Items where School or Centre is "~Pre-2010 Faculty Structure > Faculty of Creative Arts > School of Creative Arts > Department of Culture, Media and Drama" and Year is UNSPECIFIED

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Number of items: 113.


Abba, T. (2008) As we might watch: what might arise from reconsidering the concept of interactive film? Journal of Media Practice, 9 (1). pp. 19-27. ISSN 1468-2753

Abba, T. and Grain, H. (2008) MeiGeist. Internet site:

Arthurs, J. (2008) Cultural studies: feminism and popular culture. In: Donsbach, W., ed. (2008) The International Encyclopedia of Communication. Wiley-Blackwell. ISBN 978-1-4051-3199-5

Arthurs, J. (2008) Environment, media and new gender politics. Feminist Media Studies, 8 (3). pp. 317-330. ISSN 1468-0777

Arthurs, J. (2008) Lilya 4 Ever and the trafficking of women. In: Lilya 4 Ever and the Trafficking of Women, Cube Cinema, Bristol, 2008.

Arthurs, J. (2008) Methodological fatigue and the politics of the affective turn. Feminist Media Studies, 8 (1). pp. 85-100. ISSN 1468-0777

Arthurs, J. (2008) Self-regulation and media literacy: citizen-consumers in the digital age. In: European Communication Research and Education Association Bi-annual Conference, Barcelona, November 2008.

Arthurs, J. (2008) Sex and pornography as media content. In: Donsbach, W., ed. (2008) The International Encyclopedia of Communication. Wiley-Blackwell. ISBN 978-1-4051-3199-5

Arthurs, J. (2008) The ethics and aesthetics of trafficking films: MTVs Exit Campaign. In: Migration, Trafficking and Human Rights Conference, Watershed, Bristol, November 2008.

Arthurs, J. (2008) The future of media entertainment. In: Future Imperfect GWR Research Symposium, Great Western Research Conference, Hewlett Packard, 18 November 2008.

Arthurs, J. (2008) The new architectures of intimacy? Social networking sites and genders. Feminist Media Studies, 8 (2). pp. 197-224. ISSN 1468-0777


Barker, M., Arthurs, J. and Harindranath, R. (2008) The Crash controversy: reviewing the press. In: Mathijs, E. and Mendik, X., eds. (2008) The Cult Film Reader. Maidenhead and New York: Open University Press. ISBN 9780335219230

Bould, M. (2008) 19th-Century sf and the discourses of science: Martin Willis, Mesmerists, monsters and machines: Science fiction and the cultures of science in the Nineteenth Century. Extrapolation, 49 (3). pp. 486-489. ISSN 0014-5483

Bould, M. (2008) Arthur C. Clarke's Vision of Benevolent Empire. Socialist Worker, 2094. p. 11.

Bould, M. (2008) Atrocity exhibition. Science Fiction Film and Television, 1 (2). pp. 359-360. ISSN 1754-3770

Bould, M. (2008) BBC4’s Worlds of Fantasy, ‘Through the looking glass’ episode. BBC4.

Bould, M. (2008) Eraserheads. In: BFI Southbank Public Panel Discussion, BFI Southbank, London, 16 September 2008.

Bould, M. (2008) Film neige: Noir + snow. Electric Sheep, 8. pp. 18-20.

Bould, M. (2008) Journal editors' panel. In: Film & History Biennial: Film and Science Fictions, Documentaries and Beyond Conference, Univeristy of Chicago, USA, 30 October-2 November 2008.

Bould, M. (2008) Monsters and modernity. In: Silicon Knights Games Developers, St. Catherines, Ontario, 1 August 2008.

Bould, M. (2008) Nothing much to phone home about (with exceptions): four books on Spielberg. Science Fiction Film and Television, 1 (2). pp. 303-325. ISSN 1754-3770 (print), 1754-3789 (online)

Bould, M. (2008) Peristalsis, proliferation and ejaculation: Reflections on narrative and spectacle in digital sf cinema. In: Science Fiction Research Association 2008 Conference, University of Kansas, 10-13 July 2008.

Bould, M. (2008) Proliferation, peristalsis and ejaculation: Reflections on narrative and spectacle in digital SF cinema. In: Narratives in Transition: Literary and Cultural Change since 1989 Conference , Institute of English Studies, University of London, 25-26 April 2008.

