Items where School or Centre is "~Pre-2010 Faculty Structure > Faculty of Creative Arts > School of Creative Arts > Department of Culture, Media and Drama" and Year is UNSPECIFIED

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Number of items: 110.

Abba, T. (2009) Hybrid stories: examining the future of transmedia narrative. Science Fiction Film and Television, 2 (1). pp. 59-75. ISSN 1754-3770

Arthurs, J. (2009) Brands, markets and charitable ethics. In: Edinburgh International Conference on Film Audiences, Edinburgh Film House, Scotland, March 2009.

Arthurs, J. (2009) Brands, markets and charitable ethics: MTV exit campaign. Participations: Journal of Audience and Reception Studies, 6 (2). pp. 301-319.

Arthurs, J. (2009) Is fat still a feminist issue - Suzy Orbach talk. In: Is Fat Still a Feminist Issue - Suzy Orbach Talk, Festival of Ideas, Arnolfini, Bristol, UK, May 2009.

Arthurs, J. (2009) The Politics of Laughter in Antonia's Line. In: The Politics of Laughter in Antonia's Line, Pierion Centre, Bristol, UK, November 2009.

Arthurs, J. (2009) The Virginia Monologues. In: The Virginia Monologues, Festival of Ideas, Tobacco Factory, Bristol, UK, November 2009.

Arthurs, J. and Tincknell, E. (2009) The shadow of Thatcher: Women, feminism, culture and politics. In: The Shadow of Thatcher: Women, Feminism, Culture and Politics, Arnolfini, Bristol, UK, May 2009.

Aston, J. (2009) Direct cinema and a making of the ‘real’: polyphonic narrative, spatial montage and cinema-sincerity. In: International Jean Rouch Symposum, Centre National de la Recherche Scientifique, Paris, 14-20 November 2009.

Aston, J. and James, W. (2009) Still pictures, moving contexts. In: The Image Relation: Towards an Anthropology of Photography, Wolfson College, Oxford, UK, 11th November, 2009.

Bacon, T. and Dickman, G. (2009) The Battle of Algiers: Terrorism as a tool of political persuasion. In: Africa Eye Film Festival 2009 Symposium, Watershed Media Centre, Bristol, UK, 31 October 2009.

Bacon, T. and Dickman, G. (2009) "Who's the Daddy?" The aesthetics and politics of representation in Alfonso Cuaron's adaptation of P.D James's Children of Men. In: Carroll, R., ed. (2009) Adaptation in Contemporary Culture: Textual Infidelities. London: Continuum. ISBN 978-0-8264-2464-8

Bould, M. (2009) Bernd Herzogenrath, ed., "The films of Tod Browning" and Reynold Humphries, "The Hollywood horror film 1931-1941: Madness in a social landscape". Film International, 7 (4). pp. 78-82.

Bould, M. (2009) Fritz Lang. In: Bould, M., Butler, A. M., Roberts, A. and Vint, S., eds. (2009) Fifty Key Figures in Science Fiction. Routledge, pp. 131-136. ISBN 978-0-415-43950-3

Bould, M. (2009) Insects and intentions: Imamura's women. In: Pigs, Eels and Insects: Reassessing the Legacy of Shohei Imamura, Arnolfini, Bristol, 17 October 2009.

Bould, M. (2009) Introducing Waltz with Bashir. In: Compass of Desire Film Festival, Trinity Centre, Bristol, 18 October 2009.

Bould, M. (2009) Language and linguistics. In: Bould, M., Butler, A. M., Roberts, A. and Vint, S., eds. (2009) The Routledge companion to Science Fiction. Routledge, pp. 225-235. ISBN 978-0415453783

Bould, M. (2009) Powell, Pressburger and Peeping Tom. In: The Screen at Hay Festival of British Cinema, Hay-on Wye, Hay-on-Wye, 5 September 2009.

