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Number of items: 31.


Bould, M. (2013) Genre, hybridity, heterogeneity; or, the noir-sf-vampire-zombie-splatter-romance-comedy-action-thriller problem. In: Spicer, A. and Hanson, H., eds. (2013) A Companion to Film Noir. UK: Wiley-Blackwell, pp. 33-49. ISBN 9781444336276


Cook, J. R. and Spicer, A. (2009) Introduction. Journal of British Cinema and Television, 5 (2). pp. 213-222. ISSN 1743-4521


Dolan, J. and Spicer, A. (2010) On the margins: Anthony Simmons, 'The Optimists of Nine Elms' and 'Black Joy'. In: Newland, P., ed. (2010) Don't Look Now: British Cinema in the 1970s. Bristol: Intellect, pp. 79-91. ISBN 9781841503202

Dolan, J. and Spicer, A. (2009) On the margins: Anthony Simmons, the optimists of Nine Elms and Black Joy. In: Newland, P., ed. (2009) Don't Look Now: British Cinema in the 1970s. Bristol UK: Intellect, pp. 70-92. ISBN 9781841503202

Dolan, J. and Spicer, A. (2008) The Outsider: Anthony Simmons. Journal of British Cinema and Television. ISSN 1743-4521


Esser, R. (2007) Concordia res parvae crescunt: Regional histories and the Dutch Republic in the seventeenth century. In: Pollmann, J. and Spicer, A., eds. (2007) Public Opinion and Changing Identities in the Early Modern Netherlands: Essays in Honour of Alastair Duke. Brill, pp. 229-248. ISBN 9789004155275


Spicer, A. and McKenna, A. (2013) The Man Who Got Carter: Michael Klinger, Independent Production and the British Film Industry, 1960-1980. London: I.B. Tauris. ISBN 9781780762821

Spicer, A. and Hanson, H., eds. (2013) A Companion to film noir. Malden, MA and Oxford: Wiley-Blackwell. ISBN 978-1-4443-3627-6

Spicer, A. (2012) Film and visual culture. In: Heywood, I., Sandywell, B., Gardiner, M., Gunalan, N. and Soussloff, C. M., eds. (2012) The Handbook of Visual Culture. Berg. ISBN 9781847885739

Spicer, A. (2011) Film noir and Los Angeles. In: Solomons, G., ed. (2011) World Film Locations: Los Angeles. Bristol: Intellect. ISBN 9781841504858

Spicer, A. (2011) The angel of death: Targetting the hitman. In: Nicol, B., Pulman, P. and McNulty, E., eds. (2011) Crime Cultures: Figuring Criminality in Fiction and Film. London: Continuum, pp. 155-174. ISBN 9780826432353

Spicer, A. (2010) Secret histories and the dirty war: The 1970s Second World War film. In: 'Going to War: Film History and the Second World War' , Imperial War Museum, October 2010, London, 22-23 October 2010.

Spicer, A. (2010) An impossible task? Scripting 'The Chilian Club'. In: Nelmes, J., ed. (2010) Analysing the Screenplay. Routledge, pp. 71-88. ISBN 978-0-415-55633-0

Spicer, A. (2010) Creativity and commerce: Michael Klinger and new film history. New Review of Film and Television Studies, 8 (3). pp. 297-314. ISSN 1470-0309

Spicer, A. (2010) Historical dictionary of film noir. Lanham, Maryland: Scarecrow Press. ISBN 978-0-8108-5960-9

Spicer, A. (2009) The creative producer: Michael Klinger. In: Archives and Auteurs Conference, University of Stirling, Scotland, September 2009.

Spicer, A. (2009) Understanding film production: Michael Klinger and the new film history. In: Researching Film History Symposium, Geological Society, London, UK, July 2009.

Spicer, A. (2009) Productive research: Approaches and sources to uncovering the role of the film producer. In: Studies beyond the Screen Symposium, University of Exeter, UK, April 2009.

Spicer, A. (2009) British society and culture in the 1970's - conference report. Journal of British Cinema and Television, 6 (1). pp. 134-140. ISSN 1743-4521

Spicer, A. (2009) Interview: Allan Cubitt. Journal of British Cinema and Television, 5 (2). pp. 362-375. ISSN 1743-4521

Spicer, A. (2009) The Mark of Cain: Eric Portman and British stardom. In: Soila, T., ed. (2009) Stellar Encounters: Stardom in Popular European Cinema. New Barnet, Herts.: John Libbey, pp. 108-117. ISBN 0-86196-679-1

Spicer, A. (2008) The precariousness of production: Michael Klinger and the role of the film producer in the British film industry during the 1970's. In: British Culture and Society in the 1970's, University of Portsmouth, UK, July 2008.

Spicer, A. (2008) Missing boxes: The unmade films of Sydney Box, 1940-1967. In: North, D., ed. (2008) Sights Unseen: Unfinished British films. Cambridge Scholar Publishing, pp. 87-104. ISBN 1-84718-426-X

Spicer, A. (2006) Creativity and the 'B' feature: Terence Fisher's crime films. Film Criticism, 30 (2). pp. 185-207. ISSN 0163-5069

Spicer, A. (2006) European film noir. Manchester University Press. ISBN 9780719067907

Spicer, A. (2006) Sydney Box. Manchester University Press; Palgrave. ISBN 0719059992

Spicer, A. (2005) What cannot be said: 'Silent Dust'(1949)and the malevolent veteran. Zeithistorische Forschungen, 1 (1). pp. 110-118. ISSN 1612-6033

Spicer, A. (2004) The "Other War": Images of the second world war in service comedies. In: Bennett, S., Caunce, S., Mazierska, E., Sydeny-Smith, S. and Walton, J., eds. (2004) Relocating Britishness. Manchester: Manchester University Press, pp. 167-182. ISBN 9780719070266

Spicer, A. (2004) The production line: Reflections on the role of the producer in British cinema. Journal of British Cinema and Television, 1 (1). pp. 33-50. ISSN 1743-4521

Spicer, A. (2002) Film noir. Longman/Pearson Education. ISBN 9780582437128

Spicer, A. (2001) Typical Men: The Representation of Masculinity in Popular British Cinema. I. B. Tauris. ISBN 9781860645631

This list was generated on Fri Mar 27 03:22:30 2015 GMT.
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