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Items where School or Centre is "~Pre-2010 Faculty Structure > Faculty of Creative Arts > School of Creative Arts > Department of Culture, Media and Drama" and Year is UNSPECIFIED
Number of items: 114. AAbba, T. (2008) As we might watch: what might arise from reconsidering the concept of interactive film? Journal of Media Practice, 9 (1). pp. 19-27. ISSN 1468-2753 Abba, T. and Grain, H. (2008) MeiGeist. Internet site: http://www.dshed.net/meigeist. Arthurs, J. (2008) Cultural studies: feminism and popular culture. In: Donsbach, W. , ed. (2008) The International Encyclopedia of Communication. Wiley-Blackwell. ISBN 978-1-4051-3199-5 Arthurs, J. (2008) Environment, media and new gender politics. Feminist Media Studies, 8 (3). pp. 317-330. ISSN 1468-0777 Arthurs, J. (2008) Lilya 4 Ever and the trafficking of women. In: Lilya 4 Ever and the Trafficking of Women, Cube Cinema, Bristol, 2008. [Unpublished] Arthurs, J. (2008) Methodological fatigue and the politics of the affective turn. Feminist Media Studies, 8 (1). pp. 85-100. ISSN 1468-0777 Arthurs, J. (2008) Self-regulation and media literacy: citizen-consumers in the digital age. In: European Communication Research and Education Association Bi-annual Conference, Barcelona, November 2008. [Unpublished] Arthurs, J. (2008) Sex and pornography as media content. In: Donsbach, W. , ed. (2008) The International Encyclopedia of Communication. Wiley-Blackwell. ISBN 978-1-4051-3199-5 Arthurs, J. (2008) The ethics and aesthetics of trafficking films: MTVs Exit Campaign. In: Migration, Trafficking and Human Rights Conference, Watershed, Bristol, November 2008. [Unpublished] Arthurs, J. (2008) The future of media entertainment. In: Future Imperfect GWR Research Symposium, Great Western Research Conference, Hewlett Packard, 18 November 2008. [Unpublished] Arthurs, J. (2008) The new architectures of intimacy? Social networking sites and genders. Feminist Media Studies, 8 (2). pp. 197-224. ISSN 1468-0777 BBarker, M. , Arthurs, J. and Harindranath, R. (2008) The Crash controversy: reviewing the press. In: Mathijs, E. and Mendik, X. , eds. (2008) The Cult Film Reader. Maidenhead and New York: Open University Press. ISBN 9780335219230 Bould, M. (2008) 19th-Century sf and the discourses of science: Martin Willis, Mesmerists, monsters and machines: Science fiction and the cultures of science in the Nineteenth Century. Extrapolation, 49 (3). pp. 486-489. ISSN 0014-5483 Bould, M. (2008) Arthur C. Clarke's Vision of Benevolent Empire. Socialist Worker, 2094. p. 11. Bould, M. (2008) Atrocity exhibition. Science Fiction Film and Television, 1 (2). pp. 359-360. ISSN 1754-3770 Bould, M. (2008) BBC4’s Worlds of Fantasy, ‘Through the looking glass’ episode. BBC4. Bould, M. (2008) Eraserheads. In: BFI Southbank Public Panel Discussion, BFI Southbank, London, 16 September 2008. [Unpublished] Bould, M. (2008) Film neige: Noir + snow. Electric Sheep, 8. pp. 18-20. Bould, M. (2008) Journal editors' panel. In: Film & History Biennial: Film and Science Fictions, Documentaries and Beyond Conference, Univeristy of Chicago, USA, 30 October-2 November 2008. [Unpublished] Bould, M. (2008) Monsters and modernity. In: Silicon Knights Games Developers, St. Catherines, Ontario, 1 August 2008. [Unpublished] Bould, M. (2008) Nothing much to phone home about (with exceptions): four books on Spielberg. Science Fiction Film and Television, 1 (2). pp. 303-325. ISSN 1754-3770 (print), 1754-3789 (online) Bould, M. (2008) Peristalsis, proliferation and ejaculation: Reflections on narrative and spectacle in digital sf cinema. In: Science Fiction Research Association 2008 Conference, University of Kansas, 10-13 July 2008. [Unpublished] Bould, M. (2008) Proliferation, peristalsis and ejaculation: Reflections on narrative and spectacle in digital SF cinema. In: Narratives in Transition: Literary and Cultural Change since 1989 Conference , Institute of English Studies, University of London, 25-26 April 2008. Bould, M. (2008) Race/War: Patrick B. Sharp, Savage perils: Racial