Bould, M. (2008) Race/War: Patrick B. Sharp, Savage perils: Racial frontiers and nuclear apocalypse in American culture. Science Fiction Studies #104, 35 (1). pp. 151-154. ISSN 0091-7729

Bould, M. (2008) Reading science fiction. In: Science Fiction Research Association 2008 Conference, University of Kansas, USA, 10-13 July 2008.

Bould, M. (2008) SF histories. In: State of the Art: Science Fiction Histories Conference, Curtin University of Technology, Perth, Australia, 23 March 2008.

Bould, M. (2008) Science fiction television in the United Kingdom. In: Telotte, J. P., ed. (2008) The Essential Science Fiction Television Reader. The University Press of Kentucky, pp. 209-230. ISBN 978-0813124926

Bould, M. (2008) Screening Mars: Desire and denial in Aelita (Protazonov USSR 1924) and Just Imagine (Butler US 1930). In: Chronicling Mars: The 2008 J. Lloyd Eaton Conference , University of California at Riverside, 16-18 May 2008.

Bould, M. (2008) Staging the limits to knowledge: Cognition, estrangment and spectacle in 2001: A Space Odyssey. In: Film & History Biennial: Film and Science: Fictions, Documentaries, and Beyond Conference, University of Chicago, 30 October-2 November 2008.

Bould, M. (2008) Transformers. Science Fiction Film and Television, 1 (1). pp. 163-167. ISSN 1754-3770

Bould, M. (2008) Writing/Genre/History: Everyone else is wrong (and so am I). In: State of the Art: Science Fiction Histories Conference, Curtin University of Technology, Perth, 22-23 March 2008.

Bould, M. (2008) The bald and the beautiful: The performativity of Billy Zane. In: Cine-Excess II: The 2nd International Conference on Global Cult Film Traditions, Institute of Contemporary Arts, London, 1-3 May 2008.

Bould, M. (2008) The very modern world of Fritz Lang. In: The Very Modern World of Fritz Lang, Institute of Advanced Studies, The University of Western Australia, 18 March 2008.

Bould, M. and Vint, S. (2008) Fantastically fucked-up masculinity: Anorexic subjectivity in Fight Club and The Machinist. In: Postgraduate Research Seminar Series, Bristol Business School, 18 January 2008.

Bould, M. and Vint, S. (2008) There is no such thing as science fiction. In: Gunn, J., Barr, M. S. and Candelaria, M., eds. (2008) Reading Science Fiction. Palgrave Macmillan, pp. 43-51. ISBN 978-0230527188

Bould, M. and Vint, S. (2008) Tortured torsos: Anorexic subjectivity in Fight Club and The Machinist. In: Postgraduate Masterclass, Institute of Advanced Studies, University of Western Australia, 19 March 2008.

Bould, M. and Vint, S. (2008) The thin men: Anorexic subjectivity in Fight Club and The Machinist. In: The Fith Annual Historical Materialism Conference, University College, London, 7-9 November 2008.

Brooks, K. (2008) Could do better? Students' critique of written feedback. Networks, 5.

Brooks, K. (2008) Living and learning: students' talk and advice in university culture. In: Higher Education Academy Subject Centre for Social Policy and So, , ed. (2008) University life uncovered: Making sense of the student experience. SWAP, pp. 34-43. ISBN 9780854328901


Crogan, P. (2008) Real lives 2004: The devil you know. Junctures: The Journal for Thematic Dialogue, 11 (Contro). pp. 69-75. ISSN 1176-5119

Crogan, P. (2008) Wargaming and computer games: Fun with the future. In: Swalwell, M. and Wilson, J., eds. (2008) The Pleasures of Computer Gaming: Essays on Cultural History, Theory and Aesthetics. North Carolina: McFarland and Company, pp. 147-166. ISBN 978-0786435951

Crogan, P. and Weber, S. (2008) Targeting, television and networking: An interview with Samuel Weber. Convergence: The International Journal of Research into New Media Technologies, 14 (4). pp. 375-385. ISSN 1354-8568

Crogan, P., Wyeld, T. and Leavy, B. (2008) A conversation on the efficacies of the game engine to address notions of sacred space: The digital songlines project and transgressions of sacredness. In: Wyeld, T. G., Kenderdine, S. and Docherty, M., eds. (2008) Virtual Systems and Multimedia: 13th International Conference, VSMM 2007, Brisbane Australia, September 23-26 2007, Revised Selected Papers. (Inform) Berlin: Springer, pp. 24-34. ISBN 978-3-540-78565-1


D'Monté, R. (2008) Changing form: Stage, film and TV adaptations of Daphne du Maurier's Rebecca. In: The Novel and its Borders Conference, University of Aberdeen, 2008.

