Items where School or Centre is "Faculty of Arts, Creative Industries and Education > School of Art and Design" and Year is 2013

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Bodman, S. L. (2013) Appropriation and creation: Artists’ books and extant narrative. In: Book Art Biennial 2013, Minnesota, USA, 27-28 July 2013. Minnesota, USA: Minnesota Center for Book Arts Available from: http://eprints.uwe.ac.uk/24017

Bodman, S. L. (2013) Artists’ books: Document, communicate, disseminate. In: Atkinson, C., ed. (2013) Words. Café Royal, pp. 1-8. ISBN 9780957586703 Available from: http://eprints.uwe.ac.uk/26195

Bodman, S. L. (2013) Black books: The use of color in artists' books. Art in Print, 3 (3). pp. 4-10. Available from: http://eprints.uwe.ac.uk/21460

Bodman, S. L. (2013) Bodman’s Dark Humours. [Artefact] Available from: http://eprints.uwe.ac.uk/26213

Bodman, S. L. (2013) Chair of discussion panel: The role of the sketchbook in contemporary fine art practice. In: The Role of the Sketchbook in Contemporary Fine Art Practice, Rabley Drawing Centre, Marlborough, Wiltshire' UK, 28 September 2013. Available from: http://eprints.uwe.ac.uk/26212

Bodman, S. L. (2013) Everything we do begins with a conversation. In: Perspectivas do Livro de Artista (Artists’ Books in Perspective), Centro Cultural UFMG, Brazil, 31 October 2013. Brazil: Centro Cultural UFMG Available from: http://eprints.uwe.ac.uk/26198

Bodman, S. L. (2013) Eyes on the prize. Printmaking Today, 22 (2). p. 15. Available from: http://eprints.uwe.ac.uk/26179

Bodman, S. L. (2013) Life, the universe and everything: The artist's book as a means of theoretical, political and social consideration of the natural world. In: Morgan, L., ed. (2013) Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference. Australia: Monash University Publishing, pp. 70-74. ISBN 9781921867569 Available from: http://eprints.uwe.ac.uk/15734

Bodman, S. L. (2013) Lost and found: The library of lost books. Printmaking Today, 22 (4). p. 15. Available from: http://eprints.uwe.ac.uk/26160

Bodman, S. L. (2013) New pages: Celebrating the book as a democratic multiple in a variety of 21st century forms. In: Waeckerle, E. and Sawdon Smith, R., eds. (2013) The Book is Alive! UK: Research Group for Artists Publications (RGAP) / bookRoom. ISBN 9780956902450 Available from: http://eprints.uwe.ac.uk/24012

Bodman, S. L. (2013) Os “livros” são eléctricos: ‘Are 'Books' Electric? Some possibilities for the artist's book in the 21st Century’. In: Derdyk, E., ed. (2013) Entre ser um e ser mil: O objecto livro e suas poéticas. São Paulo, Brazil: Senac, pp. 121-143. ISBN 9788539603596 Available from: http://eprints.uwe.ac.uk/20483

Bodman, S. L. (2013) Pack up your troubles: Recent artists’ books on a topographical theme. Printmaking Today, 22 (3). p. 15. Available from: http://eprints.uwe.ac.uk/26161

Bodman, S. L. (2013) Some Small, Good Things. [Artefact] Available from: http://eprints.uwe.ac.uk/26237

Bodman, S. L. (2013) Why say it again? [Artefact] Available from: http://eprints.uwe.ac.uk/26252

Bodman, S. L. (2013) The beauty of the book. In: (2013) Fifth International Artists’ Book Exhibition Catalogue. Hungary: King St. Stephen Museum, pp. 8-11. ISBN 9789639279971 Available from: http://eprints.uwe.ac.uk/26197

Bodman, S. L. and Beausoleil, B. (2013) Al-Mutanabbi Street starts here. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/26214

Bodman, S. L. and Beausoleil, B. (2013) Building with books. In: (2013) Al-Mutanabbi Street Starts Here. New York, USA: Center for Book Arts, pp. 14-22. Available from: http://eprints.uwe.ac.uk/26196

Bodman, S. L. and Sowden, T. (2013) BABE – The fourth Bristol Artists Book Event. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/26235

Bodman, S. L. and Sowden, T. (2013) Some thoughts on the artist’s book in the 21st century. In: Jury, D. and Rutledge Koch, P., eds. (2013) Book Art Object 2. USA: Stanford University Press, pp. 22-24. ISBN 9780911221503 Available from: http://eprints.uwe.ac.uk/24013

Bodman, S. L. and Sowden, T. (2013) A manifesto for the book: Book - artist's book - artist's publication - book art? In: Morgan, L., ed. (2013) Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference. Australia: Monash University Publishing, pp. 75-80. ISBN 9781921867569 Available from: http://eprints.uwe.ac.uk/18847

