Items where School or Centre is "~Pre-2010 Faculty Structure > Faculty of Creative Arts > School of Creative Arts > Department of Culture, Media and Drama" and Year is UNSPECIFIED

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Number of items: 49.

A

Jempson, M., Chamberlain, P. and Allinson, C., eds. (2010) Jo Eirik Asvall's memorial guide 1931-2010. Moscow: World Health Organisation. ISBN 9789289002011

Arthurs, J. (2010) Contemporary British television. In: Higgins, M., Smith, C. and Storey, J., eds. (2010) The Cambridge Companion to Modern British Culture. Cambridge University Press, pp. 171-188. ISBN 978-0521864978

Aston, J. (2010) Spatial montage and the enchantment of everyday life: towards the development of fluid interfaces for interactive documentary. In: Documentary Now! 2010, Birkbeck College, London, 15-16 January 2010.

Aston, J. (2010) Transliteracy and polyphonic narrative: a case study. In: Transliteracy Conference, Phoenix Square Digital Media Centre, Leicester, UK, 9 February 2010.

B

Banks, L. (2010) Filmmaking from female perspectives. To be published in The Wonder Journal, 1 (1).

Bould, M. (2010) Angel of Vengeance (aka Ms.45). In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 150-151. ISBN 9781841503684

Bould, M. (2010) Bone. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 47-48. ISBN 9781841503684

Bould, M. (2010) Film review: Eden Log. Science Fiction Film and Television, 3 (1). pp. 157-161. ISSN 1754-3770

Bould, M. (2010) God told me to. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 155-156. ISBN 9781841503684

Bould, M. (2010) Harold and Maude. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 169-171. ISBN 9781841503684

Bould, M. (2010) I woke up early the day I died. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 307-308. ISBN 9781841503684

Bould, M. (2010) It's alive. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 156-157. ISBN 9781841503684

Bould, M. (2010) Killer of sheep. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 53-55. ISBN 9781841503684

Bould, M. (2010) Medium cool. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 308-310. ISBN 9781841503684

Bould, M. (2010) Poison. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 234-236. ISBN 9781841503684

Bould, M. (2010) Primer. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 194-195. ISBN 9781841503684

Bould, M. (2010) Review essay: From Panther to Princes, Sex Work to Starfleet: A special issue of African Identities on ‘The Black Imagination and Science Fiction’, Sandra Jackson and Julie Moody-Freeman (eds). Science Fiction #111, 37 (2). pp. 296-302. ISSN 0091-7729

Bould, M. (2010) Revolutionary African-American Sf before Black Power Sf. Extrapolation, 51 (1). pp. 53-81.

Bould, M. (2010) Watermelon man. In: Berra, J., ed. (2010) Directory of World Cinema: American Independent. Intellect, pp. 60-61. ISBN 9781841503684

Bould, M. (2010) Why Neo flies, and why he shouldn’t: the critique of cyberpunk in Gwyneth Jones’s Escape Plans and M. John Harrison’s Signs of Life. In: Murphy, G. and Vint, S., eds. (2010) Beyond Cyberpunk: New Critical Perspectives. Routledge, pp. 116-134. ISBN 9780415876872

C

Carel, H. and Tuck, G. (2010) Ideas of the century: Film as philosophy (7/50). The Philosopher Magazine, 50. ISSN 1354-814X

Carel, H. and Tuck, G. e. (2010) New takes in film-philosophy. Basingstoke, Hampshire: Palgrave Macmillan. ISBN 9780230250291

Crogan, P. (2010) The Nintendo Wii, virtualisation and gestural analogics. Culture Machine, 11 (1). pp. 82-101. ISSN 1465-4121

D

Dickinson, R. (2010) Evil to the core. [Show/Exhibition]

Dickinson, R. (2010) Performing evidence. [Show/Exhibition]

Dolan, J. (2010) The Queen, aging femininity and the recuperation of the monarchy. In: Swinnen, A. and Stotesbury, J., eds. (2010) Ageing, Perfomance and Stardom: Doing Age on the Stage of Consumerist Culture. LIT Verlag. ISBN 9783643501875

Dolan, J. and Spicer, A. (2010) On the margins: Anthony Simmons, 'The Optimists of Nine Elms' and 'Black Joy'. In: Newland, P., ed. (2010) Don't Look Now: British Cinema in the 1970s. Bristol: Intellect, pp. 79-91. ISBN 9781841503202

F

Fraser, S. (2010) “The king has killed his heart”: the death of Falstaff in Henry V. Sederi: Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, 20. pp. 145-157. ISSN 1135-7789

G

Giddings, S. and Kennedy, H. W. (2010) 'Incremental speed increases excitement': Bodies, space, movement and televisual change. Television and New Media, 11 (3). pp. 163-179. ISSN 1527-4764

