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Number of items: 67.

Article

Parraman, C., McCann, J. and Rizzi, A. (2014) Reflectance, illumination, and appearance in color constancy. Frontiers in Psychology. ISSN 1664-1078

Parraman, C. (2013) Methods for multi-layer color printing and decorative inks for ultra-violet fine art inkjet. Journal of Imaging Science and Technology (JIST), 57 (4). p. 40503. ISSN 1062-3701, Online ISSN: 1943-3522

Parraman, C. (2013) Color in the age of digital reproduction. Art in Print, 3 (3). pp. 28-33.

Parraman, C. (2010) Experiments in inkjet colour tests for printmaking. CGIV 2010 - Fourth European Conference on Colour in Graphics, Imaging, and MCS/10 Vision 12th International Symposium on Multispectral Colour Science, 5. pp. 107-112.

Parraman, C. (2010) The drama of illumination: Artist's approaches to the creation of HDR in paintings and prints. Proceedings of SPIE, 7527 (752803). ISSN 0277-786X

Parraman, C. (2008) Colour in flux: Describing and printing colour in art. Proceedings of SPIE, 6807 (68070N). ISSN 0277-786X

Parraman, C., Walters, P., Huson, D. and Reid, B. (2008) Specifying colour and maintaining colour accuracy for 3D printing. Proceedings of Electronic Imaging, Society for Imaging Science and Technology/Society of Photographic Instrumentation Engineers, San Jose, CA, USA, 26-31 January 2008, Procee.

Parraman, C. (2008) Colour in flux: The art and science of colour. Colour: Design & Creativity, Issue (1). pp. 1-5.

Parraman, C., Hoskins, S., Laidler, P. and Wang, H. Q. (2005) Customizing digital printing for fine art practice. Proceedings of SPIE, 5667 (465). ISSN 0277-786X

Parraman, C. and Hoskins, S. (2003) The practical application of an artist's colour model as an alternative to CMYK. Proceedings of SPIE, 5008 (129). ISSN 0277-786X

Hoskins, S. and Parraman, C. (2001) The impact of paper on ink: From the photomechanical printer's perspective. 9th Color Imaging Conference Proceedings , 9. pp. 214-218.

Book Section

Parraman, C. (2014) The visual appearance and surface texture of materials according to the old masters. In: Segovia, M. V. O., Urban, P. and Allebach, J. P., eds. (2014) Measuring, Modeling, and Reproducing Material Appearance. (9018) USA: Society for Imaging Science and Technology and SPIE. ISBN 9780819499356

Parraman, C. and Tisato, F. (2014) An investigation into the micro surface of artworks using alternative lighting techniques. In: Segovia, M. V. O., Urban, P. and Allebach, J. P., eds. (2014) Measuring, Modeling, and Reproducing Material Appearance. (9018) USA: Society for Imaging Science and Technology and SPIE. ISBN 9780819499356

Parraman, C., Olen, M. and Padfield, J. (2014) Reproducing the old masters: Applying colour mixing and painting methodologies to inkjet printing. In: Eschbach, R., Marcu, G. and Rizzi, A., eds. (2014) Color Imaging XIX: Displaying, Processing, Hardcopy, and Applications. (9015) USA: The Society for Imaging Science and Technology and SPIE. ISBN 9780819499325

Parraman, C. (2014) The art and science of colour perception and reproduction. In: Wilson, B., Hawkins, B. and Sim, S., eds. (2014) Art, Science and Cultural Understanding. Illinois, USA: Common Ground Publishing LLC, pp. 100-117. ISBN 9781612294865

Parraman, C., Clarke, M. and Ball, P. (2013) Colour mixing in the twenty-first century: the craft of the digital. In: Stubbs, P., ed. (2013) Colour in the Making From Old Wisdom to New Brilliance. London: Black Dog Publishing. ISBN 9781907317958

Parraman, C. (2013) The development of vector based 2.5D print methods for a painting machine. In: Eschbach, R., Marcu, G. G. and Rizzi, A., eds. (2013) SPIE Proceedings. (8652) USA: SPIE.