Bould, M. (2009) Rough Guide to a Lonely Planet, from Nemo to Neo. In: Bould, M. and Mieville, C., eds. (2009) Red Planets: Marxism and Science Fiction. Pluto Press (UK); Wesleyan University Press (USA), pp. 1-26. ISBN 978-0745327310 (Pluto Press); 978-0-8195-6912-7 (Wesleyan)

Bould, M. (2009) Serial infidelities and extraordinary renditions: The many lives of Flash Gordon. In: Science Fiction across Media: Adaptation/Novelisation Conference, Katholieke Universiteit, Leuven, 28-30 May 2009.

Bould, M. (2009) Stanley Kubrick. In: Bould, M., Butler, A. M., Roberts, A. and Vint, S., eds. (2009) Fifty Key Figures in Science Fiction. Routledge, pp. 126-131. ISBN 978-0415439497

Bould, M. (2009) Stephen Shapiro, ed., "Gothic studies' 'material gothic' special issue" and "Collapse: journal of philosophical research and development volume iv: Concept horror". Extrapolation, 50 (2). pp. 345-359. ISSN 0014-5483

Bould, M. (2009) Steven Spielberg. In: Bould, M., Butler, A. M., Roberts, A. and Vint, S., eds. (2009) Fifty Key Figures in Science Fiction. Routledge, pp. 200-205. ISBN 978-0-415-43950-3

Bould, M. (2009) Twenty Thousand Leagues under the Matrix: Imagineering the world market. In: 'The Future Ain't What it Used to Be: Interactions of Past, Present and Future in Literature and Visual Media' Conference, University of Dundee, 17 June 2009.

Bould, M. (2009) Untitled short piece in fiftieth anniversay special section on the current shape of scholarship and criticism on speculative fiction. Extrapolation, 50 (1). pp. 9-10. ISSN 0014-5483

Bould, M. (2009) The cinema of John Sayles: From Billy Zane to Brecht and Bakhtin, and back again. In: Marxism and Culture Seminar Series, Institute of Advanced Legal Studies, University of London, 15 May 2009. London: Marxism and Culture series, Institute of Advanced Legal Studies, University of London

Bould, M. (2009) The cinema of John Sayles: Lone star. Middlesex: Wallflower Press. ISBN 9781905674282

Bould, M. (2009) The cinema of John Sayles: from Billy Zane to Brecht and Bakhtin, and back again. In: Research Seminar, Department of Film, Theatre and Television, University of Reading, 18 March 2009.

Bould, M. (2009) The parapraxes of globalisation: Jules Verne and the unconscious of science fiction. In: Extraordinary Voyages: Jules Verne and Beyond - the 2009 J. Lloyd Eaton Conference, University of California at Riverside, 1 - 3 May 2009.

Bould, M., Butler, A. M., Roberts, A. and Vint, S. (2009) Fifty key figures in science fiction. Routledge, p. 288. ISBN 978-0-415-43949-7

Bould, M., Butler, A. M., Roberts, A. and Vint, S. (2009) The Routledge companion to science fiction. Routledge, p. 554. ISBN 978-0-415-45378-3

Bould, M., Glitre, K. and Tuck, G. (2009) Parallax views: An introduction. In: Bould, M., Glitre, K. and Tuck, G., eds. (2009) Neo-noir. London: Wallflower Press, pp. 1-10. ISBN 9781906660178

Bould, M., Glitre, K. and Tuck, G. e. (2009) Neo-noir. London: Wallflower. ISBN 978-1906660178

Bould, M. and Miéville, C. (2009) Red planets: Marxism and science fiction. Pluto Press (in the UK); Wesleyan University Press (in the US), p. 293. ISBN 978-0-7453-2730-3 (Pluto); 978-0-8195-6913-4 (Wesleyan)

Bould, M. and Vint, S. (2009) Dead penguins in immigrant pilchard scandal: Telling stories about the "environment" in Antarctica. In: Burling, W. J., ed. (2009) Kim Stanley Robinson Maps the Unimaginable: Critical essays. McFarland, pp. 257-273. ISBN 978-0786433698