frontiers and nuclear apocalypse in American culture. Science Fiction Studies #104, 35 (1). pp. 151-154. ISSN 0091-7729 Bould, M. (2008) Reading science fiction. In: Science Fiction Research Association 2008 Conference, University of Kansas, USA, 10-13 July 2008. [Unpublished] Bould, M. (2008) SF histories. In: State of the Art: Science Fiction Histories Conference, Curtin University of Technology, Perth, Australia, 23 March 2008. [Unpublished] Bould, M. (2008) Science fiction television in the United Kingdom. In: Telotte, J. P. , ed. (2008) The Essential Science Fiction Television Reader. The University Press of Kentucky, pp. 209-230. ISBN 978-0813124926 Bould, M. (2008) Screening Mars: Desire and denial in Aelita (Protazonov USSR 1924) and Just Imagine (Butler US 1930). In: Chronicling Mars: The 2008 J. Lloyd Eaton Conference , University of California at Riverside, 16-18 May 2008. Bould, M. (2008) Staging the limits to knowledge: Cognition, estrangment and spectacle in 2001: A Space Odyssey. In: Film & History Biennial: Film and Science: Fictions, Documentaries, and Beyond Conference, University of Chicago, 30 October-2 November 2008. [Unpublished] Bould, M. (2008) Transformers. Science Fiction Film and Television, 1 (1). pp. 163-167. ISSN 1754-3770 Bould, M. (2008) Writing/Genre/History: Everyone else is wrong (and so am I). In: State of the Art: Science Fiction Histories Conference, Curtin University of Technology, Perth, 22-23 March 2008. [Unpublished] Bould, M. (2008) The bald and the beautiful: The performativity of Billy Zane. In: Cine-Excess II: The 2nd International Conference on Global Cult Film Traditions, Institute of Contemporary Arts, London, 1-3 May 2008. Bould, M. (2008) The very modern world of Fritz Lang. In: The Very Modern World of Fritz Lang, Institute of Advanced Studies, The University of Western Australia, 18 March 2008. [Unpublished] Bould, M. and Vint, S. (2008) Fantastically fucked-up masculinity: Anorexic subjectivity in Fight Club and The Machinist. In: Postgraduate Research Seminar Series, Bristol Business School, 18 January 2008. Bould, M. and Vint, S. (2008) There is no such thing as science fiction. In: Gunn, J. , Barr, M. S. and Candelaria, M. , eds. (2008) Reading Science Fiction. Palgrave Macmillan, pp. 43-51. ISBN 978-0230527188 Bould, M. and Vint, S. (2008) Tortured torsos: Anorexic subjectivity in Fight Club and The Machinist. In: Postgraduate Masterclass, Institute of Advanced Studies, University of Western Australia, 19 March 2008. [Unpublished] Bould, M. and Vint, S. (2008) The thin men: Anorexic subjectivity in Fight Club and The Machinist. In: The Fith Annual Historical Materialism Conference, University College, London, 7-9 November 2008. [Unpublished] Brooks, K. (2008) Could do better? Students' critique of written feedback. Networks, 5. Brooks, K. (2008) Living and learning: students' talk and advice in university culture. In: Higher Education Academy Subject Centre for Social Policy and So, , ed. (2008) University life uncovered: Making sense of the student experience. SWAP, pp. 34-43. ISBN 9780854328901 CCrogan, P. (2008) Real lives 2004: The devil you know. Junctures: The Journal for Thematic Dialogue, 11 (Contro). pp. 69-75. ISSN 1176-5119 Crogan, P. (2008) Wargaming and computer games: Fun with the future. In: Swalwell, M. and Wilson, J. , eds. (2008) The Pleasures of Computer Gaming: Essays on Cultural History, Theory and Aesthetics. North Carolina: McFarland and Company, pp. 147-166. ISBN 978-0786435951 Crogan, P. and Weber, S. (2008) Targeting, television and networking: An interview with Samuel Weber. Convergence: The International Journal of Research into New Media Technologies, 14 (4). pp. 375-385. ISSN 1354-8568 Crogan, P. , Wyeld, T. and Leavy, B. (2008) A conversation on the efficacies of the game engine to address notions of sacred space: The digital songlines project and transgressions of sacredness. In: Wyeld, T. G. , Kenderdine, S. and Docherty, M. , eds. (2008) Virtual Systems and Multimedia: 13th International Conference, VSMM 2007, Brisbane Australia, September 