Parraman, C. (2012) Colour in hardcopy. In: Best, J., ed. (2012) Colour Design: Theories and application. Woodhead Publishing Limited, Cambridge. ISBN 9781845699727

Parraman, C. (2012) Colour printing techniques. In: Best, J., ed. (2012) Colour design: Theories and application. London: Woodhead Publishing Ltd. ISBN 9781845699727

Huson, D., Parraman, C., Klein, S., Simske, S., Walters, P., Adams, G. and Hoskins, S. (2012) 3D printing of transparent glass. In: Benning, P., Silence, S., Simske, S. and Zapka, W., eds. (2012) NIP28/Digital Fabrication 2012 Technical Programme and Proceedings. Springfield, VA: IS&T: The Society for Imaging and Technology, pp. 336-337. ISBN 9780892083022

Parraman, C. and Laidler, P. (2012) Colour print workflow and methods for multi-layering of colour and decorative inks using UV inkjet for fine-art printing. In: Eschbach, R., Marcu, G. G. and Rizzi, A., eds. (2012) Color Imaging XVII: Displaying, Processing, Hardcopy. (8292) USA: SPIE, pp. 8292-38.

Parraman, C. (2011) Dark texture in artworks. In: Eschbach, R., Marcu, G. G. and Rizzi, A., eds. (2011) SPIE Proceedings. (8292) USA: SPIE.

Walters, P., Huson, D., Parraman, C. and Stanić, M. (2011) 3D printing in colour: technical evaluation and creative applications. In: Hoskins, S., ed. (2011) Impact 6 Proceedings. Bristol: Impact Press, University of the West of England, pp. 31-39. ISBN 978-1-906501-03-7

Parraman, C. and Rizzi, A. (2011) Knowledge exchange in the CREATE project - Colour Research for European Advanced Technology Employment (Proceedings Paper). In: Eschbach, R., Marcu , G. and Rizzi, A., eds. (2011) SPIE Proceedings: Color Imaging XVI: Displaying, Processing, Hardcopy, and Applications. (7866) SPIE.

Huson, D., Parraman, C. and Walters, P. (2011) 3D printing and colour: A multidisciplinary investigation. In: Hoskins, S., ed. (2011) IMPACT 6 Multidisciplinary Printmaking Conference Proceedings. Bristol: Unviersity of the West of England, pp. 31-38.

Parraman, C. and Rizzi, A. (2011) Developing the CREATE Network in Europe. In: Brebbia, C., Greated, C. and Collins, M. W., eds. (2011) Colour in Art, Design and Nature. WIT Press, pp. 141-143. ISBN 9781845645687

Parraman, C. and Morby, N. (2009) From drypoint to inkjet. In: Colborne, J. and Fisherman Snyder, R., eds. (2009) Printed on Paper: The Techniques, History and Conservation of Printed Media. Northumbria University, Newcastle upon Tyne: Arts and Social Sciences Academic Press, pp. 170-176. ISBN 978.0.9561206.3.2

Parraman, C. and Wang, H. Q. (2006) What happens to prints during storage? To evaluate the whiteness of artists’ enhanced inkjet papers and colour changes in relation to fading of ink. In: Thompson, R., Manning, A. and Townsend, J., eds. (2006) Conference Proceedings of the Third International Conference on Preservation and Conservation Issues Related to Digital Printing and Digital Photography. Institute of Physics , pp. 14-23. ISBN 0955398401

Parraman, C. (2003) Fading characteristics of dye based and pigment based inks on artists' uncoated and coated printmaking papers. In: Thompson, R. and Manning, A., eds. (2003) Conference Proceedings of the Second International Conference on: Preservation and Conservation Issues Related to Digital Printing and Digital Photography. Institute of Physics, pp. 53-59. ISBN 0750309911

Parraman, C., Wang, H. Q. and Purcell, J. (2003) The application of colour management systems to improve the quality of ink jet printing on fine art paper. In: Thompson, R. and Manning, A., eds. (2003) Conference Proceedings of the Second International Conference on: Preservation and Conservation Issues Related to Digital Printing and Digital Photography. Institute of Physics, pp. 78-83. ISBN 0750309911

Report or Working Paper

Hoskins, S., Parraman, C., Hill, V., Baldwin, R. and Reyes, F. (2008) Development of a conservation and restoration plan and records management system for the Lands and Survey Division, 2007-2008. Technical Report. Ministry of Agriculture, Land and Marine Resources, Government of Trinidad and Tobago, Confidential report.

