proceedings of SPIE, 5008 (129). ISSN 0277-786X Available from: http://eprints.uwe.ac.uk/7970

Hoskins, S. and Parraman, C. (2001) The impact of paper on ink: From the photomechanical printer's perspective. 9th Color Imaging Conference Proceedings , 9. pp. 214-218. Available from: http://eprints.uwe.ac.uk/15256

Book Section

McCann, J., Parraman, C. and Rizzi, A. (2016) Reflectance, illumination, and appearance in color constancy. In: Paramei, G., ed. (2016) Color and Form Perception: Straddling the Boundary. Frontiers in Psychology. Available from: http://eprints.uwe.ac.uk/28189

Parraman, C., O'Dowd, P. and Harding, M. (2015) Painting by numbers: The development of texture in digitally printed artworks. In: McInnes, A., Tsekova, A., Andrei, C. and Ballantyne, L., eds. (2015) IMPACT 9 International Printmaking Conference. China: China Academy of Art Press, pp. 256-261. ISBN 9787550309579 Available from: http://eprints.uwe.ac.uk/27104

Parraman, C., Olen, M., Baar, T., Vortiz Segovia, M. and Mccallion, P. (2015) An exploration of alternative computer aided methods for multi-colour woodblock printing. In: Andrei, C., McInnes, A., Tsekova, A. and Ballantyne, L., eds. (2015) IMPACT 9 International Printmaking Conference. China: China Academy of Art Press, pp. 309-314. ISBN 9787550309579 Available from: http://eprints.uwe.ac.uk/27105

Olen, M., Geisow, A. and Parraman, C. (2015) An evaluation of the transferability of Munsell's colour notation methodology to modern inkjet printing technology. In: Eschbach, R., Marcu, G. G. and Rizzi, A., eds. (2015) Color Imaging XX: Displaying, Processing, Hardcopy, and Applications. (9395) SPIE Proceedings. ISBN 9781628414851 Available from: http://eprints.uwe.ac.uk/25281

Parraman, C. (2014) The visual appearance and surface texture of materials according to the old masters. In: Segovia, M. V. O., Urban, P. and Allebach, J. P., eds. (2014) Measuring, Modeling, and Reproducing Material Appearance. (9018) USA: Society for Imaging Science and Technology and SPIE. ISBN 9780819499356 Available from: http://eprints.uwe.ac.uk/22279

Parraman, C. and Tisato, F. (2014) An investigation into the micro surface of artworks using alternative lighting techniques. In: Segovia, M. V. O., Urban, P. and Allebach, J. P., eds. (2014) Measuring, Modeling, and Reproducing Material Appearance. (9018) USA: Society for Imaging Science and Technology and SPIE. ISBN 9780819499356 Available from: http://eprints.uwe.ac.uk/22281

Parraman, C. (2014) Blueprints for colour mixing: Towards 2.5D textural printing. In: Harrison, P. L., Shemilt, E. and Watson, A., eds. (2014) Borders and Crossings: The Artist as Explorer. Dundee: Duncan of Jordanstone College of Art and Design, University of Dundee, pp. 180-185. ISBN 1899837701 Available from: http://eprints.uwe.ac.uk/21114

Parraman, C., Olen, M. and Padfield, J. (2014) Reproducing the old masters: Applying colour mixing and painting methodologies to inkjet printing. In: Eschbach, R., Marcu, G. and Rizzi, A., eds. (2014) Color Imaging XIX: Displaying, Processing, Hardcopy, and Applications. (9015) USA: The Society for Imaging Science and Technology and SPIE. ISBN 9780819499325 Available from: http://eprints.uwe.ac.uk/22280

Parraman, C. (2014) The art and science of colour perception and reproduction. In: Wilson, B., Hawkins, B. and Sim, S., eds. (2014) Art, Science and Cultural Understanding. Illinois, USA: Common Ground Publishing LLC, pp. 100-117. ISBN 9781612294865 Available from: http://eprints.uwe.ac.uk/18282

Parraman, C., Clarke, M. and Ball, P. (2013) Colour mixing in the twenty-first century: the craft of the digital. In: Stubbs, P., ed. (2013) Colour in the Making From Old Wisdom to New Brilliance. London: Black Dog Publishing. ISBN 9781907317958 Available from: http://eprints.uwe.ac.uk/18280