Butler, A. (2013) Poster presentation: Investigating letterpress as a contemporary process within book arts practice. In: Impact 8 International Printmaking Conference: A Celebration of Interdisciplinarity and Exploration Through the Medium of Print, Duncan of Jordanstone College of Art & Design, University of Dundee, 28 August - 1 September 2013. Available from: http://eprints.uwe.ac.uk/21106

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Crogan, P. (2013) Passing, swirling, spinning: A brief note on Stiegler's post-phenomenological account of mediated experience. In: Conditions of Mediation, Birkbeck College, 17 June, 2013. Available from: http://eprints.uwe.ac.uk/20475

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Dean, J. (2013) Beaconsfield residency. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/22096

Dean , J. (2013) Judith Dean - Phase 4. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/21903

Dovey, J. and Rose, M. (2013) 'This great mapping of ourselves’ – new documentary forms online. In: Winston, B., ed. (2013) The Documentary Film Book. Palgrave Macmillan, pp. 366-375. ISBN 9781844573417 Available from: http://eprints.uwe.ac.uk/17085

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Flaxton, T. (2013) Knowledge exchange as a practice. Journal of Media Practice, 14 (3). pp. 211-230. ISSN 1468-2753 Available from: http://eprints.uwe.ac.uk/21532

Franklin, A. (2013) Cole's from Newcastle. Interactions: Studies in Communication & Culture , 4 (1). pp. 85-93. ISSN 1757-2681 Available from: http://eprints.uwe.ac.uk/19263

Franklin, A. (2013) The play's the thing: A [mini-]phenomenology of fashion. In: Popular Culture Association/American Culture Association [PCA/ACA] National Conference, Washington D.C., 27-30 March 2013. Available from: http://eprints.uwe.ac.uk/19344

Franklin, A. and Turney, J. (2013) Editorial. Clothing Cultures, 1 (1). pp. 3-5. ISSN 2050-0742 Available from: http://eprints.uwe.ac.uk/33090

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Giddings, S. (2013) Drawing without light. In: Lister, M., ed. (2013) The Photographic Image in Digital Culture. 2nd. London: Routledge, pp. 41-55. ISBN 9780415535298 Available from: http://eprints.uwe.ac.uk/19860

Giddings, S. (2013) Simulation games. In: Perron, B. and Wolf, M. J., eds. (2013) The Routledge Companion to Video Game Studies. New York: Routledge, pp. 259-266. ISBN 9780415533324 Available from: http://eprints.uwe.ac.uk/19858

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Henning, M. (2013) Isotypes and elephants: Picture language as visual writing in the work and correspondence of Otto Neurath. In: Harrow, S., ed. (2013) The Art of the Text. University of Wales Press, pp. 129-150. ISBN 978-0708326596 Available from: http://eprints.uwe.ac.uk/17834

Holland, P., Chgnell, H. and Wilson, S. (2013) Broadcasting and the NHS in the Thatcherite 1980s: The challenge to public service. UK: Palgrave MacMillan. ISBN 978-0-230-28237-7 Available from: http://eprints.uwe.ac.uk/21857

Hornsey, R. (2013) The independent group looks at London's West End. Journal of Visual Culture, 12 (2). pp. 292-312. ISSN 1470-4129 Available from: http://eprints.uwe.ac.uk/20217

Hoskins, S. (2013) A model for the collaborative studio in the 21st Century: What it might be! In: Morgan, L., ed. (2013) Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference. Australia: Monash University Publishing, pp. 238-242. ISBN 9781921867569 Available from: http://eprints.uwe.ac.uk/14108

Hoskins, S. and Mccallion, P. (2013) Continuous tone colour printing in two and a half dimensions through a combination of 19th century analogue methodologies and 3D printing. In: Masahiko, F. and Lozo, B., eds. (2013) NIP29 29th International Conference on Digital Printing Technologies Digital Fabrication 2013 Technical Programme and Proceedings. (29) USA: Society for Imaging Science and Technology, pp. 244-248. ISBN 9780892083060 Available from: http://eprints.uwe.ac.uk/20051

Huson, D. (2013) 3D printing of self-glazing ceramic materials: An investigation inspired by ancient Egyptian technology. In: Masahiko, F. and Lozo, B., eds. (2013) NIP29 29th International Conference on Digital Printing Technologies Digital Fabrication 2013 Technical Program and Proceedings. (29) USA: Society for Imaging Science and Technology, pp. 14-17. ISBN 9780892083060 Available from: http://eprints.uwe.ac.uk/20053

Huson, D. (2013) Three-dimensional printed ceramics for concept modelling and bespoke production. The Journal of Imaging Science and Technology (JIST), 57 (4). p. 40401. ISSN 1062-3701 Available from: http://eprints.uwe.ac.uk/21422

