Items where School or Centre is "Faculty of Arts, Creative Industries and Education > School of Art and Design" and Year is 2014

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Number of items: 69.

A

Assaf, T., Conn, A., Rossiter, J., Walters, P. and Pearson, M. (2014) Artificial vibrissae DEA-based module. Proc. SPIE 9056 Electroactive Polymer Actuators and Devices (EAPAD) 2014, 9056. Available from: http://eprints.uwe.ac.uk/25269

B

Black, S. (2014) Illumination through illustration: Positioning illustration as practice-led research. PhD, University of the West of England. Available from: http://eprints.uwe.ac.uk/23970

Bodman, S. L. (2014) Artists as 21st century explorers of the book. In: Harrison, P. L., Shemilt, E. and Watson, A., eds. (2014) Borders and Crossings: The Artist as Explorer. Dundee: Duncan of Jordanstone College of Art and Design, University of Dundee, pp. 63-68. ISBN 1899837701 Available from: http://eprints.uwe.ac.uk/21111

Bodman, S. L. (2014) Leitores & Sonhadores’ Os Livros de artista de Mário Azavedo. Suplemento Literário de Minas Gerais. pp. 10-11. ISSN 0102-065X Available from: http://eprints.uwe.ac.uk/28461

Bodman, S. L. (2014) Paradise lost: The compassionate and haptic nature of Tim Mosely’s Kanage pholu wanda. Printmaking Today, 23 (4). pp. 16-17. Available from: http://eprints.uwe.ac.uk/26131

Bodman, S. L. (2014) Readers and dreamers: Artists’ books by Mário Azevedo. Printmaking Today, 23 (1). p. 17. Available from: http://eprints.uwe.ac.uk/26137

Bodman, S. L. (2014) Shuffle and cut: Editing and re-presenting material in artists’ books. In: (2014) Index. UK: Café Royal Books, pp. 5-7. ISBN 9780957585710 Available from: http://eprints.uwe.ac.uk/24015

Bodman, S. L. (2014) Story time: Kate Bufton’s book sculptures. Printmaking Today, 23 (3). p. 15. Available from: http://eprints.uwe.ac.uk/26135

Bodman, S. L. (2014) Talking prints. In: Artlab Contemporary Print, Preston, UK, 12th February 2014. Preston: Artlab Contemporary Print Available from: http://eprints.uwe.ac.uk/24016

Bodman, S. L. (2014) An interview with contributors to Index. Shutter Hub. Available from: http://eprints.uwe.ac.uk/26186

Bodman, S. L. (2014) A stitch in time: Artists’ books by Candace Hicks. Printmaking Today, 23 (2). p. 15. Available from: http://eprints.uwe.ac.uk/26132

Bodman, S. L., Butler, A., Butler, S., Campbell, N., Duignan, L., Grainger, H., Guenot, L., McGrorty, N. and Smith, S. (2014) Post Office. [Artefact] Available from: http://eprints.uwe.ac.uk/26260

Bodman, S. L., Pogarsky, M., Vlasov, V. and Lukin, V. (2014) RUKSSIAN artists' books. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/26216

C

Chamberlain, I. (2014) Short listed for the John Ruskin Art Prize - 2014. [Creative work: general category] Available from: http://eprints.uwe.ac.uk/31241

Chamberlain, I. (2014) Transmission. [Creative work: general category] Available from: http://eprints.uwe.ac.uk/31259

D

Dickinson, r. (2014) Closed circuit live performance at Newseum. [Creative work: general category] Available from: http://eprints.uwe.ac.uk/34479

F

Flaxton, T. (2014) Fuertaventura: An investigation of audience engagement with installation work via principles of ‘entrainment’ as opposed to a semantic reading of art. [Creative work: general category] Available from: http://eprints.uwe.ac.uk/27564

Flaxton, T. (2014) Kings Canyon: An investigation of region specific hot spots via interactive latency free moving images. [Creative work: general category] Available from: http://eprints.uwe.ac.uk/27571

Flaxton, T. (2014) New York winter sketches - Diptych. [Creative work: general category] Available from: http://eprints.uwe.ac.uk/27565

Flaxton, T. (2014) Presentation on Kings Canyon. [Creative work: general category] Available from: http://eprints.uwe.ac.uk/27574

Flaxton, T. (2014) RWA 2014 autumn open. [Creative work: general category] Available from: http://eprints.uwe.ac.uk/27566

Flaxton, T. (2014) Somerset hillside. [Creative work: general category] Available from: http://eprints.uwe.ac.uk/27562