23-26 2007, Revised Selected Papers. (Inform) Berlin: Springer, pp. 24-34. ISBN 978-3-540-78565-1 DD'Monté, R. (2008) Changing form: Stage, film and TV adaptations of Daphne du Maurier's Rebecca. In: The Novel and its Borders Conference, University of Aberdeen, 2008. D'Monté, R. (2008) Pre-1950 drama. The Year's Work in English Studies, 87. pp. 917-922. Dickinson, R. (2008) [No] Fear / [Keine ]Angst). [Show/Exhibition] Dickinson, R. (2008) The institute of psychoplasmics. [Show/Exhibition] Dickman, G. (2008) The hologram, and the crisis of direction which holograms cause in traditional notions of subjectivity. In: OFFoff Art Cinema, Ghent, Belgium, 11 December 2008. Dolan, J. (2008) "It's not going to be like this is it?": Celebrating age festival 2008. In: Crossing Cultures: Woman, Aging and Media AHRC International Conference, University of Gloucestershire, Cheltenham, UK, 5 December 2008. [Unpublished] Dolan, J. (2008) Visibility/ invisibility. In: Women, Ageing and Media AHRC Research Network, St Matthias Campus, UWE, Bristol, 10 September 2008. [Unpublished] Dolan, J. , Jenning, R. , Garde Hansen, J. , Gorton, K. and Wilson, S. (2008) Women, ageing and media workshops. In: Women, Ageing and Media - AHRC funded Research Networks and Workshops. Dolan, J. and Spicer, A. (2008) The Outsider: Anthony Simmons. Journal of British Cinema and Television. ISSN 1743-4521 Dovey, J. (2008) Dinosaurs and butterflies - media practice research in new media ecologies. Journal of Media Practice, 9 (3). pp. 243-256. ISSN 1468-2753 FFraser, S. (2008) "For no other offence but proximity": Stuff happens to the Queen. In: Barker, D. , ed. (2008) Giving and taking offence / Ofender e ser ofendido. Portugal: University of Aveiro, pp. 35-46. ISBN 978-972789-263-1 Fraser, S. (2008) Henry V and the performance of war. In: King, R. and Franssen, P. J. , eds. (2008) Shakespeare and war. Palgrave Macmillan, pp. 71-83. ISBN 978-0230-20508-6 GGiddings, S. (2008) DVD review: Rene Laloux's Fantastic Planet. Journal of Science Fiction Film and Television, 1 (1). pp. 176-179. ISSN 1754-3770 Giddings, S. and Kennedy, H. W. (2008) Little jesuses and fuck-off robots: on aesthetics, cybernetics, and not being very good at Lego Star Wars. In: Swalwell, M. and Wilson, J. , eds. (2008) The Pleasures of Computer Gaming: Essays on Cultural History, Theory and Aesthetics. Jefferson: NC: McFarland, pp. 13-32. ISBN 978-0786435951 Glascock, J. , Livesay, C. and Ruggiero, T. (2008) Religious involvement, audience demographics, and media bias. Journal of Media and Religion, 7 (4). pp. 256-270. ISSN 1534-8423 Gross, B. (2008) Book review: Hafez, K. The myth of media globalization. Journalism Studies, 9 (1). pp. 145-146. ISSN 1461-670X Gross, B. (2008) When the other speaks: Migrant voices on British television news. In: Power: Forms, Dynamics, Consequences, University of Tempere, Finland, September 2008. [Unpublished] Gross, B. , Threadgold, T. and Moore, K. (2008) The Home Office in chaos: Refugee and asylum discourse in British broadcast news. In: MeCCSA Annual Conference, Cardiff University, Wales, January 2008. [Unpublished] HHenning, M. (2008) Living signs: Theory and materiality in the work of Otto Neurath. In: Engaging Objects, Amsterdam, 26-28 March 2008. [Unpublished] Henning, M. (2008) Picture language and other things: The materiality of Isotype. In: Network of Design, Conference of the design history society, University College Falmouth, 2 - 6 September 2008. [Unpublished] Henning, M. (2008) Picture language as visual writing: Otto Neurath's Isotype. In: Sublimely Visual: The Art of Text, University of Bristol, England, 5 - 7 September 2008. [Unpublished] Henning, M. (2008) A picture of virtue: Review of Lorraine Daston and Peter Galison, Objectivity. New Formations, 64 (Winter). ISSN 0950-2387 Henning, M. (2008) The things signs do: Cultural history through the work of the Isotype Institute. In: Orientations: The International Society for cultural history conference, Ghent, 27 - 31 August 2008. [Unpublished] Henning, M. and Warren, J. (2008) Rethinking