Conference or Workshop Item

Olen, M., Parraman, C. and Laidler, P. (2014) Deconstructing digital printing technologies: Towards reinstating artistic ingenuity in the production of digital colour prints. In: Fifth International Conference on the Image, Freie Universität Berlin, Germany, 29-30 October 2014. Illinois, USA: Common Ground Publishing

Parraman, C. (2014) Durer’s Rhinoceros: Artists’ approaches to reproducing texture in art. In: 50th Annual Convention of the Artificial Intelligence and Simulation of Behaviour (AISB), University of Goldsmiths, London, UK, 1-4 April 2014. UK: University of Goldsmiths

Parraman, C. (2014) The material image: Artists’ approaches to reproducing texture in art. In: Fifth International Conference on the Image, Freie Universität Berlin, Germany, 29-30 October 2014. University of Illinois: Common Ground Publishing

Parraman, C. and Mottram, J. (2013) Cultural discourse, colour heritage and communication. In: 12th International AIC Colour Congress, Newcastle-upon-Tyne, UK, 8th -12th July 2013. Newcastle-upon-Tyne: Association Internationale de la Couleur

Parraman, C. and Olen, M. (2013) Exploration of alternative print methodology for colour printing through the multi‐layering of ink. In: 12th International AIC Colour Congress, Newcastle-upon-Tyne, 8th -12th July 2013. Newcastle-upon-Tyne: Association Internationale de la Couleur

Hoskins, S., Parraman, C., Mccallion, P. and Cohen, C. (2013) Reproduction of texture in digitally printed artworks. In: 12th International AIC Colour Congress, Newcastle-upon-Tyne, 8-12th July 2013. Newcastle-upon-Tyne: Association Internationale de la Couleur

Parraman, C. (2012) Reproduction of texture in artworks. In: All About Imaging , University of Westminster, Harrow, UK, 30th May, 2012.

Parraman, C. (2012) New directions in colour printing in the 21st century. In: Colour for Business and the Professions, Northampton Suites, City University, London, 30th November, 2012.

Parraman, C. (2012) The craft of print in a digital economy. In: 2nd International Printmaking Symposium, Bentlage Rheine, Germany, 27th - 30th September, 2012. Germany: UNSPECIFIED

Parraman, C. and Adams-Foster, S. (2011) Traditional approaches using new technologies: Case studies of printed wallpaper using UV inkjet printing. In: DESIRE’11 - Creativity and Innovation in Design, Eindhoven, the Netherlands, 19th - 21st October, 2011.

Parraman, C. (2011) After albers. In: Kaleidoscope: New Perspectives on the Humanities, University of Warwick, 28th-29th May, 2011.

Parraman, C. and Rizzi, A. (2010) Spatial image processing for the enhancement and restoration of film, photography and print. In: 7th International Conference on Informatics and Systems, Faculty of Computers and Information, Cairo University, 28-30 March 2010.

Parraman, C. and Rizzi, A. (2010) Developments in the recovery of colour in fine art prints through spatial image processing methods. In: 4th International Conference on: Preservation and Conservation Issues in Digital Printing and Digital Photography, Institute of Physics, London, 27 – 28 May 2010.

Parraman, C. (2010) New findings to colour changes in prints during long-term dark storage of prints. In: 4th International Conference on: Preservation and Conservation Issues in Digital Printing and Digital Photography, Institute of Physics, London, 27 – 28 May 2010.

Parraman, C. and Wang, Y. (2010) Printability beyond the limits: alternative double printing method for inkjet. In: IS&T/SPIE Electronic Imaging conference , San Jose, USA, 17-21 January 2010.

Parraman, C., McCann, J. and Rizzi, A. (2010) Artist's colour rendering of HDR scenes in 3D Mondrian colour-constancy experiments. In: IS&T/SPIE Electronic Imaging conference , San Jose, USA, 17-21 January 2010.

Parraman, C., McCann, J. and Rizzi, A. (2010) Colour appearance and colour rendering of HDR scenes: an experiment. In: IS&T/SPIE Electronic Imaging conference , San Jose, USA, 17-21 January 2010.