Giddings, S. and Lister, M. (2010) The new media and technocultures reader. London: Routledge. ISBN 9780415469142

Gross, B. (2010) Migranten in wartestellung: Die EU-Erweiterung 2007 im bezug auf die berichterstattung in Britischen fernsehnachrichten. In: Wassenberg, B., Clavert, Frédéric and Hamman, P., eds. (2010) Contre l’Europe? Anti-européisme, euroscepticisme et alter-européisme dans la construction européenne de 1945 à nos jours: Les concepts. (Vol. 1) Stuttgart, Germany: Steiner Verlag, pp. 379-398. ISBN 9783515097840

H

Holland, P., Chignell, H., Eglezou, G. and Wilson, S. (2010) There’s no such thing as society?: A study of broadcasting and the public services under the three Thatcher governments, 1979-1992. No Such Research.

J

Jempson, M. (2010) The challenge of an increasingly interdependent world. In: Anna Lindh Foundation, A., ed. (2010) Euromed Intercultural Trends 2010: The Anna Lindh Report 2010. Anna Lindh Foundation, pp. 128-133.

K

Kydd, E. (2010) Cyberwomen and sleepers: Rereading the mulatta cyborg and the black woman's body in Torchwood. In: Ireland, A., ed. (2010) Illuminating Torchwood: Essays on Narrative, Character and Sexuality in the BBC Series. McFarland and Co., Inc, pp. 191-202. ISBN 978-0786445707

L

Lawrence, M. (2010) Closely posed thighs: The Garden of Eden in 1966. World Picture, 4. ISSN 1938-1700

Lawrence, M. (2010) Haneke's stable: The death of the animal and the figuration of the human. In: Price, B. and Rhodes, J. D., eds. (2010) On Michael Haneke. Detroit, Michigan: Wayne State University Press, pp. 63-86. ISBN 9780814334058

Lawrence, M. (2010) Lee Kang-sheng: Non-professional star. In: Farquhar, M. and Zhangs, Y., eds. (2010) Chinese Film Stars. Routledge, pp. 151-162. ISBN 978-0-415-57390-0

M

Mattacks, K. (2010) Awkward silences?: Inclusivity and the spectacle of speech disability. Nineteenth Century Theatre and Film. ISSN 1748-3727

O

Oldham, A. (2010) The Bristol Bike Project. [Video]

P

Penlington, A. (2010) “Not a man from England”: assimilating the exotic ‘other’ through performance, from Henry IV to Henry VI. In: Maley, W. and Tudeau-Clayton, M., eds. (2010) This England, That Shakespeare: New Angles on Englishness and the Bard. Ashgate, pp. 234-262. ISBN 978-0-7546-6602-8

S

Salter, L. (2010) Problems of news culture and truth: The BBC’s representation of the invasion of Iraq. Journal of War and Culture Studies, 4 (2). pp. 161-177. ISSN 1752-6272

Sobers, S. (2010) Positioning education within community media. In: Howley, K., ed. (2010) Understanding Community Media. Sage Publications, Inc, p. 188. ISBN 978-1412959056

Sonwalkar, P. (2010) Border disorder: threat, distrust and ‘othering’ in Indian journalism. Global Media and Communication, 6 (3). pp. 1-5. ISSN 1742-7665

T

Tincknell, E. (2010) Double O agencies: Femininity, post-feminism and the female spy in Casino Royale. In: Lindner, C., ed. (2010) Revisioning 007: James Bond and Casino Royale. Wallflower Press. ISBN 9781906660208

Tincknell, E. (2010) Scourging the abject body: the television make-over show and the reconstruction of femininity under neoliberalism. In: Gill, R. and Scharff, C., eds. (2010) New Femininities: Postfeminism, Neoliberalism and Identity. Palgrave Macmillan.

Tuck, G. (2010) Art, cinema, sex, ontology: Maurice Merleau-Ponty and the in-visible of cinema. In: Carel, H. and Tuck, G., eds. (2010) New Takes in Film-Philosophy. Basingstoke, Hampshire: Palgrave Macmillan. ISBN 9780230250291

Tuck, G. (2010) Orgasmic teen virgins: Carnal ignorance, body knowledge and the representation of teenage sexuality in American film. In: Jeffers-McDonald, T., ed. (2010) Virgin Territory: Representing Sexual Inexperience in Film. Detroit, USA: Wayne State University Press . ISBN 978-0814333181

Tuck, G. (2010) Phenomenological encounters on and beyond the screen (panel chair and convener). In: Society for Cinema and Media Studies Conference, Los Angeles, CA, USA, 2010.

Tuck, G. (2010) Sex, dialectics and the misery of happiness (Todd Solondz, USA, 1998). Film-Philosophy, 14 (3). pp. 33-62. ISSN 1466-4615

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