archives: History, media, memory. In: Rethinking archives: History, media, memory, Arnolfini, Bristol, UK, June 2008. KKarantonis, P. (2008) 'Leave no trace': The art of wasted space - the People's Republic of Stokes Croft. Performance Paradigm (# 4) Emergences: 21st Century Performance emergent forms and themes in performance and culture in the first decade of C21, 4. ISSN 1832-5580 Karantonis, P. (2008) Opera Indigene: Critical perspectives on re/presenting first nations and indigenous cultures. In: Opera Indigene: Critical Perspectives on Re/presenting First Nations and Indigenous Cultures, King's College London and the Anglo-American Education Centre, Bloomsbury, 27 - 28 September 2008. Karantonis, P. (2008) Staged photography and the performance of autofacture: Cross-genre impersonation in Cindy Sherman's self-portraits. The International Journal of the Arts in Society, 3 (2). pp. 37-44. Kennedy, H. W. (2008) Ludaesthetic pleasures and new technology. In: Ludaesthetic Pleasures and New Technicities, Vancouver, Canada, 2008. [Unpublished] Kydd, E. (2008) The look and feel of humanity. In: Society for Cinema and Media Studies, Philadelphia, PA, USA, March 2008. [Unpublished] Kydd, E. , Gomez, G. and Jeffreys, J. E. (2008) Lick Bush in '92 (selections). [Show/Exhibition] LLawrence, M. (2008) Carefully posed thighs: Shame, nudity and film censorship - John Huston's The Bible: In the Beginning (1966). In: Invited talk, Huston School of Film and Media, University of Galway, 28 November 2008. [Unpublished] Lawrence, M. (2008) Children, performance and realism: Italy to India. In: Re-envisioning the Child in Italian Film, University of Exeter, 15 July 2008. [Unpublished] Lawrence, M. (2008) Queer childhoods and home video: Put the Camera on Me (Stein and Shell, 2004). In: Are the Kids Alright? A Symposium on the Queer Child, Kings College, London, 14 June 2008. [Unpublished] Lawrence, M. (2008) Representing creation in Huston's The Bible: In the Beginning (1966). In: SCMS Conference, Philadelphia, USA, 9 March 2008. [Unpublished] Lawrence, M. (2008) Shaking an elephant: Sound, space and suspense in The Unholy Three. In: Herzogenrath, B. , ed. (2008) The Cinema of Tod Browning: Essays of the Macabre and Grotesque. McFarland and co., pp. 70-83. ISBN 978-0786434473 Lawrence, M. (2008) Shaking an elephant: Sound, spectatorship and suspense, 1925-1930. In: Screen Conference, Glasgow, Scotland, 6 July 2008. [Unpublished] Lawrence, M. (2008) The death of the animal in European cinema: Metaphor and analogy. In: Research in Progress Seminar, University of Sussex, 5 November 2008. [Unpublished] MMattacks, K. (2008) Beyond these voices: M. E. Braddon and the ghost of sensationalism. Women's Writing, 15 (3). pp. 320-332. ISSN 0969-9082 NNevitt, L. (2008) Review of Theatre as witness: Three testimonial plays from South Africa, by Yael Farber. RiDE: The Journal of Applied Theatre and Performance, 13 (3). pp. 377-379. ISSN 1356-9783 Nevitt, L. (2008) Review of reminiscience theatre: Making theatre from memories, by Pam Schweitzer. RiDE: The Journal of Applied Theatre and Performance, 13 (1). pp. 100-102. ISSN 1356-9783 Nevitt, L. (2008) Simulation and pleasure in participatory reenactment performance. In: Annual Conference of the Theatre and Performance Research Association (TaPRA), University of Leeds, UK, September 2008. [Unpublished] Nevitt, L. (2008) The history of this community: Documentary theatre with "deliberately local motives". In: University of Glamorgan External Speakers Programme, University of Glamorgan, Wales, December 2008. University of Glamorgan, Wales: UNSPECIFIED [Unpublished] OOldham, A. (2008) Documentary in the contemporary mediascape. In: Negotiating the Mediascape, University of Kent, Canterbury, June 2008. [Unpublished] Oldham, A. (2008) Teaching documentary to the digital generation. In: MECCSA Conference, University of Cardiff, Wales, Ferbruary 2008. [Unpublished] RReid, J. (2008) Ivanov: The perils of typicality. Bulletin of the North American Chekhov Society, XVI (1). pp. 