Parraman, C. (2013) The development of vector based 2.5D print methods for a painting machine. In: Eschbach, R., Marcu, G. G. and Rizzi, A., eds. (2013) SPIE Proceedings. (8652) USA: SPIE. Available from: http://eprints.uwe.ac.uk/18927

Parraman, C. (2012) Colour in hardcopy. In: Best, J., ed. (2012) Colour Design: Theories and application. Woodhead Publishing Limited, Cambridge. ISBN 9781845699727 Available from: http://eprints.uwe.ac.uk/16457

Parraman, C. (2012) Colour printing techniques. In: Best, J., ed. (2012) Colour design: Theories and application. London: Woodhead Publishing Ltd. ISBN 9781845699727 Available from: http://eprints.uwe.ac.uk/15380

Huson, D., Parraman, C., Klein, S., Simske, S., Walters, P., Adams, G. and Hoskins, S. (2012) 3D printing of transparent glass. In: Benning, P., Silence, S., Simske, S. and Zapka, W., eds. (2012) NIP28/Digital Fabrication 2012 Technical Programme and Proceedings. Springfield, VA: IS&T: The Society for Imaging and Technology, pp. 336-337. ISBN 9780892083022 Available from: http://eprints.uwe.ac.uk/16967

Parraman, C. and Laidler, P. (2012) Colour print workflow and methods for multi-layering of colour and decorative inks using UV inkjet for fine-art printing. In: Eschbach, R., Marcu, G. G. and Rizzi, A., eds. (2012) Color Imaging XVII: Displaying, Processing, Hardcopy. (8292) USA: SPIE, pp. 8292-38. Available from: http://eprints.uwe.ac.uk/16129

Parraman, C. (2011) Dark texture in artworks. In: Eschbach, R., Marcu, G. G. and Rizzi, A., eds. (2011) SPIE Proceedings. (8292) USA: SPIE. Available from: http://eprints.uwe.ac.uk/18929

Walters, P., Huson, D., Parraman, C. and Stanić, M. (2011) 3D printing in colour: technical evaluation and creative applications. In: Hoskins, S., ed. (2011) Impact 6 Proceedings. Bristol: Impact Press, University of the West of England, pp. 31-39. ISBN 978-1-906501-03-7 Available from: http://eprints.uwe.ac.uk/7706

Parraman, C. and Rizzi, A. (2011) Knowledge exchange in the CREATE project - Colour Research for European Advanced Technology Employment (Proceedings Paper). In: Eschbach, R., Marcu , G. and Rizzi, A., eds. (2011) SPIE Proceedings: Color Imaging XVI: Displaying, Processing, Hardcopy, and Applications. (7866) SPIE. Available from: http://eprints.uwe.ac.uk/14588

Huson, D., Parraman, C. and Walters, P. (2011) 3D printing and colour: A multidisciplinary investigation. In: Hoskins, S., ed. (2011) IMPACT 6 Multidisciplinary Printmaking Conference Proceedings. Bristol: Unviersity of the West of England, pp. 31-38. Available from: http://eprints.uwe.ac.uk/10860

Parraman, C. and Rizzi, A. (2011) Developing the CREATE Network in Europe. In: Brebbia, C., Greated, C. and Collins, M. W., eds. (2011) Colour in Art, Design and Nature. WIT Press, pp. 141-143. ISBN 9781845645687 Available from: http://eprints.uwe.ac.uk/15288

Parraman, C. and Morby, N. (2009) From drypoint to inkjet. In: Colborne, J. and Fisherman Snyder, R., eds. (2009) Printed on Paper: The Techniques, History and Conservation of Printed Media. Northumbria University, Newcastle upon Tyne: Arts and Social Sciences Academic Press, pp. 170-176. ISBN 978.0.9561206.3.2 Available from: http://eprints.uwe.ac.uk/7731