Bould, M. and Vint, S. (2009) Manufacturing landscapes, disappearing labour: From production lines to the cities of the future. In: White, L. and Pajaczkowska, C., eds. (2009) The Sublime Now. Cambridge Scholars, pp. 269-285. ISBN 978-1-4438-1302-0

Bould, M. and Vint, S. (2009) The thin men: anorexic subjectivity in Fight Club and The Machinist. In: Bould, M., Glitre, K. and Tuck, G., eds. (2009) Neo-noir. Wallflower, pp. 221-239. ISBN 978-1-906660-17-8

Broks, P. (2009) Climate change, sustainability and higher education. Three D, 13. pp. 2-3. ISSN 2041-627X

Crogan, P. (2009) Tracing the logics of contemporary digital media culture. Peace Review: A Journal of Social Justice, 21 (2). pp. 160-170. ISSN 1040-2659

Crogan, P. (2009) The duck and the philosopher: Rhythms of editing and thinking between Bernard Stiegler and The Ister. Transformations: Journal of Media and Culture (17). ISSN 1444-3775

Crogan, P. and Kennedy, H. W. (2009) Games and Culture: A Journal of Interactive Media, vol 4., no. 2 (April 2009), Special Section on games and technology. Sage.

Crogan, P. and Kennedy, H. W. (2009) Technologies between games and culture. Games and Culture: A Journal of Interactive Media, 4 (2). pp. 107-114. ISSN 1555-4120

Crogan, P., Sharp, J. and Cameron, A. (2009) Pigs, eels and insects: Re-assessing the legacy of Shohei Imamura. 15 October - 8 November 2009. Arnolfini Gallery, Bristol.

D'Monté, R. (2009) Domesticating propaganda and subversion: Women dramatists during the Second World War. In: Drama Research Seminar (in conjunction with Cultural History Group), Unviersity of the West of England (UWE), Bristol, England, 2009.

D'Monté, R. (2009) Gender and nationalism in women's historical plays, 1920-1940. In: Echoes of the Past: Women, History & Memory in Fiction and Film, Newcastle University, 2009.

D'Monté, R. (2009) Origin and ownership: Stage, film and television adaptations of Daphne du Maurier's Rebecca. In: Carroll, R., ed. (2009) Adaptations in Contemporary Culture: Textual Infidelities. Continuum, pp. 163-173. ISBN 978-0-8264-2464-8

D'Monté, R. (2009) Reassessing middlebrow drama during the second world war. In: Middlebrow Cultures Conference, Strathclyde University, Glasgow, 2009.

D'Monté, R. (2009) The home front: Women dramatists during the Second World War. In: Women Writing Space: Representations of Gender and Space in post-1850 British Women's Writing, University of Warwick, March 2009.

Dickinson, R. (2009) The return of religion and other myths. [Show/Exhibition]

Dickinson, R. (2009) Fair companions... Adventure is dead. In: Caronia, A., Jansa, J. and Quaranta, D., eds. (2009) Re:akt, Reconstruction, re-enactment, Re-reporting. Fabio Paris Editions, pp. 41-53. ISBN 978-8890330865

Dickinson, R. (2009) Who, what, where... [Show/Exhibition]

Dolan, J. (2009) A(cute) animation: Miss Potter and the creative subject. In: Framing Films Conference, University of Winchester, 4-6 September 2009.

Dolan, J. (2009) Comic-book adaptation. In: Framing Film: Cinema and the Visual Arts, University of Winchester, 6 September 2009.

Dolan, J. (2009) Embodied reality: Contemporary biopics and the inflections of stardom. In: IMAGEing reality: Representing the Real in Film, Television and New Media, University of Navarra, Pamplona, Spain, 22-24 October 2009.