D'Monté, R. (2008) Pre-1950 drama. The Year's Work in English Studies, 87. pp. 917-922.

Dickinson, R. (2008) [No] Fear / [Keine ]Angst). [Show/Exhibition]

Dickinson, R. (2008) The institute of psychoplasmics. [Show/Exhibition]

Dickman, G. (2008) The hologram, and the crisis of direction which holograms cause in traditional notions of subjectivity. In: OFFoff Art Cinema, Ghent, Belgium, 11 December 2008.

Dolan, J. (2008) "It's not going to be like this is it?": Celebrating age festival 2008. In: Crossing Cultures: Woman, Aging and Media AHRC International Conference, University of Gloucestershire, Cheltenham, UK, 5 December 2008.

Dolan, J. (2008) Visibility/ invisibility. In: Women, Ageing and Media AHRC Research Network, St Matthias Campus, UWE, Bristol, 10 September 2008.

Dolan, J., Jenning, R., Garde Hansen, J., Gorton, K. and Wilson, S. (2008) Women, ageing and media workshops. In: Women, Ageing and Media - AHRC funded Research Networks and Workshops.

Dolan, J. and Spicer, A. (2008) The Outsider: Anthony Simmons. Journal of British Cinema and Television. ISSN 1743-4521

Dovey, J. (2008) Dinosaurs and butterflies - media practice research in new media ecologies. Journal of Media Practice, 9 (3). pp. 243-256. ISSN 1468-2753


Fraser, S. (2008) "For no other offence but proximity": Stuff happens to the Queen. In: Barker, D., ed. (2008) Giving and taking offence / Ofender e ser ofendido. Portugal: University of Aveiro, pp. 35-46. ISBN 978-972789-263-1

Fraser, S. (2008) Henry V and the performance of war. In: King, R. and Franssen, P. J., eds. (2008) Shakespeare and war. Palgrave Macmillan, pp. 71-83. ISBN 978-0230-20508-6


Giddings, S. (2008) DVD review: Rene Laloux's Fantastic Planet. Journal of Science Fiction Film and Television, 1 (1). pp. 176-179. ISSN 1754-3770

Giddings, S. and Kennedy, H. W. (2008) Little jesuses and fuck-off robots: on aesthetics, cybernetics, and not being very good at Lego Star Wars. In: Swalwell, M. and Wilson, J., eds. (2008) The Pleasures of Computer Gaming: Essays on Cultural History, Theory and Aesthetics. Jefferson: NC: McFarland, pp. 13-32. ISBN 978-0786435951

Glascock, J., Livesay, C. and Ruggiero, T. (2008) Religious involvement, audience demographics, and media bias. Journal of Media and Religion, 7 (4). pp. 256-270. ISSN 1534-8423

Gross, B. (2008) Book review: Hafez, K. The myth of media globalization. Journalism Studies, 9 (1). pp. 145-146. ISSN 1461-670X

Gross, B. (2008) When the other speaks: Migrant voices on British television news. In: Power: Forms, Dynamics, Consequences, University of Tempere, Finland, September 2008.

Gross, B., Threadgold, T. and Moore, K. (2008) The Home Office in chaos: Refugee and asylum discourse in British broadcast news. In: MeCCSA Annual Conference, Cardiff University, Wales, January 2008.


Henning, M. (2008) Living signs: Theory and materiality in the work of Otto Neurath. In: Engaging Objects, Amsterdam, 26-28 March 2008.

Henning, M. (2008) Picture language and other things: The materiality of Isotype. In: Network of Design, Conference of the design history society, University College Falmouth, 2 - 6 September 2008.

Henning, M. (2008) Picture language as visual writing: Otto Neurath's Isotype. In: Sublimely Visual: The Art of Text, University of Bristol, England, 5 - 7 September 2008.

Henning, M. (2008) A picture of virtue: Review of Lorraine Daston and Peter Galison, Objectivity. New Formations, 64 (Winter). ISSN 0950-2387

Henning, M. (2008) The things signs do: Cultural history through the work of the Isotype Institute. In: Orientations: The International Society for cultural history conference, Ghent, 27 - 31 August 2008.