Parraman, C. and Wang, H. Q. (2006) What happens to prints during storage? To evaluate the whiteness of artists’ enhanced inkjet papers and colour changes in relation to fading of ink. In: Thompson, R., Manning, A. and Townsend, J., eds. (2006) Conference Proceedings of the Third International Conference on Preservation and Conservation Issues Related to Digital Printing and Digital Photography. Institute of Physics , pp. 14-23. ISBN 0955398401 Available from: http://eprints.uwe.ac.uk/14107

Parraman, C. (2003) Fading characteristics of dye based and pigment based inks on artists' uncoated and coated printmaking papers. In: Thompson, R. and Manning, A., eds. (2003) Conference Proceedings of the Second International Conference on: Preservation and Conservation Issues Related to Digital Printing and Digital Photography. Institute of Physics, pp. 53-59. ISBN 0750309911 Available from: http://eprints.uwe.ac.uk/14102

Parraman, C., Wang, H. Q. and Purcell, J. (2003) The application of colour management systems to improve the quality of ink jet printing on fine art paper. In: Thompson, R. and Manning, A., eds. (2003) Conference Proceedings of the Second International Conference on: Preservation and Conservation Issues Related to Digital Printing and Digital Photography. Institute of Physics, pp. 78-83. ISBN 0750309911 Available from: http://eprints.uwe.ac.uk/14103

Report or Working Paper

Hoskins, S., Parraman, C., Hill, V., Baldwin, R. and Reyes, F. (2008) Development of a conservation and restoration plan and records management system for the Lands and Survey Division, 2007-2008. Technical Report. Ministry of Agriculture, Land and Marine Resources, Government of Trinidad and Tobago, Confidential report. Available from: http://eprints.uwe.ac.uk/7742

Conference or Workshop Item

Parraman, C., O'Dowd, P. and Harding, M. (2015) Painting by numbers: Transforming fields and edges vectors. In: AIC2015, Ochanomizu Solar City Conference Centre, Tokyo, Japan, 19-22 May 2015. Tokyo: AIC Available from: http://eprints.uwe.ac.uk/25404

Baar, T., Olen, M., Parraman, C. and Ortiz Segovia, M. (2015) Woodblock printing as a means for 2.5D and 3D surface evaluation. In: AIC2015, Ochanomizu Solar City Conference Centre, Tokyo, Japan, 19-22 May 2015. Tokyo: AIC Available from: http://eprints.uwe.ac.uk/25658

Olen, M., Parraman, C. and Laidler, P. (2014) Deconstructing digital printing technologies: Towards reinstating artistic ingenuity in the production of digital colour prints. In: Fifth International Conference on the Image, Freie Universität Berlin, Germany, 29-30 October 2014. Illinois, USA: Common Ground Publishing Available from: http://eprints.uwe.ac.uk/24175

Parraman, C. (2014) Durer’s Rhinoceros: Artists’ approaches to reproducing texture in art. In: 50th Annual Convention of the Artificial Intelligence and Simulation of Behaviour (AISB), University of Goldsmiths, London, UK, 1-4 April 2014. UK: University of Goldsmiths Available from: http://eprints.uwe.ac.uk/24011

Parraman, C. (2014) The material image: Artists’ approaches to reproducing texture in art. In: Fifth International Conference on the Image, Freie Universität Berlin, Germany, 29-30 October 2014. University of Illinois: Common Ground Publishing Available from: http://eprints.uwe.ac.uk/24174

Parraman, C. and Mottram, J. (2013) Cultural discourse, colour heritage and communication. In: 12th International AIC Colour Congress, Newcastle-upon-Tyne, UK, 8th -12th July 2013. Newcastle-upon-Tyne: Association Internationale de la Couleur Available from: http://eprints.uwe.ac.uk/19699

Parraman, C. and Olen, M. (2013) Exploration of alternative print methodology for colour printing through the multi‐layering of ink. In: 12th International AIC Colour Congress, Newcastle-upon-Tyne, 8th -12th July 2013. Newcastle-upon-Tyne: Association Internationale de la Couleur Available from: http://eprints.uwe.ac.uk/19697

Hoskins, S., Parraman, C., Mccallion, P. and Cohen, C. (2013) Reproduction of texture in digitally printed artworks. In: 12th International AIC Colour Congress, Newcastle-upon-Tyne, 8-12th July 2013. Newcastle-upon-Tyne: Association Internationale de la Couleur Available from: http://eprints.uwe.ac.uk/19696