Dolan, J., Gordon, S. and Tincknell, E. (2009) The "postfeminist" biopic: Re-telling the past in The Hours, Sylvia and Iris. In: Carroll, R., ed. (2009) Textual Infidelities: Adaptations in Print and Visual Cultures. Continuum. ISBN 978-0826424648

Dolan, J. and Street, S. (2009) 20 million people can't be wrong: Anna Neagle and popular British stardom. In: Bell, M. and Williams, M., eds. (2009) British Women's Cinema. Routledge, pp. 34-48. ISBN 978-0415466967

Dovey, J. (2009) Making a difference: Media practice research, creative economies and cultural ecologies. In: Ludvine, A., Jones, S., Kershaw, B. and Piccini, A., eds. (2009) Practice-as-Research: In Performance and Screen. Basingstoke, Hampshire: Palgrave Macmillan. ISBN 978-0230220010

Dovey, J. and Lister, M. (2009) Straw men or cyborgs? Interactions: Studies in Communication and Culture, 1 (1). pp. 129-145. ISSN 1757-2681

Fowler, D. (2009) (De)constructing Charles Woods archives: memory and response. In: Theatre and Performance Research Association, University of Plymouth, September 2009.

Fowler, D. (2009) Margaret Thatcher and Falklands war drama. In: Shadow of Thatcher Colloquium, Arnolfini Centre Bristol, May 2009.

Giddings, S. (2009) Events and collusions: A glossary for the microethnography of videogame play. Games and Culture: A Journal of Interactive Media, 4 (2). pp. 144-157. ISSN 1555-4120

Glitre, K. (2009) Under the neon rainbow: Colour and neo-noir. In: Bould, M., Glitre, K. and Tuck, G., eds. (2009) Neo-noir. London: Wallflower, pp. 11-27. ISBN 9781906660178

Gross, B. (2009) Conditional and constrained: Freedom of expression of migrant voices on TV news. In: Clemens Nathan, R. C., ed. (2009) Media and Human Rights: Reparations for Victims of Human Rights Abuses and Prosthetic Services. London: Clemens Nathan Research Centre, pp. 127-138. ISBN 978-1-905178-34-6

Gross, B. (2009) Locating Britian: Migration and shifting boundaries on TV news. In: Castello, E., Dhoest, A. and O'Donnell, H., eds. (2009) The Nation on Screen. Newcastle: Cambridge Scholars Publishing, pp. 139-156. ISBN 9780443806145

Henning, M. (2009) Imagining post-war happiness: Otto Neurath and Britain in 1945. In: After the War: Post-War Structures of Feeling, Birkbeck College, London, 8-9 May 2009.

Henning, M. (2009) My recent research. In: Symposium of International Experts on Otto Neurath and Isotype, University of Reading, September 2009.

Henning, M. (2009) Neurath's whale. In: The Afterlife of Animals, Manchester University, UK, 16 December 2009.

Henning, M. (2009) The cosmic symbol. In: Candlin, F. and Guins, R., eds. (2009) The Object Reader. Routledge. ISBN 0415452309

Henning, M. (2009) The subject as object: Photography and the human body. In: Wells, L., ed. (2009) Photography: A Critical Introduction. (Fourth) Routledge. ISBN 978-0-415-46087-3

Jempson, M. (2009) Reporting difference in Dungannon. Project Report. The MediaWise Trust.

Jones, J. (2009) Changing Auntie - a case study in managing and regulating user generated content at the BBC. In: Tunney, S. and Monaghan, G., eds. (2009) Web Journalism: A New Form of Citizenship? Sussex University Press. ISBN 978-1845192785

Jones, J. (2009) PSB 2.0 - UK broadcasting policy after Peacock. In: O'Malley, T. and Jones, J., eds. (2009) The Peacock Committee and UK Broadcasting Policy. Basingstoke, Hampshire: Palgrave Macmillan, pp. 187-206. ISBN 978-0-230-52474-3

Jones, J. and Martin, R. (2009) Crypto-hierarchy and its discontents: Indymedia UK. In: Rodriguez, C., Kidd, D. and Stein, L., eds. (2009) Making Our Media: Global Initiatives, Toward a Democratic Public Sphere. (Volume) USA: Hampton Press. ISBN 978-1-57273-792-1

Kausahal, R. (2009) Media, learning and sites of possibility. Information, Communication and Society, 12 (5). pp. 752-754. ISSN 1369-118X (print) / ISSN1468-4462 (online)

Kydd, E. (2009) Caribbean autobiography, domestic photography and the family photo album. In: Caribbean Studies Association Conference, Kingston, Jamaica, June 2009.

