Items where School or Centre is "~Pre-2010 Faculty Structure > Faculty of Creative Arts > Centre for Fine Print Research" and Year is UNSPECIFIED

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Group by: Creators | Item Type | No Grouping
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Number of items: 30.

B

Bodman, S. L. (2008) The artist’s book market, and the relationship between the artist and purchaser within this field. In: Beyond the Book Symposium, Victoria and Albert Museum, London, 18 April 2008.

Bodman, S. L. (2008) The hybrid lexicon: an overview of contemporary artists’ publishing in the UK and Ireland, using traditional and emerging technologies to create finely produced artist’s books. In: Jury, D. , ed. (2008) The Hybrid Lexicon: an overview of contemporary artists’ publishing in the UK and Ireland, using traditional and emerging technologies to create finely produced artist’s books. Codex Foundation, USA, pp. 35-55. ISBN 978-0981791401

Bodman, S. L. (2008) An inventory of Al-Mutanabbi street. [Show/Exhibition]

Bodman, S. L. (2008) The quiet democracy of the contemporary artist’s book (or, why do artists make books?). In: Books that Fly, University of Brighton, Faculty of Arts and Architecture, July 5th 2008. [Unpublished]

Bodman, S. L. and Sowden, T. (2008) Artists’ books abroad. In: Artists’ Books Abroad, Minnesota Center for Book Arts, Minneapolis, USA, November 1st 2008. [Unpublished]

Bodman, S. L. and Sowden, T. (2008) The cover of a book is the beginning of a journey. [Show/Exhibition]

Bodman, S. L. and Sowden, T. (2008) The future of publishing. In: 10th Biennial Pyramid Atlantic Book Arts Fair and Conference, Cafritz Art Center, Montgomery College of Art and Design, Silver Spring, MD, USA, 8th November 2008.

H

Hammond, A. (2008) Ansel Adams and George Waters: Photographer and printer. History of Photography, 32 (1). pp. 51-58. ISSN 0308-7298

Hammond, A. (2008) Ansel Adams and Georgia O'Keeffe: On the intangible in art and nature. History of Photography, 32 (4). pp. 301-313. ISSN 0308-7298

Hammond, A. (2008) Ansel Adams and Georgia O'Keeffe: On the intangible in art and nature. In: Ansel Adams and Georgia O'Keeffe: On the Intangible in Art and Nature, Smithsonian National Museum of American History, 14 October 2008.

Hammond, A. (2008) Ansel Adams books: Photographs in ink. In: Ansel Adams' Books: Photographs in Ink, Centre for the Book, Library of Congress, Washington, DC, USA, 16 October 2008.

Hammond, A. (2008) Georgia O’Keeffe and Ansel Adams: Natural affinities. [Show/Exhibition]

Hammond, A. (2008) Photography and the sequence: The image as poetry, page by page. The Blue Notebook: Journal for artists' books., 3 (1). pp. 19-23. ISSN 1751-1712

Hill, V. and Thirkell, P. (2008) Creating an on-line interactive database to aid research into historic printmaking processes and techniques. (2008 version) [Dataset]

Hoskins, S. , Parraman, C. , Hill, V. , Baldwin, R. and Reyes, F. (2008) Development of a conservation and restoration plan and records management system for the Lands and Survey Division, 2007-2008. Technical Report. Ministry of Agriculture, Land and Marine Resources, Government of Trinidad and Tobago, Confidential report. [Unpublished]

Huson, D. (2008) 3D printing of bespoke ceramic artworks. In: The Society for Imaging, S. a. T. , ed. (2008) NIP24: International Conference on Digital Printing Technologies and Digital Fabrication 2008. Pittsburgh, Pennsylvania: Society for Imaging Science and Technology, pp. 287-290. ISBN 978-0-89208-279-7

L

Laidler, P. (2008) Facilitating the fine art digital print. In: 'New Ways to use Print Technology ...On Paper', University of the West of England, Bristol, 14-17 October 2008. [Unpublished]

Laidler, P. (2008) 'Roombeek Series' and 'Here and There'. [Artefact]

Laidler, P. (2008) Sublime structure featuring romantic deadpan. [Artefact]

Laidler, P. (2008) The photographic in digital printmaking. In: The Association for Photography in Higher Education: Annual Conference Shifting Perspectives: Photography, Education and the Future , University of the West of England, Bristol, 2nd-4th July 2008. [Unpublished]

P

Parraman, C. (2008) Colour in flux: Describing and printing colour in art. Proceedings of SPIE, 6807 (68070N). ISSN 0277-786X

Parraman, C. (2008) Colour in flux: The art and science of colour. Colour: Design & Creativity, Issue (1). pp. 1-5.

Parraman, C. , Laidler, P. and Wang, Y. (2008) Pixel perfect - working with CMYK & RGB - A comparison of printed samples. In: 'New Ways to use Print Technology ...On Paper', University of the West of England, Bristol, 14-17 October 2008. [Unpublished]

Parraman, C. and Rizzi, A. (2008) The art and science of colour: Bridging the gap between art and perception. In: CHArt Conference (Computers and the History of Art 24th Annual Conference), Birkbeck, University of London, 6 - 7 November 2008.

Parraman, C. , Walters, P. , Huson, D. and Reid, B. (2008) Specifying colour and maintaining colour accuracy for 3D printing. Proceedings of Electronic Imaging, Society for Imaging Science and Technology/Society of Photographic Instrumentation Engineers, San Jose, CA, USA, 26-31 January 2008, Procee.

S

Sowden, T. (2008) What’s In The Box? Volume V. [Show/Exhibition]

T

Thirkell, P. (2008) CFPR: The Centre for Fine Print Research Bristol, England. Rapport: Journal of the Norwegian Print Association, 1. pp. 22-24. ISSN 1891-0408

Thirkell, P. (2008) A quest for printed colour - From Hayter to hardcopy. In: 'New Ways to use Print Technology ...On Paper', University of the West of England, Bristol, 14-17 October 2008. [Unpublished]

Turrell, J. and Turrell, E. C. (2008) Playing with fire: group exhibition. [Artefact]

W

Walters, P. and Rossiter, J. (2008) Three-dimensional fabrication of smart actuators: design applications. In: (2008) NIP24: International Conference on Digital Printing Technologies and Digital Fabrication 2008, Pittsburgh, Pennsylvania, USA. (Volume) Society for Imaging Science and Technology. ISBN 978-0-89208-279-7

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