Parraman, C. (2012) Reproduction of texture in artworks. In: All About Imaging , University of Westminster, Harrow, UK, 30th May, 2012. Available from: http://eprints.uwe.ac.uk/16128

Parraman, C. (2012) New directions in colour printing in the 21st century. In: Colour for Business and the Professions, Northampton Suites, City University, London, 30th November, 2012. Available from: http://eprints.uwe.ac.uk/17822

Parraman, C. (2012) The craft of print in a digital economy. In: 2nd International Printmaking Symposium, Bentlage Rheine, Germany, 27th - 30th September, 2012. Germany: UNSPECIFIED Available from: http://eprints.uwe.ac.uk/17167

Parraman, C. and Adams-Foster, S. (2011) Traditional approaches using new technologies: Case studies of printed wallpaper using UV inkjet printing. In: DESIRE’11 - Creativity and Innovation in Design, Eindhoven, the Netherlands, 19th - 21st October, 2011. Available from: http://eprints.uwe.ac.uk/15498

Parraman, C. (2011) After albers. In: Kaleidoscope: New Perspectives on the Humanities, University of Warwick, 28th-29th May, 2011. Available from: http://eprints.uwe.ac.uk/14540

Parraman, C. and Rizzi, A. (2010) Spatial image processing for the enhancement and restoration of film, photography and print. In: 7th International Conference on Informatics and Systems, Faculty of Computers and Information, Cairo University, 28-30 March 2010. Available from: http://eprints.uwe.ac.uk/10735

Parraman, C. and Rizzi, A. (2010) Developments in the recovery of colour in fine art prints through spatial image processing methods. In: 4th International Conference on: Preservation and Conservation Issues in Digital Printing and Digital Photography, Institute of Physics, London, 27 – 28 May 2010. Available from: http://eprints.uwe.ac.uk/7726

Parraman, C. (2010) New findings to colour changes in prints during long-term dark storage of prints. In: 4th International Conference on: Preservation and Conservation Issues in Digital Printing and Digital Photography, Institute of Physics, London, 27 – 28 May 2010. Available from: http://eprints.uwe.ac.uk/7725

Parraman, C. and Wang, Y. (2010) Printability beyond the limits: alternative double printing method for inkjet. In: IS&T/SPIE Electronic Imaging conference , San Jose, USA, 17-21 January 2010. Available from: http://eprints.uwe.ac.uk/6992

Parraman, C., McCann, J. and Rizzi, A. (2010) Artist's colour rendering of HDR scenes in 3D Mondrian colour-constancy experiments. In: IS&T/SPIE Electronic Imaging conference , San Jose, USA, 17-21 January 2010. Available from: http://eprints.uwe.ac.uk/6989

Parraman, C., McCann, J. and Rizzi, A. (2010) Colour appearance and colour rendering of HDR scenes: an experiment. In: IS&T/SPIE Electronic Imaging conference , San Jose, USA, 17-21 January 2010. Available from: http://eprints.uwe.ac.uk/6991

Parraman, C., McCann, J. and Rizzi, A. (2010) Pixel and spatial mechanisms of colour constancy. In: IS&T/SPIE Electronic Imaging conference , San Jose, USA, 17-21 January 2010. Available from: http://eprints.uwe.ac.uk/6988

Parraman, C. (2010) The development of artists' novel colour palettes for inkjet printing. In: IS&T/SPIE Electronic Imaging conference , San Jose, USA, 17-21 January 2010. Available from: http://eprints.uwe.ac.uk/6990

McCann, J., Parraman, C. and Rizzi, A. (2009) Reflectance, illumination and edges. In: Seventeenth Color Imaging Conference: Color Science and Engineering Systems, Technologies, and Applications, Albuquerque, New Mexico, November 9-13, 2009. Albuquerque, New Mexico: The Society for Imaging Science and Technology, pp. 2-7 Available from: http://eprints.uwe.ac.uk/7736

Parraman, C. (2009) Does this look right? The science of colour appearance in art. In: Science Café , Explore, Bristol, 9 June 2009. Available from: http://eprints.uwe.ac.uk/7795