Lawrence, M. (2009) Early cinema, animal death, virtual presence: Measuring the ethical charge of Thomas Edison's Electrocuting an Elephant (1903). In: Udine Film Conference, Udine, Italy, 25 March 2009.

Lawrence, M. (2009) La piu bella bombina de Roma: Child performance and the popular in Luchino Visconti's Bellissima (1951). In: Popular Italian Cinema: An International Conference, Kings College, University of London, 29 May 2009.

Lawrence, M. (2009) War orphans in technicolour: Joseph Losey's The Boy with Green Hair (1948). In: Colour and the Moving Image: History, Theory, Aesthetics Archive, University of Bristol Conference, Arnolfini, Bristol, 12 July 2009.

Leavy, B., Wyeld, T. G. and Crogan, P. (2009) Addressing regional cultural heritage maintenance using the digital songlines game engine. In: Hjorth, L. and Chan, D., eds. (2009) Gaming Cultures and Place in Asia-Pacific. New York: Routledge, pp. 107-169. ISBN 978-0-415-99627-3

Mattacks, K. (2009) Mary Elizabeth Braddon's secret: An anti-feminist amongst women. In: Wagner, T., ed. (2009) Antifeminism and the Victorian Novel: Rereading Nineteenth-Century Women Writers. Cambria Press. ISBN 9781604976076

Mattacks, K. (2009) 'A woyage o' diskivery': Thomas J. Williams' The Peep-Show Man (1868) and the victorian performative text. Nineteenth Century Theatre and Film, 36 (2). pp. 53-62. ISSN 1748-3727

O'Malley, T. and Jones, J. (2009) The Peacock Committee and UK Broadcasting Policy. Basingstoke, Hampshire: Palgrave Macmillan. ISBN 978-0230524743

O'Neill, P. (2009) Beyond: A durational novel waiting to unfold. In: Heezen, H., Van Gestel, T. and Zonnenberg, N., eds. (2009) Art as Urban Strategy. Rotterdam: NAi Publishers, pp. 128-143. ISBN 9789056627058

Oldham, A. (2009) The consciousness of documentary: Teaching documentary. In: Dun Laoghairefilmsense: A Symposium on Film and Education, National FIlm School, Ireland, April 2009.

Reid, J. (2009) Biting the sour apple: The Nietzschean undertow in Little Eyolf. Modern Drama, 52 (1). pp. 1-18. ISSN 0026-7694

Reid, J. (2009) The ugly one. [Show/Exhibition]

Salter, L. (2009) Independent Media Centres and the Law: Some problems for citizen journalism. In: Allan, S. and Thorsen, E., eds. (2009) Citizen Journalism: Global Perspectives. (Volume) New York: Peter Lang, pp. 175-186. ISBN 978-1433102950

Sonwalkar, P. (2009) Byte by byte: Journalism's growing potential to reflect the idea of India. Journalism: Theory, Practice and Criticism, 10 (3). pp. 378-380. ISSN 1464-8849

Sonwalkar, P. (2009) Citizen journalism in India: The politics of recognition. In: Allan, S. and Thorsen, E., eds. (2009) Citizen Journalism: Global Perspectives. (Volume) New York: Peter Lang, pp. 75-84. ISBN 978-1-4331-0295-0

Sonwalkar, P. (2009) Do something, now: Reporting political violence in India. In: Annual Conference of the International Communication Association, 21 - 25 May 2009.