Henning, M. and Warren, J. (2008) Rethinking archives: History, media, memory. In: Rethinking archives: History, media, memory, Arnolfini, Bristol, UK, June 2008.


Karantonis, P. (2008) 'Leave no trace': The art of wasted space - the People's Republic of Stokes Croft. Performance Paradigm (# 4) Emergences: 21st Century Performance emergent forms and themes in performance and culture in the first decade of C21, 4. ISSN 1832-5580

Karantonis, P. (2008) Opera Indigene: Critical perspectives on re/presenting first nations and indigenous cultures. In: Opera Indigene: Critical Perspectives on Re/presenting First Nations and Indigenous Cultures, King's College London and the Anglo-American Education Centre, Bloomsbury, 27 - 28 September 2008.

Karantonis, P. (2008) Staged photography and the performance of autofacture: Cross-genre impersonation in Cindy Sherman's self-portraits. The International Journal of the Arts in Society, 3 (2). pp. 37-44.

Kennedy, H. W. (2008) Ludaesthetic pleasures and new technology. In: Ludaesthetic Pleasures and New Technicities, Vancouver, Canada, 2008.

Kydd, E. (2008) The look and feel of humanity. In: Society for Cinema and Media Studies, Philadelphia, PA, USA, March 2008.

Kydd, E., Gomez, G. and Jeffreys, J. E. (2008) Lick Bush in '92 (selections). [Show/Exhibition]


Lawrence, M. (2008) Carefully posed thighs: Shame, nudity and film censorship - John Huston's The Bible: In the Beginning (1966). In: Invited talk, Huston School of Film and Media, University of Galway, 28 November 2008.

Lawrence, M. (2008) Children, performance and realism: Italy to India. In: Re-envisioning the Child in Italian Film, University of Exeter, 15 July 2008.

Lawrence, M. (2008) Queer childhoods and home video: Put the Camera on Me (Stein and Shell, 2004). In: Are the Kids Alright? A Symposium on the Queer Child, Kings College, London, 14 June 2008.

Lawrence, M. (2008) Representing creation in Huston's The Bible: In the Beginning (1966). In: SCMS Conference, Philadelphia, USA, 9 March 2008.

Lawrence, M. (2008) Shaking an elephant: Sound, space and suspense in The Unholy Three. In: Herzogenrath, B., ed. (2008) The Cinema of Tod Browning: Essays of the Macabre and Grotesque. McFarland and co., pp. 70-83. ISBN 978-0786434473

Lawrence, M. (2008) Shaking an elephant: Sound, spectatorship and suspense, 1925-1930. In: Screen Conference, Glasgow, Scotland, 6 July 2008.

Lawrence, M. (2008) The death of the animal in European cinema: Metaphor and analogy. In: Research in Progress Seminar, University of Sussex, 5 November 2008.


Mattacks, K. (2008) Beyond these voices: M. E. Braddon and the ghost of sensationalism. Women's Writing, 15 (3). pp. 320-332. ISSN 0969-9082


Nevitt, L. (2008) Review of Theatre as witness: Three testimonial plays from South Africa, by Yael Farber. RiDE: The Journal of Applied Theatre and Performance, 13 (3). pp. 377-379. ISSN 1356-9783

Nevitt, L. (2008) Review of reminiscience theatre: Making theatre from memories, by Pam Schweitzer. RiDE: The Journal of Applied Theatre and Performance, 13 (1). pp. 100-102. ISSN 1356-9783

Nevitt, L. (2008) Simulation and pleasure in participatory reenactment performance. In: Annual Conference of the Theatre and Performance Research Association (TaPRA), University of Leeds, UK, September 2008.

Nevitt, L. (2008) The history of this community: Documentary theatre with "deliberately local motives". In: University of Glamorgan External Speakers Programme, University of Glamorgan, Wales, December 2008. University of Glamorgan, Wales: UNSPECIFIED


Oldham, A. (2008) Documentary in the contemporary mediascape. In: Negotiating the Mediascape, University of Kent, Canterbury, June 2008.

Oldham, A. (2008) Teaching documentary to the digital generation. In: MECCSA Conference, University of Cardiff, Wales, Ferbruary 2008.


Reid, J. (2008) Ivanov: The perils of typicality. Bulletin of the North American Chekhov Society, XVI (1). pp. 19-44.