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Johnson, C. (2013) Performance photographs and the (un)clothed body: Yoko Ono's Cut Piece. Working Paper. University of the West of England, Bristol, UK. Available from: http://eprints.uwe.ac.uk/22036

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Laidler, P. (2013) Invited lecture by Paul Laidler. In: Edinburgh Printmakers Lecture Series, Edinburgh Printmakers , 31 October 2013. Edinburgh Printmakers: UNSPECIFIED Available from: http://eprints.uwe.ac.uk/20943

Laidler, P. (2013) The human printer featuring the Print is Dead series: A model for the collaborative studio in the twenty-first century and the changing role of the master printer. In: Morgan, L., ed. (2013) Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference. Australia: Monash University Publishing, pp. 303-309. ISBN 9781921867569 Available from: http://eprints.uwe.ac.uk/14109

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Moseley, P. (2013) Manipulation of inkjet negative/positive transparencies to manage the image reflectance density, tonal gradation and contrast of photogravure, platinum, carbon transfer and other photographic contact printing processes. In: Impact 8 International Printmaking Conference: A celebration of interdisciplinarity and exploration through the medium of print, Duncan of Jordanstone College of Art & Design, University of Dundee, 28 August - 1 September 2013. Available from: http://eprints.uwe.ac.uk/21108

Moseley, P. (2013) “The time of my life” – photogravure portraiture. In: Impact 8 International Printmaking Conference: A celebration of interdisciplinarity and exploration through the medium of print, Duncan of Jordanstone College of Art & Design, University of Dundee, 28 August - 1 September 2013. Dundee: UNSPECIFIED Available from: http://eprints.uwe.ac.uk/21109

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Parraman, C. (2013) Color in the age of digital reproduction. Art in Print, 3 (3). pp. 28-33. Available from: http://eprints.uwe.ac.uk/21461

Parraman, C. (2013) Methods for multi-layer color printing and decorative inks for ultra-violet fine art inkjet. Journal of Imaging Science and Technology (JIST), 57 (4). p. 40503. ISSN 1062-3701, Online ISSN: 1943-3522 Available from: http://eprints.uwe.ac.uk/21378

Parraman, C. (2013) The development of vector based 2.5D print methods for a painting machine. In: Eschbach, R., Marcu, G. G. and Rizzi, A., eds. (2013) SPIE Proceedings. (8652) USA: SPIE. Available from: http://eprints.uwe.ac.uk/18927

Partington, M. (2013) Espresso, exoticism and earthenware: the coffee bar ceramics of the Picassoettes, 1952 - 1960. In: Dahn, J. and Jones, J., eds. (2013) Interpreting Ceramics. Bath: Wunderkammer Press, pp. 90-99. ISBN 9780956646255 Available from: http://eprints.uwe.ac.uk/18297

Partington, M. (2013) Oral history and research ethics in the visual arts: Current and future challenges. In: Partington, M. and Sandino, L., eds. (2013) Oral History in the Visual Arts. London: Bloomsbury Publishing Plc, pp. 189-198. ISBN 9780857851987 Available from: http://eprints.uwe.ac.uk/18296

Presence, S. (2013) Book review: Migration Documentary Films in Post-war Australia, Liangwen Kuo (2010). WorkingUSA: The Journal of Labor and Society, 16 (4). pp. 553-555. ISSN 1089-7011 Available from: http://eprints.uwe.ac.uk/27814

Presence, S. (2013) Book review: The Cinema of Michael Winterbottom, Deborah Allison (2013). Film International, 11 (5). pp. 77-84. ISSN 1651-6826 Available from: http://eprints.uwe.ac.uk/27813

Presence, S. (2013) An investigation of affect in the cinema: Spectacle and the melodramatic rhetoric in Nil by Mouth. Frames Cinema Journal, 2. ISSN 2053-8812 Available from: http://eprints.uwe.ac.uk/27611

Presence, S. (2013) The political avant-garde: Oppositional documentary in Britain since 1990. PhD, University of the West of England. Available from: http://eprints.uwe.ac.uk/20924

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Salter, L. (2013) Journalism in the academy, a MacIntyean account of the institutions and practices of journalism education in England. Revista Cientifica de Informacion y Comumicacion, 9. pp. 75-102. ISSN 1696-2508 Available from: http://eprints.uwe.ac.uk/17401

Sobers, S. (2013) Enthusiastic facilitator, reluctant anthropologist. In: Conference for the International Visual Sociology Association, Goldsmiths, London, UK, 8-10 July 2013. Available from: http://eprints.uwe.ac.uk/21385

Sobers, S. (2013) Hidden Presence: British history and the need to acknowledge true stories with African descendent casts. In: Black History in Wiltshire Symposium, East Tytherton, 14th September 2013. Available from: http://eprints.uwe.ac.uk/21526

