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Number of items: 22.

Article

Tuck, G. (2010) Sex, dialectics and the misery of happiness (Todd Solondz, USA, 1998). Film-Philosophy, 14 (3). pp. 33-62. ISSN 1466-4615 Available from: http://eprints.uwe.ac.uk/12142

Carel, H. and Tuck, G. (2010) Ideas of the century: Film as philosophy (7/50). The Philosopher Magazine, 50. ISSN 1354-814X Available from: http://eprints.uwe.ac.uk/12150

Tuck, G. (2008) When more is less: CGI, spectacle and the capitalist sublime. Science Fiction Film and Television, 1 (2). pp. 249-273. ISSN 1754-3770 Available from: http://eprints.uwe.ac.uk/11200

Tuck, G. (2007) Sex with the City: Urban spaces, sexual encounters and erotic spectacle in Tsukamoto Shinya's Rokugatsu no Hebi - A Snake of June (2003). Film Studies, 11. pp. 49-60. ISSN 1469-0314 Available from: http://eprints.uwe.ac.uk/6948

Tuck, G. (2003) Mainstreaming the money-shot: Representations of ejaculation in mainstream American cinema. Paragraph, 26 (1-2). pp. 263-279. ISSN 0264-8334 Available from: http://eprints.uwe.ac.uk/6945

Book Section

Carel, H. (2011) In the grip of grief: the materiality of mourning in Vital. In: Carel, H. and Tuck, G. , eds. (2011) New Takes in Film-Philosophy. Basingstoke: Palgrave Macmillan. ISBN 9780230250284 Available from: http://eprints.uwe.ac.uk/11795

Tuck, G. (2010) Art, cinema, sex, ontology: Maurice Merleau-Ponty and the in-visible of cinema. In: Carel, H. and Tuck, G. , eds. (2010) New Takes in Film-Philosophy. Basingstoke, Hampshire: Palgrave Macmillan. ISBN 9780230250291 Available from: http://eprints.uwe.ac.uk/12146

Tuck, G. (2010) Orgasmic teen virgins: Carnal ignorance, body knowledge and the representation of teenage sexuality in American film. In: Jeffers-McDonald, T. , ed. (2010) Virgin Territory: Representing Sexual Inexperience in Film. Detroit, USA: Wayne State University Press. ISBN 978-0814333181 Available from: http://eprints.uwe.ac.uk/12148

Tuck, G. (2009) Laughter in the dark: Irony, black comedy and 'noir' in David Lynch, the Cohen Brothers and Quentin Tarantino. In: Bould, M. , Glitre, K. and Tuck, G. , eds. (2009) Neo-Noir. London: Wallflower, pp. 153-168. ISBN 978-1906660178 Available from: http://eprints.uwe.ac.uk/11198

Bould, M. , Glitre, K. and Tuck, G. (2009) Parallax views: An introduction. In: Bould, M. , Glitre, K. and Tuck, G. , eds. (2009) Neo-noir. London: Wallflower Press, pp. 1-10. ISBN 9781906660178 Available from: http://eprints.uwe.ac.uk/12848

Bould, M. and Vint, S. (2009) The thin men: anorexic subjectivity in Fight Club and The Machinist. In: Bould, M. , Glitre, K. and Tuck, G. , eds. (2009) Neo-noir. Wallflower, pp. 221-239. ISBN 978-1-906660-17-8 Available from: http://eprints.uwe.ac.uk/12233

Tuck, G. (2009) The mainstreaming of masturbation. In: Attwood, F. , ed. (2009) Mainstreaming Sex: The Sexualisation of Western Culture. London: I. B. Taurus, pp. 77-92. ISBN 978-1845118273 Available from: http://eprints.uwe.ac.uk/11199

Glitre, K. (2009) Under the neon rainbow: Colour and neo-noir. In: Bould, M. , Glitre, K. and Tuck, G. , eds. (2009) Neo-noir. London: Wallflower, pp. 11-27. ISBN 9781906660178 Available from: http://eprints.uwe.ac.uk/12845

Tuck, G. (2007) The pleasure of invisible sex: Cinematic meaning, sexual 'metaphors' and the phenomenology of editing in classical Hollywood cinema. In: McDonald, T. J. and Wells, E. , eds. (2007) Realities and Remediations: Film at the Limits of Representation. Cambridge Scholars Press, pp. 1-13. ISBN 9781847181923 Available from: http://eprints.uwe.ac.uk/6947

Tuck, G. (2007) Of monsters, masturbators and markets: Autoerotic desire, sexual exchange and the cinematic serial killer. In: Scott, N. , ed. (2007) Monsters and the Monstrous: Myths and Metaphors of Enduring Evil. Interface Publication, Rodolphi, pp. 167-183. ISBN 9789042022539 Available from: http://eprints.uwe.ac.uk/6946

Conference or Workshop Item

Tuck, G. (2010) Phenomenological encounters on and beyond the screen (panel chair and convener). In: Society for Cinema and Media Studies Conference, Los Angeles, CA, USA, 2010. Available from: http://eprints.uwe.ac.uk/12152

Tuck, G. (2009) Love, death and flesh: Ontological antinomies in Tuskamoto Shinya's Vital (2004). In: 2nd Film Philosophy Conference, University of Dundee, Scotland, July 2009. Available from: http://eprints.uwe.ac.uk/11203

Tuck, G. (2009) Flesh/Films: Mainstream movies, embodiment and sexuality. In: Plymouth Arts Centre Film Academy Seminar Series, Plymouth, England, 9 June 2009. Available from: http://eprints.uwe.ac.uk/11202

Tuck, G. (2009) Good lacanians and bad hegelians: Sexual differences and the dialect of (Un)Happiness (Todd Solondz, USA, 1998). In: Emergent Encounters in Film Theory, Kings College, London, March 2009. Available from: http://eprints.uwe.ac.uk/11204

Tuck, G. (2008) Laughter in the dark: Capitalism, comedy, violence and neo-noir. In: 5th Annual Historical Materialism Conference, SOAS, London, November 2008. Available from: http://eprints.uwe.ac.uk/11205

Tuck, G. and Carel, H. (2008) Philosophy and film/film and philosophy: A multidisciplinary conference. In: Philosophy and Film/ Film and Philosophy: A Multidisciplinary Conference, Arnolfini, Bristol and Bush House, London, 4-6 July 2008. Available from: http://eprints.uwe.ac.uk/11206

Tuck, G. (2008) A kiss in the tunnel: Dialectics, phenomenology and sexual representation. In: Philosophy and Film/Film and Philosophy, Arnolfini Arts Centre, Bristol and UWE, Bristol, July 2008. Available from: http://eprints.uwe.ac.uk/11207

This list was generated on Tue Mar 19 07:11:49 2024 GMT.