Flaxton, T. (2014) Trees. [Creative work: general category] Available from: http://eprints.uwe.ac.uk/27561

Flaxton, T. (2014) Westhay. [Creative work: general category] Available from: http://eprints.uwe.ac.uk/27563

Flaxton, T. (2014) The intersection of dreams. [Creative work: general category] Available from: http://eprints.uwe.ac.uk/27560

Flaxton, T. and Sparke, S. (2014) CML/CMIR camera tests Feb 2014. [Creative work: general category] Available from: http://eprints.uwe.ac.uk/27576

Flaxton, T., Sparke, S. and Boyle, G. (2014) Higher dynamic range image generation laboratory Sept 2014. [Creative work: general category] Available from: http://eprints.uwe.ac.uk/27579

Franklin, A. (2014) Phenomenal dress! A personal phenomenology of clothing. Clothing Cultures, 1 (1). pp. 83-91. ISSN 2050-0742 Available from: http://eprints.uwe.ac.uk/22647

G

Giddings, S. (2014) Gameworlds: Virtual Media & Children's Everyday Play. New York: Bloomsbury. ISBN 9781623568023 Available from: http://eprints.uwe.ac.uk/21878

H

Hoskins, S. (2014) 3D printing for the visual arts an overview of current practice and its historical context. In: Harrison, P. L., Shemilt, E. and Watson, A., eds. (2014) Borders and Crossings: The Artist as Explorer. Dundee: Duncan of Jordanstone College of Art and Design, University of Dundee, p. 246. ISBN 1899837701 Available from: http://eprints.uwe.ac.uk/21113

Hoskins, S. (2014) Digital creation of hand engraved copper plates to secure a historic process. NIP & Digital Fabrication Conference, 2014 (30). pp. 390-394. ISSN 2169-4451 Available from: http://eprints.uwe.ac.uk/23448

Hoskins, S. (2014) Issues of tacit knowledge within 3D printing for artists, designers and makers. NIP & Digital Fabrication Conference, 2014 (30). pp. 426-431. ISSN 2169-4451 Available from: http://eprints.uwe.ac.uk/23449

Hoskins, S. (2014) A very English process: Underglaze tissue printing for ceramic artists, a collaborative project to reappraise 19th century printing skills. In: NCECA 2014, 48th Annual Conference, Milwaukee, Wisconsin, USA, March 19-22, 2014. Milwaukee: NCECA Available from: http://eprints.uwe.ac.uk/20907

Hoskins, S. and Huson, D. (2014) ‘A very English process’ Underglaze tissue printing for ceramics - a collaboration to retain 19th century printing skills in a commercial environment. In: Harrison, P. L., Shemilt, E. and Watson, A., eds. (2014) Borders and Crossings: The Artist as Explorer. Dundee: Duncan of Jordanstone College of Art and Design, University of Dundee, pp. 122-127. ISBN 1899837701 Available from: http://eprints.uwe.ac.uk/20908

Hoskins, S., Huson, D., Halfpenny, P., Baskeyfield, J., Hodes, C., Scott, P., Bunnell, K., Higginson, J. and Orr, C. and Stephen Hoskins, David Huson (2014) Beyond Blue. In: Beyond Blue Symposium, Victoria and Albert Museum, London, UK, 23 January 2014. Available from: http://eprints.uwe.ac.uk/22539

Hoskins, S. and McCallion, P. (2014) Continuous tone printing in silicone from CNC milled matrices. In: Segovia, M. V. O., Urban, P. and Allebach, J. P., eds. (2014) Proc. SPIE 9018, Measuring, Modeling, and Reproducing Material Appearance, 90180O. (9018) USA: Society for Imaging Science and Technology and SPIE. ISBN 9780819499356 Available from: http://eprints.uwe.ac.uk/22282

Huson, D. and Hoskins, S. (2014) 3D printed ceramics for tableware, artists/designers and specialist applications. In: Wohlbier, T., ed. (2014) Key Engineering Materials. (608) Traditional and Advanced Ceramics. Trans Tech Publications, pp. 351-357. ISBN 9783038350637 Available from: http://eprints.uwe.ac.uk/21554

Huson, D. and Hoskins, S. (2014) 3D printing of self-glazing ceramics: An investigation into Egyptian faience. In: Harrison, P. L., Shemilt, E. and Watson, A., eds. (2014) Borders and Crossings: The Artist as Explorer. Dundee: Duncan of Jordanstone College of Art and Design, University of Dundee, pp. 134-137. ISBN 1899837701 Available from: http://eprints.uwe.ac.uk/21112