Reid, J. (2008) Woyzeck. [Show/Exhibition]

Ruggiero, T. (2008) When we finish our job, we will cut off our beards: New York Times coverage of Fidel Castro's 1959 U.S. visit. The Journal of Latino-Latin American Studies, 3 (1). pp. 76-93. ISSN 1549-9502

Ruggiero, T. and Lattin, K. S. (2008) Intercollegiate female coaches' use of verbally aggressive communication toward African American women athletes. The Howard Journal of Communications, 19 (2). pp. 105-124. ISSN 1064-6175


Salter, L. (2008) Change and continuity in the “information age”. Global Media and Communication, 4 (1). pp. 83-94. ISSN 1742-7665

Salter, L. (2008) Class, nationalism and the BBC's reporting of Hugo Chavez and the Bolivarian revolution. In: The Propaganda Model 20 Years on the Margins, University of Northumbria, December 2008.

Salter, L. (2008) The goods of community? The potential of journalism as a social practice. Philosophy of Management, 7 (1). pp. 33-44.

Thomson, S., ed. (2008) Blueboard: Story of a creative media residency project: 4 companies / 11 schools. Community Media South West (CMSW). ISBN 978-0955501814

Sobers, S. (2008) Positioning education within community media. In: OurMedia Conference 7, Accra, Ghana, 15 August 2008.

Sobers , S. (2008) Consequences and coincidences: A case study of experimental play in media literacy. Journal of Media Practice, 9 (1). pp. 53-66. ISSN 1468-2753

Sonwalkar, P. (2008) Communication technologies and terrorism. In: Donsbach, W., ed. (2008) The International Encyclopaedia of Communication. Wiley-Blackwell, pp. 5117-5121. ISBN 978-1-4051-3199-5

Soyinka, B. (2008) Body echoes. [Show/Exhibition]

Soyinka, B. (2008) Digital film as the future of academic publishing. In: MeCCSA International Conference, Cardiff School of Journalism, Media and Cultural Studies, 9 - 11 January 2008.

Soyinka, B. (2008) Extraordinary lives. [Video]

Soyinka, B., Dicks, B. and Hurdley, R. (2008) The clicking project: Interactive science discovery: Communicating science? [Video]

Soyinka, B., Hurdley, R. and Hacking, N. (2008) Interactive science discovery: Communicating science? [Video]

Spicer, A. (2008) The precariousness of production: Michael Klinger and the role of the film producer in the British film industry during the 1970's. In: British Culture and Society in the 1970's, University of Portsmouth, UK, July 2008.

Swanson, G. (2008) Disciplinary innovation and 'cultural experience'. In: Orientations: The Inaugural Conference of the International Society for Cultural History, Ghent University, August 2008.


Tuck, G. (2008) Laughter in the dark: Capitalism, comedy, violence and neo-noir. In: 5th Annual Historical Materialism Conference, SOAS, London, November 2008.

Tuck, G. (2008) When more is less: CGI, spectacle and the capitalist sublime. Science Fiction Film and Television, 1 (2). pp. 249-273. ISSN 1754-3770

Tuck, G. (2008) A kiss in the tunnel: Dialectics, phenomenology and sexual representation. In: Philosophy and Film/Film and Philosophy, Arnolfini Arts Centre, Bristol and UWE, Bristol, July 2008.

Tuck, G. and Carel, H. (2008) Philosophy and film/film and philosophy: A multidisciplinary conference. In: Philosophy and Film/ Film and Philosophy: A Multidisciplinary Conference, Arnolfini, Bristol and Bush House, London, 4-6 July 2008.


Ure, M., Bick, A., Simpson, D. J., Arrowsmith, S., Harding, A. and Austen, D. (2008) British painting. [Show/Exhibition]


Wilson, S. (2008) Here's Trisha!: commercialism, sensationalism and Public Service Broadcasting. In: Anglia TV and the History of ITV: Programming, Regionalism and the Television Economy Conference, University of East Anglia, UK, November 2008.

Wyllie, A. (2008) Lost boys in the plays of Philip Ridley. Other. University of Reading Research Seminar Series.


Zacharias, U. and Arthurs, J. (2008) Introduction: race versus gender? The framing of the Barack Obama - Hilary Clinton battle. Feminist Media Studies, 8 (4). pp. 425-434. ISSN 1468-0777

This list was generated on Mon Aug 12 02:10:09 2013 BST.