Sobers, S. (2013) Nothing Matters Everything Matters. [Video] Available from: http://eprints.uwe.ac.uk/21390

Sobers, S. (2013) Re:Interpretation: The representation of perspectives on slave trade history using creative media. In: Conservation and (Post) Colonialism Conference - Association for Studies in the Conservation of Historic Buildings (ASCHB), Museum of London, Docklands, 1st March 2013. Available from: http://eprints.uwe.ac.uk/21387

Sobers, S. (2013) The social vocabulary of Hidden Presence: British History and the need to talk through the silence and acknowledge true stories of African presence. In: Historicising & Re-connecting Communities: Black Presences and the Legacies of Slavery and Colonialism in Rural Britain, University of Nottingham, 15 October 2013. Available from: http://eprints.uwe.ac.uk/21893

Sobers, S., Adams, S. and Heddon, D. (2013) Walking interconnections: Researching the lived experience of disabled people for a sustainable society. In: Walking in the City: Mapping Borders Symposium, The Parlour Rooms, Bristol, 13th September 2013. Available from: http://eprints.uwe.ac.uk/21525

Sobers, S. and Mitchell, R. (2013) Re:Interpretation: the representation of perspectives on slave trade history using creative media. In: Dresser, M. and Hann, A., eds. (2013) Slavery and the British Country House. English Heritage, pp. 132-139. ISBN 9781848020641 Available from: http://eprints.uwe.ac.uk/21386

Sowden, T. (2013) Drawing with fire: The art of laser cutting paper. In: Morgan, L., ed. (2013) Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference. Australia: Monash University Publishing, pp. 443-448. ISBN 9781921867569 Available from: http://eprints.uwe.ac.uk/18848

Sowden, T. (2013) Fiftytwo Shopping Trolleys in Parking Lots. [Artefact] Available from: http://eprints.uwe.ac.uk/26318

Sowden, T. (2013) Follow-ed (after Hokusai). In: Morgan, L., ed. (2013) Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference. Australia: Monash University Publishing, pp. 449-459. ISBN 9781921867569 Available from: http://eprints.uwe.ac.uk/18850

Sowden, T. (2013) Fortynine coach seats travelling along the M4. [Artefact] Available from: http://eprints.uwe.ac.uk/21801

Sowden, T. (2013) Some of the Buildings on the Sunset Strip. [Artefact] Available from: http://eprints.uwe.ac.uk/26323

Sowden, T. (2013) Various small books: Referencing various small books by Ed Ruscha. In: Brouws, J., Burton, W. and Zschiegner, H., eds. (2013) VARIOUS SMALL BOOKS: Referencing Various Small Books by Ed Ruscha. USA: MIT Press, pp. 86-87. ISBN 9780262018777 Available from: http://eprints.uwe.ac.uk/18486

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Thomson, S. and Bristol City Council, Knowle West Media Centre, University of the West of England, Bristol (2013) Entry level employment in Bristol's creative industries sector (ELEBCIS). Technical Report. Knowle West Media Centre, Bristol. Available from: http://eprints.uwe.ac.uk/22809

Tincknell, E. (2013) Dowagers, debs, nuns and babies: The politics of nostalgia and the older woman in the Sunday night television serial. Journal of British Cinema and Television, 10 (4). pp. 769-784. ISSN 1743-4521 Available from: http://eprints.uwe.ac.uk/17124

Tincknell, E. (2013) Viewing Jane Campion: Angels, Demons and Unsettling Voices. London: Palgrave Macmillan. ISBN 978-0230228993 Available from: http://eprints.uwe.ac.uk/17120

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Vaughan, K. (2013) Can contemporary materials and modern day techniques be used to create 3D-printed ceramics inspired by ancient Egyptian faience? In: Impact 8 International Printmaking Conference: A celebration of interdisciplinarity and exploration through the medium of print, Duncan of Jordanstone College of Art & Design, University of Dundee, 28th August - 1st September, 2013. Dundee: UNSPECIFIED Available from: http://eprints.uwe.ac.uk/21107

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Walters, P., Lewis, A., Stinchcombe, A., Stephenson, R. and Ieropoulos, I. (2013) Artificial heartbeat: Design and fabrication of a biologically inspired pump. Bioinspiration and Biomimetics, 8 (4). pp. 1-14. ISSN 1748-3182 Available from: http://eprints.uwe.ac.uk/22057

Winfield, J., Greenman, J., Huson, D. and Ieropoulos, I. (2013) Comparing terracotta and earthenware for multiple functionalities in microbial fuel cells. Bioprocess and Biosystems Engineering, 36 (12). pp. 1913-1921. ISSN 1615-7591 Available from: http://eprints.uwe.ac.uk/20792