19-44. Reid, J. (2008) Woyzeck. [Show/Exhibition] [Unpublished] Ruggiero, T. (2008) When we finish our job, we will cut off our beards: New York Times coverage of Fidel Castro's 1959 U.S. visit. The Journal of Latino-Latin American Studies, 3 (1). pp. 76-93. ISSN 1549-9502 Ruggiero, T. and Lattin, K. S. (2008) Intercollegiate female coaches' use of verbally aggressive communication toward African American women athletes. The Howard Journal of Communications, 19 (2). pp. 105-124. ISSN 1064-6175 SSalter, L. (2008) Change and continuity in the “information age”. Global Media and Communication, 4 (1). pp. 83-94. ISSN 1742-7665 Salter, L. (2008) Class, nationalism and the BBC's reporting of Hugo Chavez and the Bolivarian revolution. In: The Propaganda Model 20 Years on the Margins, University of Northumbria, December 2008. Salter, L. (2008) The goods of community? The potential of journalism as a social practice. Philosophy of Management, 7 (1). pp. 33-44. Sobers, S. (2008) Blueboard: Story of a creative media residency project: 4 companies / 11 schools. Community Media South West (CMSW). ISBN 978-0955501814 Sobers, S. (2008) Positioning education within community media. In: OurMedia Conference 7, Accra, Ghana, 15 August 2008. Sobers , S. (2008) Consequences and coincidences: A case study of experimental play in media literacy. Journal of Media Practice, 9 (1). pp. 53-66. ISSN 1468-2753 Sonwalkar, P. (2008) Communication technologies and terrorism. In: Donsbach, W. , ed. (2008) The International Encyclopaedia of Communication. Wiley-Blackwell, pp. 5117-5121. ISBN 978-1-4051-3199-5 Soyinka, B. (2008) Body echoes. [Show/Exhibition] Soyinka, B. (2008) Digital film as the future of academic publishing. In: MeCCSA International Conference, Cardiff School of Journalism, Media and Cultural Studies, 9 - 11 January 2008. [Unpublished] Soyinka, B. (2008) Extraordinary lives. [Video] Soyinka, B. (2008) Sanctuary. [Video] Soyinka, B. , Dicks, B. and Hurdley, R. (2008) The clicking project: Interactive science discovery: Communicating science? [Video] Soyinka, B. , Hurdley, R. and Hacking, N. (2008) Interactive science discovery: Communicating science? [Video] Spicer, A. (2008) The precariousness of production: Michael Klinger and the role of the film producer in the British film industry during the 1970's. In: British Culture and Society in the 1970's, University of Portsmouth, UK, July 2008. [Unpublished] Swanson, G. (2008) Disciplinary innovation and 'cultural experience'. In: Orientations: The Inaugural Conference of the International Society for Cultural History, Ghent University, August 2008. [Unpublished] TTuck, G. (2008) Laughter in the dark: Capitalism, comedy, violence and neo-noir. In: 5th Annual Historical Materialism Conference, SOAS, London, November 2008. [Unpublished] Tuck, G. (2008) When more is less: CGI, spectacle and the capitalist sublime. Science Fiction Film and Television, 1 (2). pp. 249-273. ISSN 1754-3770 Tuck, G. (2008) A kiss in the tunnel: Dialectics, phenomenology and sexual representation. In: Philosophy and Film/Film and Philosophy, Arnolfini Arts Centre, Bristol and UWE, Bristol, July 2008. [Unpublished] Tuck, G. and Carel, H. (2008) Philosophy and film/film and philosophy: A multidisciplinary conference. In: Philosophy and Film/ Film and Philosophy: A Multidisciplinary Conference, Arnolfini, Bristol and Bush House, London, 4-6 July 2008. UUre, M. , Bick, A. , Simpson, D. J. , Arrowsmith, S. , Harding, A. and Austen, D. (2008) British painting. [Show/Exhibition] WWilson, S. (2008) Here's Trisha!: commercialism, sensationalism and Public Service Broadcasting. In: Anglia TV and the History of ITV: Programming, Regionalism and the Television Economy Conference, University of East Anglia, UK, November 2008. [Unpublished] Wyllie, A. (2008) Lost boys in the plays of Philip Ridley. Other. University of Reading Research Seminar Series. ZZacharias, U. and Arthurs, J. (2008) Introduction: race versus gender? The framing of the Barack Obama - Hilary Clinton battle. Feminist Media Studies, 8 (4). pp. 425-434. ISSN 1468-0777 |