Huson, D. and Hoskins, S. (2014) Underglaze tissue printing for ceramic artists, a collaborative project to re-appraise 19th century printing skills. In: N/A, N. A., ed. (2014) Key Engineering Materials. (608) Traditional and Advanced Ceramics. Scientific.net, pp. 335-340. ISBN 978-3-03835-063-7 Available from: http://eprints.uwe.ac.uk/20922

Huson, D. and Vaughan, K. (2014) Further developments in the 3D printing of self-glazing single fire ceramic materials. NIP & Digital Fabrication Conference, 2014 (30). pp. 124-128. ISSN 2169-4451 Available from: http://eprints.uwe.ac.uk/23447

Hyder, R. (2014) Black music and cultural exchange in Bristol. In: Stratton, J. and Zuberi, N., eds. (2014) Black Popular Music in Britain Since 1945. Aldershot: Ashgate, pp. 85-100. ISBN 9781409469131 Available from: http://eprints.uwe.ac.uk/24655

L

Laidler, P. (2014) When artists become inkjet innovators. Image Reports Magazine. Available from: http://eprints.uwe.ac.uk/23439

Laidler, P., Mandrile, C. and Super, A. (2014) (Non) Graphic images of violence. G&E Print and Art Edition Magazine, 42. pp. 32-39. Available from: http://eprints.uwe.ac.uk/22621

Laidler, P. and Super, A. (2014) Fairing well: The university publisher and its emerging artists. Printeresting. Available from: http://eprints.uwe.ac.uk/26145

Laidler, P. and Super, A. (2014) Fairing well redux: Pu(bli)shing for profit. Printeresting. Available from: http://eprints.uwe.ac.uk/26143

M

Mc Callion, P. (2014) An exploration of low relief structure printing through the development of a novel full colour continuous tone plastographic printing method. In: Fifth International Conference on the Image, Freie Universität Berlin, Germany, 29-30 October 2014. Illinois, USA: Common Ground Publishing Available from: http://eprints.uwe.ac.uk/24176

McCallion, P. (2014) The development of methods for the reproduction of texture in digitally printed artworks. In: Harrison, P. L., Shemilt, E. and Watson, A., eds. (2014) Borders and Crossings: The Artist as Explorer. Dundee: Duncan of Jordanstone College of Art and Design, University of Dundee. ISBN 1899837701 Available from: http://eprints.uwe.ac.uk/25448

O

Olen, M., Parraman, C. and Laidler, P. (2014) Deconstructing digital printing technologies: Towards reinstating artistic ingenuity in the production of digital colour prints. In: Fifth International Conference on the Image, Freie Universität Berlin, Germany, 29-30 October 2014. Illinois, USA: Common Ground Publishing Available from: http://eprints.uwe.ac.uk/24175

Olen, M., Slavuj, R., Coppel, L. G. and Hardeberg, J. Y. (2014) Estimating Neugebauer primaries for multi-channel spectral printing modeling. In: Segovia, M. V. O., Urban, P. and Allebach, J. P., eds. (2014) Measuring, Modeling, and Reproducing Material Appearance. (9018) USA: IS&T SPIE. ISBN 9780819499356 Available from: http://eprints.uwe.ac.uk/22385

P

Parraman, C. (2014) Blueprints for colour mixing: Towards 2.5D textural printing. In: Harrison, P. L., Shemilt, E. and Watson, A., eds. (2014) Borders and Crossings: The Artist as Explorer. Dundee: Duncan of Jordanstone College of Art and Design, University of Dundee, pp. 180-185. ISBN 1899837701 Available from: http://eprints.uwe.ac.uk/21114

Parraman, C. (2014) Durer’s Rhinoceros: Artists’ approaches to reproducing texture in art. In: 50th Annual Convention of the Artificial Intelligence and Simulation of Behaviour (AISB), University of Goldsmiths, London, UK, 1-4 April 2014. UK: University of Goldsmiths Available from: http://eprints.uwe.ac.uk/24011

Parraman, C. (2014) Spiral Graph. [Artefact] Available from: http://eprints.uwe.ac.uk/23987

Parraman, C. (2014) The art and science of colour perception and reproduction. In: Wilson, B., Hawkins, B. and Sim, S., eds. (2014) Art, Science and Cultural Understanding. Illinois, USA: Common Ground Publishing LLC, pp. 100-117. ISBN 9781612294865 Available from: http://eprints.uwe.ac.uk/18282