Parraman, C. and Wang, Y. (2009) On determining the color gamut of N-ink printers. In: IS&T/SPIE 21st Annual Symposium, San Jose Marriott and San Jose Convention Center, San Jose, California, USA, 18–22 January 2009. Available from: http://eprints.uwe.ac.uk/7753

Parraman, C., McCann, J. and Rizzi, A. (2009) HDR and Color Constancy - new psychophysical results. In: Google Tech Talk, Online, 22 January 2009. Available from: http://eprints.uwe.ac.uk/7734

Rizzi, A., Parraman, C. and McCann, J. (2009) Measuring colour constancy and colour appearance: An experiment. In: MINET (Measuring the Impossible Network) Conference: Measurement, sensation and cognition, National Physical Laboratory, London, 10-12 November 2009. Available from: http://eprints.uwe.ac.uk/7737

McCann, J., Parraman, C. and Rizzi, A. (2009) Reflectance, illumination, and edges in 3-D Mondrian colourconstancy experiments. In: 11th Congress of the International Colour Association (AIC) 2009, University of New South Wales, Sydney, Australia, 27 September - 2 October 2009. Available from: http://eprints.uwe.ac.uk/7735

Parraman, C. and Rizzi, A. (2008) The art and science of colour: Bridging the gap between art and perception. In: CHArt Conference (Computers and the History of Art 24th Annual Conference), Birkbeck, University of London, 6 - 7 November 2008. Available from: http://eprints.uwe.ac.uk/7733

Parraman, C., Laidler, P. and Wang, Y. (2008) Pixel perfect - working with CMYK & RGB - A comparison of printed samples. In: 'New Ways to use Print Technology ...On Paper', University of the West of England, Bristol, 14-17 October 2008. Available from: http://eprints.uwe.ac.uk/10863

Parraman, C. (2008) An artists’ approach to the interpretation of luminance and reproduction of coloured shadows through pigment colour mixing. In: Colorlab Workshop #7/2008: Dynamic range of light, contrast and perception in digital images, Norwegian Color Research Laboratory, Gjøvik University College, Norway, 26th November, 2008. Available from: http://eprints.uwe.ac.uk/15791

Parraman, C. (2007) Inkjet in question: Adapting current colour and ink technology for the requirements of the user. In: Gjøvik Color Imaging Symposium 2007, Gjøvik, Norway, 13 - 15 June 2007. Available from: http://eprints.uwe.ac.uk/7730

Parraman, C. (2007) User preferences in colour enhancements for unsupervised printing methods. In: Electronic Imaging Conference Color Imaging, San Jose, USA, 28 January - 1 February 2007. Available from: http://eprints.uwe.ac.uk/6875

Parraman, C. (2006) The combination of traditional printing inks and inkjet for increasing colour choices for artists. In: The International Conference Printing Technology SPb'06, St Petersburg, Russia, 26th - 30th June, 2006., p. 6 Available from: http://eprints.uwe.ac.uk/6863

Parraman, C. (2003) A visual survey of colour on paper and colour changes during changes to light. In: The Eleventh Color Imaging Conference: Color Science and Engineering Systems, Technologies, Applications, CIC 2003, Scottsdale, Arizona, USA, 3 November 2003., pp. 272-276 Available from: http://eprints.uwe.ac.uk/6862

Parraman, C. (2003) Digital printing for artists. In: PICS 2003: The PICS Conference, An International Technical Conference on The Science and Systems of Digital Photography, Rochester, NY, USA, 13 May 2003. Available from: http://eprints.uwe.ac.uk/6864

Book

Parraman, C. and Rizzi, A. e. (2011) Colour coded. Society of Dyers and Colourists. ISBN 978-0-90156-93-4 Available from: http://eprints.uwe.ac.uk/11861

Artefact

Parraman, C. (2014) Spiral Graph. [Artefact] Available from: http://eprints.uwe.ac.uk/23987

Parraman, C. (2007) After Turner from Grenoble sketchbook [Finberg LXXIV], Looking back to the Pic de l'Oeillette, Gorges du Guiers Mort, Grande Chartreuse 1802. [Artefact] Available from: http://eprints.uwe.ac.uk/7739

This list was generated on Tue Sep 27 02:53:11 2016 BST.

 

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