Spicer, A. (2009) Interview: Allan Cubitt. Journal of British Cinema and Television, 5 (2). pp. 362-375. ISSN 1743-4521

Spicer, A. (2009) Productive research: Approaches and sources to uncovering the role of the film producer. In: Studies beyond the Screen Symposium, University of Exeter, UK, April 2009.

Spicer, A. (2009) Understanding film production: Michael Klinger and the new film history. In: Researching Film History Symposium, Geological Society, London, UK, July 2009.

Spicer, A. (2009) The creative producer: Michael Klinger. In: Archives and Auteurs Conference, University of Stirling, Scotland, September 2009.

Swanson, G. (2009) Altruism, love and the "democratic factor" in social psychiatry. In: After the War: Post-War Structures of Feeling, Institute of English Studies, University of London, May 2009.

Swanson, G. (2009) 'How can civilization be saved?': Psychoanalysis in the anticipation of World War Two in Britain. In: Structures of Violence and Conflict: 2nd Conference of the International Society for Cultural History, University of Queensland, Brisbane, Australia, July 2009.

Swanson, G. (2009) The archive and the detail. New Formations: Special Issue, Life Writing (67). pp. 144-152. ISSN 0950-2378

Tate, S. (2009) “Making” history in the feminine: Genealogical encounters at the Berlin Biennial 2008. In: Association of Art Historians Annual Conference, Manchester University, April 2009.

Tincknell, E. (2009) Feminine boundaries: Adolesence, witchcraft and the supernatural in new gothic cinema and television. In: Conrich, I., ed. (2009) Horror Zone: The Cultural Experience of Contemporary Horror Cinema. I.B.Tauris, Macmillan. ISBN 978-1-84885-151-1

Tuck, G. (2009) Flesh/Films: Mainstream movies, embodiment and sexuality. In: Plymouth Arts Centre Film Academy Seminar Series, Plymouth, England, 9 June 2009.

Tuck, G. (2009) Good lacanians and bad hegelians: Sexual differences and the dialect of (Un)Happiness (Todd Solondz, USA, 1998). In: Emergent Encounters in Film Theory, Kings College, London, March 2009.

Tuck, G. (2009) Laughter in the dark: Irony, black comedy and 'noir' in David Lynch, the Cohen Brothers and Quentin Tarantino. In: Bould, M., Glitre, K. and Tuck, G., eds. (2009) Neo-Noir. London: Wallflower, pp. 153-168. ISBN 978-1906660178

Tuck, G. (2009) Love, death and flesh: Ontological antinomies in Tuskamoto Shinya's Vital (2004). In: 2nd Film Philosophy Conference, University of Dundee, Scotland, July 2009.

Tuck, G. (2009) The mainstreaming of masturbation. In: Attwood, F., ed. (2009) Mainstreaming Sex: The Sexualisation of Western Culture. London: I. B. Taurus, pp. 77-92. ISBN 978-1845118273

Wilson, S. (2009) Angels. Videoactive [online].

Wilson, S. (2009) Book review: Janice Peck, The Age of Oprah: Cultural Icon for the Neoliberal Era. Paradigm Publishers, 2008. Critical Studies in Television, 4 (2). pp. 137-140.

Wilson, S. (2009) Representations of health care in the age of Thatcher. In: The Shadow of Thatcher: Women, Feminism, Politics and Culture 30 Years On, Arnolfini, Bristol, May 2009.

Wilson, S. (2009) Television talk shows. Videoactive [online].

Worcester, T. and Dickman, G. (2009) Pig business. [Video]

Wyllie, A. (2009) Sex on stage: Gender and sexuality in post war British drama. Intellect Books. ISBN 978-1841502038

Wyllie, A. (2009) The politics of violence after in-yer-face: Harold Pinter and Philip Ridley. In: Owens, C., ed. (2009) Pinter et Cetera. Newcastle-upon-Tyne: Cambridge Scholars Press, pp. 63-77. ISBN 1443805947

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