Parraman, C. (2014) The material image: Artists’ approaches to reproducing texture in art. In: Fifth International Conference on the Image, Freie Universität Berlin, Germany, 29-30 October 2014. University of Illinois: Common Ground Publishing Available from: http://eprints.uwe.ac.uk/24174

Parraman, C. (2014) The visual appearance and surface texture of materials according to the old masters. In: Segovia, M. V. O., Urban, P. and Allebach, J. P., eds. (2014) Measuring, Modeling, and Reproducing Material Appearance. (9018) USA: Society for Imaging Science and Technology and SPIE. ISBN 9780819499356 Available from: http://eprints.uwe.ac.uk/22279

Parraman, C., McCann, J. and Rizzi, A. (2014) Reflectance, illumination, and appearance in color constancy. Frontiers in Psychology, 5 (5). ISSN 1664-1078 Available from: http://eprints.uwe.ac.uk/24237

Parraman, C., Olen, M. and Padfield, J. (2014) Reproducing the old masters: Applying colour mixing and painting methodologies to inkjet printing. In: Eschbach, R., Marcu, G. and Rizzi, A., eds. (2014) Color Imaging XIX: Displaying, Processing, Hardcopy, and Applications. (9015) USA: The Society for Imaging Science and Technology and SPIE. ISBN 9780819499325 Available from: http://eprints.uwe.ac.uk/22280

Parraman, C. and Tisato, F. (2014) An investigation into the micro surface of artworks using alternative lighting techniques. In: Segovia, M. V. O., Urban, P. and Allebach, J. P., eds. (2014) Measuring, Modeling, and Reproducing Material Appearance. (9018) USA: Society for Imaging Science and Technology and SPIE. ISBN 9780819499356 Available from: http://eprints.uwe.ac.uk/22281

Presence, S. (2014) Can indie docs change the world? In: Goldsmiths Media Forum, London, UK, 23 October 2014. Available from: http://eprints.uwe.ac.uk/27873

Presence, S. (2014) Maintaining a Critical Eye: The political avant-garde on Channel 4 in the 1990s. In: Mee, L. and Walker, J., eds. (2014) Cinema, Television and History: New Approaches. Newcastle Upon Tyne: Cambridge Scholars Publishing, pp. 85-101. ISBN 9781443853798 Available from: http://eprints.uwe.ac.uk/27799

R

Rintoul, J. (2014) Theory and (in) practice: The problem of integration in art and design education. International Journal of Art and Design Education, 33 (3). pp. 345-354. ISSN 1476-8062 Available from: http://eprints.uwe.ac.uk/28879

Rossiter, J., Takashima, K., Scarpa, F., Walters, P. and Mukai, T. (2014) Shape memory polymer hexachiral auxetic structures with tunable stiffness. Smart Materials and Structures, 23 (4). ISSN 0964-1726 Available from: http://eprints.uwe.ac.uk/25270

S

Sobers, S., Porter, S., Parfitt, A. and Wheeler, A. (2014) Walking interconnections: Walking in someone else's shoes. In: Thinking Futures, MShed, Bristol, UK, 1-11 November 2014. Bristol, MShed: Bristol University Available from: http://eprints.uwe.ac.uk/24480

Sowden, T. (2014) Click, swipe, download, share. In: Beyond the Book, Devon Guild of Craftsmen, Exeter University, Exter, UK, 15 May 2014. Available from: http://eprints.uwe.ac.uk/26309

Sowden, T. (2014) Click, swipe, download, share: Digital artists’ publishing. So Multiples, 6. Available from: http://eprints.uwe.ac.uk/21426

Sowden, T. (2014) How to be a book artist. Artquest. Available from: http://eprints.uwe.ac.uk/22409

Sowden, T. and Bodman, S. L. (2014) PAGE.PRINT.POST: 50 years of Artists Books. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/26312

T

Taylor, A. and Fitzgerald, T. (2014) 1,000 Dresses: The fashion design resource. In: Bath in Fashion 2014, Theatre Royal, Bath, UK, 9 May 2014. Available from: http://eprints.uwe.ac.uk/23210

W

Walters, P. (2014) Smart materials and novel actuators: Creative applications in art and design. In: Technarte International Conference on Art and Technology, Bilbao, Spain, 29-30 May 2014. Available from: http://eprints.uwe.ac.uk/26807

This list was generated on Sat Jan 20 02:13:25 2018 GMT.