Parraman, C., McCann, J. and Rizzi, A. (2010) Pixel and spatial mechanisms of colour constancy. In: IS&T/SPIE Electronic Imaging conference , San Jose, USA, 17-21 January 2010.

Parraman, C. (2010) The development of artists' novel colour palettes for inkjet printing. In: IS&T/SPIE Electronic Imaging conference , San Jose, USA, 17-21 January 2010.

McCann, J., Parraman, C. and Rizzi, A. (2009) Reflectance, illumination and edges. In: Seventeenth Color Imaging Conference: Color Science and Engineering Systems, Technologies, and Applications, Albuquerque, New Mexico, November 9-13, 2009. Albuquerque, New Mexico: The Society for Imaging Science and Technology, pp. 2-7

Parraman, C. (2009) Does this look right? The science of colour appearance in art. In: Science Café , Explore, Bristol, 9 June 2009.

Parraman, C. and Wang, Y. (2009) On determining the color gamut of N-ink printers. In: IS&T/SPIE 21st Annual Symposium, San Jose Marriott and San Jose Convention Center, San Jose, California, USA, 18–22 January 2009.

Parraman, C., McCann, J. and Rizzi, A. (2009) HDR and Color Constancy - new psychophysical results. In: Google Tech Talk, Online, 22 January 2009.

Rizzi, A., Parraman, C. and McCann, J. (2009) Measuring colour constancy and colour appearance: An experiment. In: MINET (Measuring the Impossible Network) Conference: Measurement, sensation and cognition, National Physical Laboratory, London, 10-12 November 2009.

McCann, J., Parraman, C. and Rizzi, A. (2009) Reflectance, illumination, and edges in 3-D Mondrian colourconstancy experiments. In: 11th Congress of the International Colour Association (AIC) 2009, University of New South Wales, Sydney, Australia, 27 September - 2 October 2009.

Parraman, C. and Rizzi, A. (2008) The art and science of colour: Bridging the gap between art and perception. In: CHArt Conference (Computers and the History of Art 24th Annual Conference), Birkbeck, University of London, 6 - 7 November 2008.

Parraman, C., Laidler, P. and Wang, Y. (2008) Pixel perfect - working with CMYK & RGB - A comparison of printed samples. In: 'New Ways to use Print Technology ...On Paper', University of the West of England, Bristol, 14-17 October 2008.

Parraman, C. (2008) An artists’ approach to the interpretation of luminance and reproduction of coloured shadows through pigment colour mixing. In: Colorlab Workshop #7/2008: Dynamic range of light, contrast and perception in digital images, Norwegian Color Research Laboratory, Gjøvik University College, Norway, 26th November, 2008.

Parraman, C. (2007) Inkjet in question: Adapting current colour and ink technology for the requirements of the user. In: Gjøvik Color Imaging Symposium 2007, Gjøvik, Norway, 13 - 15 June 2007.

Parraman, C. (2007) User preferences in colour enhancements for unsupervised printing methods. In: Electronic Imaging Conference Color Imaging, San Jose, USA, 28 January - 1 February 2007.

Parraman, C. (2006) The combination of traditional printing inks and inkjet for increasing colour choices for artists. In: The International Conference Printing Technology SPb'06, St Petersburg, Russia, 26th - 30th June, 2006., p. 6

Parraman, C. (2003) A visual survey of colour on paper and colour changes during changes to light. In: The Eleventh Color Imaging Conference: Color Science and Engineering Systems, Technologies, Applications, CIC 2003, Scottsdale, Arizona, USA, 3 November 2003., pp. 272-276

Parraman, C. (2003) Digital printing for artists. In: PICS 2003: The PICS Conference, An International Technical Conference on The Science and Systems of Digital Photography, Rochester, NY, USA, 13 May 2003.

Book

Parraman, C. and Rizzi, A. e. (2011) Colour coded. Society of Dyers and Colourists. ISBN 978-0-90156-93-4

Artefact

Parraman, C. (2014) Spiral Graph. [Artefact]

Parraman, C. (2007) After Turner from Grenoble sketchbook [Finberg LXXIV], Looking back to the Pic de l'Oeillette, Gorges du Guiers Mort, Grande Chartreuse 1802. [Artefact]

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